Character Analysis Of Billy Budd

Herman Melville’s Billy Budd introduces us to Budd as a young sailor amongst others in the merchant ship, “The Rights Of Man.” Billy is a bright young man whom everyone likes, he represents good and innocence. Soon we see a British naval ship near the merchant ship called “Bellipotent” where Billy is soon to be recruited onto. Here Billy will come face to face with Claggart, the ship's master-at-arms. Claggart represents evil in the world. Herman Melville’s creation of Billy Budd in a world of evil and wickedness shows that innocence cannot exist untouched by evil. Therefore the claim of the whole transcendentalist movement is “wrong” and not possible. Though good, and of best interest, the transcendentalists do not acknowledge the true flaws and evil ways of certain individuals throughout the world/society.

    One might say we are presented with two fish stories in looking at Ernest Hemingway's The Old Man and the Sea and Herman Melville's Moby-Dick, a marlin in the former and a whale in the latter.  However, both of these animals are symbolic of the struggle their hunters face to find dignity and meaning in the face of a nihilistic universe in Hemingway and a fatalistic one in Melville.  While both men will be unable to conquer the forces of the universe against them, neither will either man be conquered by them because of their refusal to yield to these insurmountable forces.  However, Santiago gains a measure of peace and understanding about existence from his struggles, while Ahab leaves the

Although Washington could not describe himself as a revolutionist, his present state of external conflict forged him into the figure engraved in our minds today. Herman Melville (1819-1891), author of the literary classic Moby Dick, possessed much experience that contributed to the setting and message of his writing. Although Melville never became a midshipman, or naval sailor, he can attribute a great deal of influence for writing to his life while at sea. Melville's Billy Budd, Sailor tells the story of a young mariner and his induction on the H.M.S. Bellipotent. From unstable relationships to cabin revolt, Billy, the main character, faces a series of conflicts that ultimately creates varying images of him in the differing minds of those around him. In view of all of this, Melville, in Billy Budd, Sailor, communicates to readers the theme that “conflict, internal or external, exists as the framework of destiny,” through Billy's initial reaction to the crew as a result of enlistment on the Bellipotent, the rumor of mutiny, and his

Billy Madison is the son of a famous hotel tycoon and spends his days being an idiot in the hotel pool. Billy then finds out that his father, Brian Madison, is having a meeting about retirement. Brian is trying to find a person to run Madison Hotels, and Brian says that he will give the ownership to Eric Gordon because Billy is not responsible enough. Brian tells Billy that he payed Billy's teachers to give him good grades so he could graduate which makes Billy mad and he says he will complete grades 1 through 12 again in 24 weeks, 2 weeks to finish each grade. Brian accepts Billy's offer, but Eric gets mad and becomes offended by this.

In Herman Melville’s “Bartleby, The Scrivener,” Melville uses a range of devices in his writing that makes his style distinguishable. Although he only focuses on one major setting throughout the story, he uses it symbolically to demonstrate a developing theme. The uncommon comparisons he uses to describe the characters provides the reader with interesting imagery to interpret. The narration that he deliberately places throughout the story allows the reader to follow the narrator’s thoughts as they come. Melville’s writing style is distinguished by his limited but symbolic setting, unique comparisons that contribute to characterization, and frequent narration.

Throughout his novel, Moby Dick, Herman Melville will often devote entire chapters to the thoughts and actions of specific characters. Two specific examples of this type of chapter are Chapter 36, The Quarter-Deck, and Chapter 42, The Whiteness of the Whale. The first of these chapters depicts Ahab addressing his crew for the first time in order to convince them to hunt down Moby Dick. The second offers insight to the fear that is brought upon by the mere mention of Moby Dick The significance and effectiveness of each of these chapters are enhanced by Melville’s use of rhetoric and style respectively.

In Herman Melville’s Billy Budd, Sailor, readers are introduced to the conflict of good and evil between Billy Budd and Claggart. However, there is another conflict, which, in ways is more significant than the epic clash of good and evil. Vere’s struggle between duty and conscience is more significant because it occurs in the mind. Whereas Billy Budd was clearly the noble sacrificed hero and Claggart was the vindictive villain, duty is just as noble as conscience and conscience is just as noble as duty. Melville sets up this conflict by placing a man with the intuition and innocence of a child, in the hands of a captain amidst war. In a description of Captain Vere it can be anticipated that Vere, who values peace and common good, would be

The central religious themes of Uncle Tom's Cabin and Moby Dick reflect the turbulent and changing religious climate of their time. In their use of themes from both traditional Calvinism and modern reform, the syncretic efforts of both of these texts offers a response to the uncertainty and change of the period. However, their uses of these themes are different; while Stowe used a precise focus on a Christian polemic against slavery, Melville intentionally de-centralized his text in a way that asks the reader to look beyond the medium of expression to the truth which lays behind it, but cannot be contained in it.

