Character Analysis Of Bigger Thomas

Throughout the whole novel Bigger had felt cornered and intimidated by the white man and who they were. However, this man was different from the others. He treated Bigger as a normal human being, not as a downtrodden person or a murderer, just a normal human being. This is the only instince in which this happens in the whole novel. Wright used it primarily to show that he himself did not feel as if all whites were bad but that because of stereotyping, many were. Wright goes out of his way to show that this man was not under the inlfluence of stereotyping and to show the decent side of some whites.

Mrs. Dalton's discovery of Bigger is a serious threat to his life, which causes him to frantically search for safety.  "He turned and a hysterical terror seized him, as though he were falling from a great height...It was Mrs. Dalton.  He wanted to knock her out of the way and bolt from the room" (Wright 97).  Like the rat, Bigger is trapped and in danger, with no possibility for escape.  In his last, desperate fight for survival, he suffocates Mary, similar to the rat's wild leap for his pant leg.

In book one, talks about crimes Bigger have done against other blacks, but never against a white man. He and his best friend Gus “play white,” and Bigger talks about, how “they don’t let us do nothing” referring to white people (Wright 17). Bigger feels that white people are going to force him to do something he cannot control. Bigger talks about robbing a white man named Mr.Blum. His friends are hesitant about the robbery and Bigger tells them, “ If old Blum was a black man, you-all would be itching to go. ‘Cause he’s white, everybody’s scared” (Wright 20). Bigger and his gang of friends have no problem committing crimes against their own people. They had never thought of committing a crime that involves crossing a racial boundary.

Wright uses Bigger’s psychological corruption to send a message to the reader. It offers a new view on the underlying effects of racism on the black community of the time period. Wright creates Bigger from the diversity he saw throughout American society. “I made the discovery that Bigger Thomas was not black all the time; he was white, too, and there were literally millions of him, everywhere... I became conscious, at first dimly, and then later on with increasing clarity and conviction, of a vast, muddied pool of human life in America. It was as though I had put on a pair of spectacles whose power was that of an x-ray enabling me to see deeper into the lives of men. Whenever I picked up a newspaper, I 'd no longer feel that I was reading of the doings of whites alone (Negroes are rarely mentioned in the press unless they 've

In Native Son, Richard Wright paces the plot through his varying sentence structure which differs depending upon the situation at hand. Through the use of short and succinct sentences, especially in dialogue, Wright displays Bigger’s timid nature towards white people. In the narrative, the use of concise sentences depicts fast motions and the simple observations of Bigger. For example, when Bigger carries the intoxicated Mary to her room, Wright describes, “He turned her round and began to mount the steps, one by one. He heard a slight creaking and stopped. He looked, straining his eyes in the gloom. But there was no one” (105) By using simple statements, Wright shows

As we read Native Son, Bigger’s resulting attitude toward the whites is a combination of anger and powerful fear. He fears the whites as an overpowering force that he cannot

Bigger Thomas kept his emotions hidden inside and when in fear he reacted violently. There were a number of occasions in which Bigger reacted violently because of fear. In a certain scene in The Native son (pages 28-30), Bigger and his friends planned to rob a store, but the only problem was it was owned by a white man. Bigger and his friends never robbed a white man before and made them skeptical but Bigger was the one who came up with the idea so he couldn’t back out. They decided to meet at Doc’s poolroom before going to Blum’s and when Gus showed up late, Bigger started a fight with Gus to take his friends mind off robbing Blum’s. This wasn’t the only incident in which Bigger resulted to violence because of fear; in fact, In the Native Son (pages 86-92) Bigger killed Mary by suffocation because he didn’t want Mrs. Dalton to know he was in

I would argue, however, that Bigger always detested whites treating him like a nobody and after accidentally killing Mary Dalton, he began being more open about he he feels since he had little to lose. Anyway, Bryant’s main argument is that the white world does not see Bigger, and this is one of Bigger’s biggest fears. Indeed, when they accuse him of rape, this takes away the subjectivity that would have been associated with him had he simply been called a murderer. In addition to making Bigger seem less than human by labeling him as a rapist, the authorities do not think that Bigger is intelligent enough to carry out a murder as complex as Mary Dalton’s. All this goes to show that Bigger is a symbol that whites have used as an excuse to discriminate against Blacks, and who Bigger is as a person is not something that really matters. The reason Bigger has negative feelings towards all Whites for the majority of the book is because they only see his skin color.

