What Is The Loss Of Identity In All Quiet On The Western Front

In All Quiet on the Western Front, Paul is morphed from an innocent child into a war veteran who has a new look on society. Paul used to have a carefree life where he was able to be a kid, but when he enlisted into the army it all changed. Paul became a person whose beliefs were changed because of the war. Paul doesn't believe in society anymore especially parents, elders, and school, which used to play a big part in his life. He changed his beliefs because society does not really understand how bad war really is and pushed many young men, who were not ready, into the army. Paul connects with his fellow soldiers because they are going through the same situation and

Through out this book the author shows that war is not about heroism and fighting nobly for your country, war is a terrible thing. Paul and his friends are on the frontline in the shelters for days and the pressure gets to the men as Paul says here. "The recruit who had the fit earlier is raving again and two more have joined in. One breaks away and runs for it." This shows that the frontline, added by lack of food, has driven the young recruits mad and so much so that one recruit runs away out into the battle field with inevitable consequence of death. Paul describes the front line in many ways to show the reader and give the reader a good picture of what the frontline is like for a soldier, as Paul expresses here." The front is a cage and you have to wait nervously in it for whatever happens to you", and Paul also says. "I can be squashed flat in a bomb-proof dugout, and I can survive ten hours in the pen under heavy barrage without a scratch." This shows the reader that it is very unpredictable on the frontline and that a soldier owes his life only to lucky chances that they have not yet been killed.

Along with personal feelings, the same goes for everyone Paul witnessing his best friend’s death have impacted their group so that they cannot feel or care for each other. After a battle that left many injured. While Paul rests he thinks of how everyone is left on their own, claiming, "We have lost all feeling for one another. We can hardly control ourselves when our hunted glance lights on the form of some other man. We are insensible, dead men, who through some trick, some dreadful magic, are still able to run and to kill" (Remarque, 116). During another day in the trenches Paul sees many bodies everywhere, soldiers being killed in front of him. Losing everyone that was close to him has caused him to lose himself mentally making him unstable. He carries the pressure of telling the families which furthermore carriers his depression. He carries a comrade’s boots as they are passed down from soldiers after each owner dies, Paul carries these boots to represent unimportance of human life. In addition to young soldiers have to follow and look up to older generation and higher rank officers which lead to betrayal. Propaganda played a huge role in World War 1 giving everyone biased opinions and bad judgements of others. These opinions gave Paul a false perspective of older generations.

All Quiet on the Western Front by Erich Maria Remarque, is a novel illustrating the struggles in World War 1. Paul, whom the novel is based upon, is forced to change his personality to avoid mental damage during war. Paul and his group of friends are altered not only physically, but also mentally. Experiences during war causes them to cast their emotions away to avoid getting hurt emotionally. Paul and his comrades are being shaped by the experiences during war and are beginning to accept that life is fragile. As war drags on, death becomes common enough to become a casual thing for Paul. When Paul goes back to talk to Kemmerich’s mother, he is shock how much pain she is in, “. . . she strikes me as rather stupid all the same. . .Kemmerich

Written by Erich Maria Remarque, All Quiet on the Western Front is the tale of a young man by the name of Paul. Paul who is nineteen years old gathers several of his friends from school and together they voluntarily join the army fighting for the Axis alliance. Before they are sent off into actual battle, they are faced with the brutal training camp. Along with this they face the cruelty of the life of a soldier. This made them question the reason for which a soldier fights. They are told that they fight because they must be nationalists and must therefore be patriotic. But they began to understand that these are just clichés and are used to brainwash soldiers. Soon after they graduate they are sent into the fray of war. The premature idea of war being glorious and honourable is destroyed when they step into the gruesome actuality of war. They are forced to live in constant fear for their life. Kemmerich, a friend of Paul, gets injured and contracts gangrene. From this his leg is amputated to stop the infection from spreading. Sadly, the operation was done too late and Kemmerich is declared to be slowly dying. Paul and his friend visit Kemmerich is slowly dying, and Müller, another former classmate, overlooks Kemmerich’s horrible state and says that he wants Kemmerich’s boots for himself. Accustomed to life at war, Paul doesn’t consider Müller insensitive. Paul understands that Muller knows Kemmerich will no longer use his boots

The young men at the front had a distant relationship that seemed to grow as the war went on. The men that fought at the front became alienated through all of the gruesome scenes they encountered and the problems they faced daily. After just two weeks of battle only half of the men that went to battle with Paul remained at the battle front. Paul along with all of the other soldiers at the front had to see their “brothers” shot and killed or wounded while fighting right by their side. Paul

