What Is The Meaning Of Ajax

John Lennon said, “Part of me suspects that I’m a loser, and the other part of me thinks I’m God Almighty.” Hubris, or excessive pride, was one of the biggest themes in Ancient Greek culture. It has what killed heroes, and destroyed villains in mythology and even real life. In the play Antigone, written by Sophocles, I share the battle that Creon has regarding a conflict of personal character, which leads to the deaths of others caused by his tremendously large ego.

The author of Oedipus, Sophocles, introduces a worthy rival to the main character Oedipus.Tiresias, who considers himself to be an equal to the Great King. Tiresias admits, “You are a king. But where the argument’s concerned // I am your man, as much as a king as you.// I am not your servant, but Apollo’s.”(Sophocles) While simultaneously trying to defend his honour and bring justice to Thebes, Oedipus argues about the integrity of Creon’s source. Tiresias retorts Oedipus’ impulsive accusations, in a studious, and King like manner.Tiresias’ diligent retaliation is dramatically significant because it develops Oedipus’ character; Oedipus is humanized and revered less as a God because of his flaws. The power dynamic shift causes the audience to become more judgemental of Oedipus since someone is holding him accountable for his behaviour. Additionally, the passage adds to the mystery of the plot and creates suspense, through Sophocles’ use of paradox, and imagery which cause the mood to change and creates a compelling story. Both of these elements cause the audience to pay attention to the drastic changes in character, and mood, to highlight the major theme of pride, power, and fate. Ultimately, the passage is intended to show the ignorance of Oedipus, and the awareness of Tiresias, who are symbols for the pervasiveness of fate.

The great talents that Achilles’ possesses cause him to become much admired and well known by both the Greeks and the Trojans. He begins to believe all the good things people are say and becomes an arrogant, child-like, selfish person which all mark Achilles’ hubris part of his behavior cycle. Achilles shows his arrogance when he gets angry with Agamemnon for him wanting take his prize of honor, which Achilles worked very hard to get. Because of this, Achilles begins to lose his capability to think straight and weigh all the factors in situations, and withdraws himself from the battle. Later on after Achilles overcomes the death of his best friend and regains back his courage and pride, Achilles kills Hector and thinks he is invincible for doing the great deed he did. Achilles fought Hector for honor over all else and performed the death of Hector almost as a duty and feels proud of himself for doing so. Before he kills Hector, Achilles declares, “I will go forth to slay Hector, who killed the man the I loved… Until then, may I win great fame and glory, and may every Trojan realize that the greatest of the Greeks no longer remains apart from battle”(145).

Although respected and a mighty warrior, like most heroes, Hector also had flaws. The flaw of his that stands out the most is his cowardice. Such cowardice is demonstrated when he runs away from runs away from Ajax two times. He then receives insults from his soldiers and is emotionally instable for a moment. This causes him to treat his opponents and others very cruelly.

Socrates then tells the story of Troy and how Hector son of a king heir to the throne kills Achilles friend Patroclus, during the battle. This made Achilles very vengeful; his mother the goddess warned Achilles if you kill Hector out of vengeance you too will die. Achilles said to go home would be a coward move and it will be a great disgrace. What Socrates is trying to say even

Hector is revered and looked up to by his people, and his status as Prince bolsters this. The Trojan’s admiration in his bravery is what keeps him fighting, knowingly putting himself in great danger and in the hands of death.

His condition bears a close resemblance to what we today identify as the “Napoleon complex.” A bad temper and harsh tongue frequently get the best of him. During the games in honor of Patroclus, Ajax gets into a heated argument with King Idomeneus about which horses have the lead in the chariot race. Unprovoked, he insults Idomeneus’ age, vision, and authority, and Idomeneus lashes back. The argument could have turned violent if Achilles had not broken it up. Several times in the Iliad, Ajax recklessly acts on his impulses and emotion, and his ego is easily bruised. For example, when Hector asks for a challenger, Ajax is one of the men to volunteer and draw lots (after Nestor shames him), which thankfully, the great Ajax happens to win. Careful consideration would have made him realize that he stood no chance against Hector—he was not quite the caliber of Achilles and his

Ajax is a Greek tragedy, written by Sophocles, that follows a greek hero named Ajax, and its follows his fate until his suicide. Ajax has a different take on warfare, because it talked about the madness that took over Ajax and the following breakdown after that which is reminiscent to PTSD. The passage 311-330 in Ajax is an example of Ajax’s PTSD, in summary the passage is after Ajax’s slaughter of the cattle, Ajax has a breakdown after Tecmessa told him what he has done. Tecmessa is worried about Ajax and is pleading to the chorus to go talk to them.