Herman Melville's Billy Budd provides us with a summation and conclusive commentary on the ambiguities of moral righteousness and social necessity. The conflict that arises pitting natural justice in opposition to military justice essentially deliberates over whether the sacrifice of the individual is required for the continuum and conservation of social order. The deep allegorical theme of the passion of Christ that resides in Billy Budd illustrates Melville's adjudication on this issue. The sacrifice of Billy Budd for the upholding of social order is an illusionary backdrop to Christ offering up His life for the forgiveness of the sins of mankind. Melville implements this theological staple

Henry Melville also critique’s the practice of Christianity in the 19th century America in his work “Bartleby the Scrivener”. Melville illustrates the idea of a higher spiritual purpose in relation to societal standards. It also questions what makes a person good ideally in the eyes of society, which relates to how society views a religious person. As religion, such as Christianity, defines how people interacted with others and what actions were associated with a Christian person in 19th century American Society. Melville questions the idea that

While the topic of slavery is never discussed explicitly in Herman Melville’s Moby Dick, racial disparities and Melville’s attitude towards them are portrayed both subliminally and prominently throughout the novel. By creating a parallel to the slave industry with the whaling industry, Melville is able to indirectly criticize the injustice of slavery. Moby Dick was published at a time where the country was on the brink of the Civil War and whaling and the slave trade were the most profitable industries. The narrator of the novel; Ishmael, openly mocked white and Christian supremacy in America. It can be understood by a modern reader that the novel entails a metaphor comparing slavery to the whaling industry and gives insight to Melville’s standpoint on racial inequalities. Throughout the entirety of the novel, the inhumane tactics of whaling is used as an extended metaphor of slavery and the pursuit, capture, and killing of runaway slaves to help readers understand the brutal and unethical nature of slavery.

Herman Melville’s novels, with good reason, can be called masculine. Moby-Dick may, also with good reason, be called a man’s book and that Melville’s seafaring episode suggests a patriarchal, anti-feminine approach that adheres to the nineteenth century separation of genders. Value for masculinity in the nineteenth century America may have come from certain expected roles males were expected to fit in; I argue that its value comes from examining it not alone, but in relation to and in concomitance with femininity. As Richard H. Brodhead put it, Moby-Dick is “so outrageously masculine that we scarcely allow ourselves to do justice to the full scope of masculinism” (Brodhead 9). I concur with Brodhead in that remark, and that Melville’s

William ‘Billy’ Budd has been described as a ‘Christ’ like character. His physical appearance remains to be a focus throughout, and his perfection is, ultimately, what attracts all the sailors to him. Billy has an innocence to him that many on the ship have lost. However, nothing is perfect as it seems, as Billy’s flaws lead to his demise. Billy’s stutter, as well as his childlike mentality when it comes to aggravated situations show that while God can create seemingly ‘perfect’ beings, Satan and evil also have their say and play a crucial part. Billy’s death in the novella can be considered a mirrored image of Christ’s death in the bible. Even their last words bear a sense of forgiveness. Billy’s final “God Bless Captain Vere!”, (page 86), is very similar to Christ’s, “Father, forgive them for they know not what they do.” Billy’s final exclamation results in a lack of wavering faith and, almost, forgiveness for Captain Vere’s condemning William to death. Additionally, as written in chapter 27, Melville compares Billy to

While Ahab was still the obedient captain he once was, he was one of the most successful and higher rewarding captains. Unexpectedly, in the midst of a whaling, Ahab and his crew encountered the whale he now refers to as “Moby Dick” or “the white whale.” The crew initiated in capturing the whale, but this whale was different. Rather than capturing the whale, the whale captured Ahab and though Ahab escaped, he did not escape entirely. Moby Dick had dismembered and consumed half of one of Ahab’s legs. Ever since this incident, Ahab’s one and only desire or, as stated in the text, “...his one unsleeping, ever-pacing thought” has been to kill Moby Dick; which soon turns him obsessive (Melville). Ahab would not let anyone or anything stop him from achieving his goal, “...’I’ll chase him ‘round Good Hope, and ‘round the Horn, and ‘round the Norway Maelstrom, and ‘round

Herman Melville, in his renowned novel Moby-Dick, presents the tale of the determined and insanely stubborn Captain Ahab as he leads his crew, the men of the Pequod, in revenge against the white whale. A crew mixed in age and origin, and a young, logical narrator named Ishmael sail with Ahab. Cut off from the rest of society, Ahab attempts to make justice for his personal loss of a leg to Moby Dick on a previous voyage, and fights against the injustice he perceived in the overwhelming forces that surround him. Melville uses a series of gams, social interactions or simple exchanges of information between whaling ships at sea, in order to more clearly present man’s situation as he faces an existence whose meaning he cannot fully grasp.