The French soldier dies an agonizingly painful and prolonged death; his gurgling and whimpering haunting Paul, but when the soldier finally dies, the resulting silence is even more haunting and debilitating. “Paul describes the trenches, the shelling, the screams of wounded horses and men, the poison gas attack, and the rain that drenches everything. [He] describes the tension and the horror of a major battle, with the confusion, the noise, and death turning the soldiers into numbed, unthinking machines.” (All). Paul recognizes how war forces people to think and act in ways that differ from their values and beliefs, as they are desperate to survive. Remarque uses imagery and sensory details to skillfully formulate a raw and grisly atmosphere that leaves no aspect hidden. Towards the end of the novel, many of Paul’s comrades have died, and he is the only person left in his class who is alive. He expresses the desolation and misery he feels, “I am very quiet. Let the months and years come, they can take nothing from me, they can take nothing more. I am so alone, and so without hope that I can confront them without fear.” (Remarque 295). Paul has nothing left to lose at this point, so he faces his enemies free of fear and obligation to return back to his friends and his home. His sorrowful tone conveys his indifference towards death and his desire

The beginning is the starting point of Paul’s change throughout the novel; first going into war, Paul knew who he was, not just another solider. But the literal line where the front starts is the launch of the stripping of his humane and individual identity. Paul narrates the exact point where a physical and mental borderline is set up, “We march up, moody or good-tempered soldiers – we reach the zone where the front begins and become on the instant human animals” (27). His identity shifts when he acknowledges that there must be change for like on the field, he becomes an “instant human animal;” no matter “moody of good-tempered” prior to arriving at the line, their individuality is demolished. War rips the uniqueness off civilian men and throws them in backwards evolution and forces them to act like animals: attacking, killing, and surviving.

World War I affected the soldiers mostly negatively mentally and physically because no war before it was as horrifying as the Great War. All Quiet on the Western Front by Erich Maria Remarque, tells the tales of a group of German teenagers that were convinced to enlist to fight in World War I. Paul Baumer is the protagonist and the narrator in the novel who changes from an innocent young man to a hardened soldier along with his friends. The author uses the characters Paul, Himmelstoss and Kat to reveal the negative and positive consequences of war and to exemplify that war brings out the worst in people, war brings people closer together, and that war is dehumanizing.

While on leave, Paul also visits his father and some of his father's friends, but does not wish to speak to them about the war. The men are "curious [about the war] in a way that [Paul finds] stupid and distressing." They try to imagine what war is like but they have never experienced it for themselves, so they cannot see the reality of it. When Paul tries to state his opinion, the men argue that "[he] sees only [his] general sector so [he is] not able to judge." These men believe they know more about the war and this makes Paul feel lost. He realizes that "they are different men here, men [he] can not understand..." and Paul wants to be back with those he can relate to, his fellow soldiers. Paul wishes he had never gone on leave because out there "[he] was a soldier, but [at home] he is nothing but an agony to himself." When Paul returns to the battlefield, he is excited to be with his comrades. When he sees his company, "[Paul] jumps up, pushes in amongst them, [his] eyes searching," until he finds his friends. It is then

Similar to the convergence of physical issues, the soldiers had a similar emotional trauma experienced. The mass death that was a consequence of the physical carnage of the war could easily lead to emotional distress due to the nature of death. Consider in All Quiet on the Western Front when the soldiers had to seek protection in a graveyard when “heavy fire” overtook them, what Paul thought about the event described the messed up mental side of the soldiers regarding death (Remarque 65). Primarily, when trying to escape the bombs and gas, and Paul had to hide in a coffin, he realized that the coffin “shall protect [Paul], thought death himself lies in it,” (Remarque 67). This whole statement can be analyzed as Paul coming to the understanding that the only way to

The novel All Quiet on the Western Front, by Erich Maria Remarque, is story of the fictional character Paul Baumer and his troop Troop 9 as they battle in World War I on the Western Front for Germany. This novel differs from most war novels in that it does not portray the men as valiant soldiers protecting their country. The way that the story is told strips away the romanticized view warfare and portrays the raw emotions that come with being on the front lines of a battle. As both Paul Baumer’s life and the battle progress, Paul’s values, along with those of the other soldiers, evolve until they culminate in Baumer’s own passing.

Yet another example of the brutalization and dehumanization of the soldiers caused by the war occurs during Paul’s leave. On leave, Paul decides to visit his hometown. While there, he finds it difficult to discuss the war and his experiences with anyone. Furthermore, Paul struggles to fit in at home: “I breathe deeply and say over to myself:– ‘You are at home, you are at home.’ But a sense of strangeness will not leave me; I cannot feel at home amongst these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano – but I am not myself there. There is a distance, a

Paul has his first real encounter with death when his friend Kemmerich dies in the hospital. The realization that he and his friends can and will die makes the war suddenly real to Paul. He battles with internal opposing forces of hope and despair, as he grows from an ignorant child to an educated veteran. He begins to

While the disconnection allows the soldier to adapt to the brutal war environment, it inhibits them from re-entering society. When he takes his leave, he is unable to feel comfortable at home. Even if Paul had survived the war physically, he most likely would not have integrated back into society suitably. The emotional disconnection inhibits soldiers from mourning their fallen friends and comrades. However, Paul was somewhat less than able to completely detach himself from his feelings, and there are several moments in the when he feels himself pulled down by emotion. These rush of feelings indicate the magnitude to which war has automated Paul to cut himself off from feeling, as when he says, with unbridled understatement, “Parting from my friend Albert Kropp was very hard. But a man gets used to that sort of thing in the army (p. 269) .”