In Richard Wright’s Native Son, alienation, the state of being isolated from a group or an activity to which one should belong or be involved in, is a major theme presented in the novel. The protagonist, Bigger Thomas, faces alienation repeatedly from society due to his identity as a young African American boy living in Chicago. Because of his skin color, in different places, he felt inferior to everyone around him and felt like he had no purpose in his life because of society’s expectations: African Americans ending up in a jail cell for the rest of their lives, making them feel worthless. As a result, he went looking for that power without knowing it. When he killed both Mary and Bessie, he felt that power rush to him. However, Bigger does end up in jail because of his wrong doings. Even though justice was served for the killings of Mary Dalton and Bessie, he did not deserve such a harsh sentence just because he is a darker skin tone compared to the Whites.

Firstly, Wright utilizes the figurative language technique simile to characterize Bigger as an unstable character in order to create an uneasy mood. Wright writes “These were the rhythms of his life: indifference and violence; periods of abstract brooding and periods of intense desire; moments of silence and moments of anger—like water ebbing and flowing from the tug of a far-away, invisible force” (Wright 31). Bigger is being depicted as a character who suffers from massive mood and character changes, going from silence to hatred and rage. This is why Bigger can be seen as an unstable character in the passage, because

Richard Wright's novel, Native Son, stirred up a real controversy by shocking the sensibilities of both black and white America. The protagonist, Bigger Thomas, is from the lowest ring of society, and Wright does not blend him with any of the romantic elements common to literary heroes. Bigger is what one expects him to be because of the social conditions in which he lives: he is sullen, frightened, violent, hateful, and resentful. He is the product of the condemnation the “white” society has brought upon him.

He has feelings, too, of fear, as Wright remarks "He was following a strange path in a strange land" (p.127). His mother's philosophy of suffering to wait for a later reward is equally stagnating -- to Bigger it appears that she is weak and will not fight to live. Her religion is a blindness; but she needs to be blind in order to survive, to fit into a society that would drive a "seeing" person mad. All of the characters that Bigger says are blind are living in darkness because the light is too painful.

When analyzing Bigger Thomas, Richard Wright’s protagonist in the novel Native Son, one must take into consideration the development of his characterization. Being a poor twenty-year-old Black man in the south side of Chicago living with his family in a cramped one- bedroom apartment in the 1930’s, the odds of him prospering in life were not in his favor. Filled with oppression, violence, and tragedy, Bigger Thomas’ life was doomed from the moment he was born. Through the novel, Bigger divulges his own dreams to provide for his family and to be anything but a “nobody.” Although Bigger struggled to fight through obstacles to pursue his dreams for the future, his chase for a better life came to an abrupt

Richard Wright’s novel, Native Son, depicts the life of the general black community in Chicago during the 1930’s. Though African Americans had been freed from slavery, they were still burdened with financial and social oppression. Forced to live in small, unclean quarters, eat foods on the verge of going bad, and pay entirely too much for both, these people struggled not to be pressured into a dangerous state of mind (Bryant). All the while, they are expected to act subserviently before their oppressors. These conditions rub many the wrong way, especially Bigger Thomas, the protagonist of the story. Though everyone he is surrounded by is going through all the same things that he is, growing up poor and uneducated has made Bigger angry at the whole world. You can see this anger in everything he does, from his initial thoughts to his final actions. Because of this, Bigger Thomas almost seems destined to find trouble and meet a horrible fate. Wright uses these conventions of naturalism to develop Bigger’s view of the white community(). With all of these complications, Bigger begins to view all white people as an overwhelming force that drags him to his end. Wright pushes the readers into Bigger’s mind, thoroughly explaining Bigger’s personal decay. Even Wright himself says that Bigger is in fact a native son, just a “product of American culture and the violence and racism that suffuse it” (Wright).

In Richard Wright’s Native Son, Bigger Thomas attempts to gain power over his environment through violence whenever he is in a position to do so.