Character Analysis Of Arnold Friend

Connie starts out in the story as someone that is self-absorbed, concerned for no one but herself. Arnold Friend is really the same way. He tells her that he saw her “that night and thought, that’s the one” (Oates 480). In spite of the words he uses, the reader knows that Arnold does not have any true feelings for Connie because he says “My sweet little blue-eyed girl” (Oates 483). Arnold is oblivious to the fact that Connie has brown eyes. “In Arnold’s view, Connie’s personal identity is totally unimportant” (Wegs 3).

In where are you going, where have you been the major conflict is the lack of self-confidence and immaturity of Connie. From that, the complication of being stalked by Arnold arises. The author does not just tell us Connie is a naive girl but discusses her actions and lack of actions leading us to believe so. Because of that, by the time the complication start taking shape, the reader can almost guess what would be next, that is Arnold is one of the boys that are Connie’s age. Knowing a lot about Connie by now, we will guess after being reluctant for a while she will take off with him like she has done before so many times, there how ever is a surprise waiting. Once we start following the dialogue between Connie and Arnold and know more about his awkward looks and language we start understanding the symbolism Oates has been using. He is the prince of darkness and he is there to take Connie to her final destiny, the land of the dead. Talking about the old woman down the street who was also murdered he is

Through plot, Oates demonstrates how Arnold Friend can be seen as a symbolic Satan. Plot starts when Arnold makes sure to tell Connie he is interested in her as he says,“Gonna get you baby” (Oates 1). Connie is in a drive-in restaurant for an older crowd when Arnold sees her for the first time. Once Connie leaves the drive-in dinner with a boy named Eddie, Arnold decides to make a move on Connie. Arnold uses foreshadowing to let her know he will meet her again. Just as Arnold says he is going to get Connie, he shows up in her driveway, creating a creepy situation. That Sunday afternoon, Connie is alone in her house while her parents and sister are on a picnic at one of their neighbor’s house, Arnold decides to use this opportunity to make his

In the story “Where Are You Going, Where Have You Been” Connie, the main character, is already struggling with many things in life and sneaks her way to date guys. There was also conflicting between her and her mother due to her mother favoring her sister, June and describing her as someone who is a good example of what she wants Connie to be. Her father is never at home due to work and when he is home, the girls do not relate to him. Arnold Friend is described as a dangerous figure with his pale complexion and his slick black hair looking like trouble by not presenting himself in a pleasing way to Connie, by not walking properly. This was an indication on how he was not in the right state of mind and how Arnold shouldn’t be near Connie. There was one scene in the story where Arnold Friend shows up, uninvited, notifying Connie that he is not a friend, but has come to take her away from her home to possibly kidnap her. "Connie felt a wave of dizziness, rise in her at this sight and she stared at him as if waiting for something to change the shock of the moment, make it alright again”. Connie feels safe in the house and does not come out until Arnold convinces and demands her that she come out. Things took an unpleasant twist when Arnold tells Connie not use the phone or he will break his promise of not coming in the house

Arnold Friend represents Satan because of his physical character, his ability to know things about Connie, and his strange hypnotic power over her. Arnold Friend’s physical traits lead us to believe that he is trying to hide his true identity. He knows a lot of information about Connie that he shouldn’t know. He knew exactly where her parents were and what they were doing. He also has an unexplained force over Connie. This suggests that he has the power to make it seem like Connie was under his control. All of these things are common

Besides Arnold Friend physical appearance, which makes the reader assume that his character is not a human being, Oates gives him supernatural powers that a normal person could not have. One example of this is the power that he has over Connie; he knows everything that involves her: “ 'Just for a ride, Connie sweetheart.' Arnold Friend says. 'I never said that my name was Connie, she said.' And he replies: 'But I know what it is. I know your name and all about you, a lots of things, Arnold Friend said' ”(584-585). The security of Arnold Friend words gives to reader the impression that he has been watching her closely and all the time without her knowing it or noticing it. This confirms the reader’s hypothesis that Friend's is Satan. Moreover, when Connie tries to hide from him in her house, Arnold manipulates her into leaving the house simply by telling her what to do, like a puppeteer and his puppet: “You won’t want your family to get hurt. Now get up all by yourself. Now turn this way. That’s right. Come over here to me. Now come out through the kitchen to me honey and let’s see a smile, try it, you are brave sweet little girl”(591). Oates makes the reader infer that Satan’s only way to make her comes out is by using his demon powers, because the devil cannot get into your house unless you have invited him in. Therefore, he uses his