On the battlefield he treats the Greeks with honor and respect. Hector demonstrates honor by meeting the greeks head on in battle instead of ambushing them. Hector also led his men in the face of fear when patroclos showed up dressed as achilles. Hector also honorably allowed the Greeks to collect their dead after the battles. He also fights one on one with Achilles to try and end the war and save the citizens and soldiers of Troy. Although he died in the battle, Hector gave his best effort to fight, win and end the

Nestor, noble charioteer, captures best the essence of Achilles when he says, “Achilles, brave as he is, he has no care, / no pity for our Achaeans” (Homer 11.787-788). Most readers of the Iliad, consider Achilles the greatest warrior of The Trojan War, however, he lacks an important characteristic; care for others. Achilles’ best friend Patroclus, has described him as a great warrior, but a terrible person (11.774). In Homer's Iliad, Hector the great warrior of the Trojans, exhibits a selfless leadership approach, which contrasts to Achilles’ selfish actions as a leader. In order to be a great warrior, one’s loyalty must belong to something outside of themselves, and it’s through Achilles’ self-centered actions, that he loses the title of the greatest warrior to Hector. As the two capital warriors of the different sides of the Trojan war, Hector and Achilles provide an interesting contrast between two powerful leaders. Known for being loyal, selfless, and dedicated to his army, Hector contrasts to Achilles, who is self-serving in every aspect of his life. Despite his defeat at the hands of Achilles, Hector proves to be the greatest warrior of the Trojan War. The first characteristic Hector possesses, making him the superior warrior, is his ability to set his pride aside when he knows it will benefit his army. In contrast, Achilles allows his pride to control him and detriment his army. Another vital characteristic Hector’s possesses, making him a better leader, and

Ajax’s rage at the loss of Achilles’s armor is the source of the violence which produces the slaughter of the livestock, his consequent humiliation, and ultimately his death. His penchant for unrestrained violence as a warrior helps to establish his heroic status while ultimately being self-destructive. Athena redirects Ajax's vengeance upon the cattle, but the excessive force and torture which he enacts

The effect of pride is the centers piece of man’s perpetual role in his own destruction. This is illustrated by various characters’ such as Creon in Antigone by Sophocles, Oedipus in Oedipus the King by Sophocles and the Trojans in the Aeneid by Virgil. In the Antigone we see the consequence of one’s pride and desire for power take hold, when Creon decides to punish Antigone for disobeying the law off the land and proving Polynices with a burial. The disregard for any form of sympathy would eventually come to hunt Creon, in a reversal of fortune that would see him loose not only his power but his family as well. A similar pattern is observed in the Aeneid by Virgil, where the Trojans filled with pride and neglecting the voice of reason,

“Remind him of that, now, go and sit beside hime, grasp his knees... see how mad he was to disgrace Achilles, the best of the Achaean” (1, 484-490). This pacifies Achilles’ rage briefly while he goes back to the ships and refuses to help the struggling Achaeans on the battlefield because Agamemnon hurt his pride. Another instance that highlights Achilles flaw of anger is when the great Trojan warrior, Hector, kills Achilles close comrade Patroclus. Achilles bursts from his sulking attitude out of the Achaean ships in a rage of passionate fury that even his pride cannot overcome. “My dear comrade’s dead... Hector’s battered down by my spear and gasps away his life, the blood-price for Patroclus, Menotius’ gallant son he’s killed and stripped” (18, 94-109). This signifies Achilles’ zenith of anger and represents the turning point in the epic, along with the transition into his dramatic reversal as a character.

Moreover, Sophocles’ insightful word choice is used to further explore the themes of free will and fate. While Jocasta is trying to convince Oedipus to go no further in his quest to learn his lineage, she tells him in her dialog, “You’re doomed --/may you never fathom who you are!”(4-5). Sophocles’ choice of the word “doomed” is again a word implying an inescapable fate. However, since Jocasta knows the prophecy has already been fulfilled the ill-fated future that she foreshadows is Oedipus’ tragic fall. Thus it is of significance that with her next line in the script in response to Oedipus calling to a servant to fetch the shepherd, Jocasta says to Oedipus, “Man of agony--/ that is the only name I have for you,/ that, no other-- ever, ever, ever!”(10-12). This is a turning point for Jocasta, not only has her speech become reduced to short clauses, she has also come to the conclusion that Oedipus has inflicted his physical and mental trauma on himself by his choices. As Jocasta exits the stage to commit suicide after

Knox, B. M. (1998). Hero. In Oedipus at Thebes: Sophocles' tragic hero and his time (1st ed., p. 4). New Haven, NY: Yale University Press.