“Nothing about Arnold Friend is genuine, except his violent intentions and his skill at psychological and physical intimidation. By the story’s end, Connie understands that she is not the confident flirt she thought, but a powerless pawn in the hands of a dangerous individual.” (Cormier)

Arnold Friend's façade gives the reader the feeling that something is wrong, as if Oates were trying to persuade Connie away from her impending doom. When Arnold first pulls into Connie's driveway, the reader is alarmed. Connie notices that he is actually much older than he appears and the reader knows that

Her knowledge of her beauty allows her to draw attention to it from many guys of many ages. She loves the attention that she gets from these boys, and that often seduces her into the decisions that she makes. Her first encounter with Arnold Friend occurs when she is in the car with one of the boys she met, Eddie. She glances to her right and sees Arnold, in his car, staring at her. Arnold spoke with his lips to tell her “Gonna get you, baby”, and perhaps it is this threat that causes Connie to symbolize him as a jeopardy to her innocence that the reader sees in her nightmare (Oates 28).

Arnold Friend is an ironic name for this character because he isn’t Connie’s friend, she doesn’t even know him. And if you say the name out loud, it sounds like “are no friend” He proves that he can’t be a friend in the first place, he left his so-called friend in the car and talked to him like he meant nothing to him.

The interaction between Connie and Friend start when Friend shows up to Connie’s house uninvited. The author Oates states “After a while she heard a car coming up the drive. She sat up at once, startled, because it couldn't be her father so soon. . . It was a car she didn't know,” (qtd. Oates. pg.2) Connie’s first reaction was to evaluate how good she looked instead of finding out whether Friend was somebody she knew or not. When they finally come face to face, she was met with flirtatious small talk from Friend, who exclaimed “Don’tcha like my car? New paint job,… You're cute” (qtd. Oates. pg.3) Connie is in awe of his faded pants and his huge black dark boots and actually considers getting in the car as he requested. The awe of the mysterious however, rapidly shifted as he makes demands and threats due to Connie’s refusal to get in the car with him. Alarmed, Connie tries to put a call. Arnold request that she come out of the house and if she doesn't comply to his demands she and her family are going to “get it”. Slowly, Connie begins to realize that there's something off about Arnold Friend. He looks to be wearing a wig, and he's

Arnold Friend is a seductive man, or should I say ArN OLD FrIEND with a dark appearance hiding something deeper, something evil? Arnold, posing as a teen-age boy, is none other than the devil himself, which shows in his words and actions, and in his physical traits. From the very beginning of, Joyce Carol Oates', "Where are you going, Where Have you been?" a certain number of religious references are interspersed throughout. These references help to maintain a biblical feeling, as well as to set a path for Friend's entry into the story. They also foreshadow that; powers beyond a human level will be presented. Friend looks like one person in the beginning, but as the story unfolds, he is shown as someone else or

The persona of a sociopath appears to be much like any human. In many cases, one would not be able to "pick him out of a crowd." Their minds, however, differ greatly from the average mind. A sociopath is extremely smart and methodical and most often is very meticulous in the way in which he acts. While many people are not thinking beyond the norm, a psychopath thinks about his every breath, step, and word. In the short story "Where are you going, Where have you been?" by Joyce Carol Oates, the depiction of a sociopath is apparent. Arnold’s mannerism, thoughts and tactics create the perfect portrayal of a truly sociopathic character.

In the story Where Are You Going Where Have You Been, the author Joyce Carrol Oates tells about a young girl named Connie who is insecure because her mother constantly compares her to her “perfect” older sister. Connie does not get much attention at home from her family which leads her to become more of a target. Connie goes out with her friends in the beginning of the story and Arnold Friend, a stranger to Connie, watches Connie and her family’s every move and soon learns everything about them. In Where Are You Going Where Have You Been, Oates uses characterization of Connie to foreshadow her eventual kidnapping by Arnold.

I Am Staying Here, I Have Not Moved (as a response to the title of the story)