Character Analysis Of Creon In Antigone

Teiresias: “You’ve thrown down to those below someone from up above- in your arrogance you’ve moved a living soul into a grave, leaving here a body owned by god's below- unburied, dispossessed, unsanctified.” (Lines 1196-1200). Teiresias has given Creon insight on how he drove his fate to its edge. In Antigone by Sophocles, Creon is portrayed as a tragic figure who functions as a tool for suffering because he had brought a series of unfortunate events to those who were close to him by not allowing his emotions to surpass his overwhelming power and taking drastic actions towards Antigone and Haemon leading to unwanted deaths.

Sophocles’ Antigone is, without a doubt, one of the greatest tragedies ever written. There are many questions that somebody could ask about this work, but this one intrigues me the most: Who is the tragic hero? Could it be Antigone? Or could it be Creon? Antigone might be the name of the tragedy, but I believe that Creon is the winning candidate. His role in the plot of this tragedy, his sensible tragic fault, and his dynamic character are the obvious reasons why I chose him as the tragic hero.

Showing hubris and having a fate greater than deserved are two characteristics of a tragic hero like Creon. Creon is extremely prideful throughout the play, and his fate is exceedingly tragic, even for someone seen as as the antagonist. Creon tried his hardest to mend his mistakes, and yet still ended up alone and mourning. He learned what he did wrong and attempted to free Antigone, but still ended up in a rut. The suffering of Creon can be a lesson to people, not to let pride cloud your

In the play Antigone, Creon starts off as the loyal king of Thebes. He is loyal to the gods and loyal to the welfare of Thebes. However, over the course of the play, Creon degenerates into a tyrant. His degeneration is showing his character development. Creon’s pride about the human law also develops throughout the play, creating conflict with the divine law. When Antigone rebels against his law, he becomes stubborn, and makes myopic decisions and grows into his hamartia. Besides his hamartia, Creon’s position as the king makes him a power hungry man. His power madness degenerates him into becoming a ruthless and vindictive man, even to his family. However, over the course of the play, Creon begins to see that because of the laws of men, he was being blinded of what’s

Throughout the Greek play Antigone by Sophocles, there exists a dispute as to who should receive the designation of main character. Antigone, the daughter of the cursed King Oedipus, as well as Creon, stately king of Thebes, both appear as the key figures in this historic play. I believe that Creon, king of Thebes, should be considered the main character in this work of Greek theater. Three points can be used to make this argument: Creon suffers greatly, he learns a lesson, and is a tragic hero.

Both characters at some point in the play experienced great suffering. Antigone suffered when she had to watch her brother rot without having a soldier’s funeral. Creon suffered a great deal when he had to watch all his loved ones die one after the other. Unfortunately, Creon had to live with the fact that he was the reason why everyone one was dying and now he had to live with all that pain.

Aristotle, an ancient Greek philosopher, defines a tragic figure as one who represents goodness, superiority, a tragic flaw, and a realization of their tragic flaw and inevitability. A tragic figure is normally someone of royalty, or importance, and also experiences a great devastation. A big flaw of a tragic hero is usually their pride. The figure will experience an ironic plot twist, where they realize things are not what they expected, and then are to face the reality of their fate. In, The Theban Plays, by Sophocles (translated by E. F. Watling), the characters Creon and Antigone represent tragic figures. In the play “Antigone,” Sophocles depicts the character Creon as a tragic hero. Creon portrays many characteristics of a tragic figure. His tragic story begins when makes the decision of becoming a hubris. A hubris is one who ignores the gods, and follows their own path. When Creon does this, his decisions greatly affect the fate of his loved ones; his son, wife and Antigone. Along with Creon, Antigone portrays a tragic hero in as well. Antigone’s tragic fate comes from her loyalty to her family and the gods. She chooses to stick to her own beliefs, rather than having obedience towards the king, and this was the cause of her downfall.

In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.

“And yet you dared to break those very laws?” (line 508) Creon says as Antigone admits that she has purposefully gone against his decree. Antigone and Creon’s interaction has a large effect on the King. Antigone’s words, actions, and ideas contrast with him because they have different views on the laws of the God’s. This contrast causes the exposure of the development of a tragic hero, and also advances the plot.

Creon has no toleration for people who place personal beliefs over the common good. He believes that government and law is the supreme authority, and civil disobedience is worst form of sin. The problem with Creon’s argument is he approaches He approaches every dilemma that requires judgement through descriptive generalizations. In contrast to the morality defined by Aristotle in his Nicomachaean Ethics, Creon shows that he is deaf to the knowledge of particulars--of place, time, manner, and persons, which is essential for moral reasoning. In short, he does not effectively bring together general principles and specific situations Creon does not acknowledge that emotion, and perception are as critical to proper moral consideration as reason. This explains why he does not respond accordingly with the reasoning of the guard, Tiresias the prophet, Antigone, her sister Ismene, or even his own son Haemon. Throughout the whole play, Creon emphasizes the importance of practical judgement over a sick, illogical mind, when in fact it is him who has the sick, illogical mind. He too exhibits pride in his argument. To Antigone and most of the Athenians, possessing a wise and logical mind means acknowledging human limitations and behaving piously towards the gods. Humans must take a humble attitude towards fate and the power of the gods, yet Creon mocks death throughout the play. He doest not learn his lesson until the end of the play when he speaks respectfully of

Creon’s bad decision leads to his eventual downfall and demise. Creon realizes his hubris and his wrong decision a little too late. Antigone is already dead, and he cannot correct his wrong-doing. This makes the audience feel pity for him, for he

A tragedy, as defined by Ms. Tozar, is “the story of a falling from a high place to a lower place by a character.” In other words, a tragedy is a story of an individual who starts in a high position and descends throughout the story to end in a position that is lower than original position. The individual who makes the descent is known as the tragic hero. The tragic hero, as defined by Ms. Tozar, is “the character who falls from grace as a result of fate and/or a weakness. In the drama, Antigone by Sophocles, one could argue that there are many tragic heroes. However, the one who stands above them all is that of the character of Creon. Creon is understood by most as the tragic hero in Antigone as evident in his

“Then why delay? There’s nothing in your words that I enjoy—may that always be the case! And what I say displeases you as much. But where could I gain greater glory than setting my own brother in his grave? All those here would confirm this pleases them if their lips weren’t sealed by fear—being king, which offers all sorts of various benefits, means you can talk and act just as you wish.” (567-575) The way Antigone acts, what she says and what she thinks contrasts with Creon to the point where they had a major conflict. These conflicting motivations cause Creon to show a different side of himself, the new characteristics that were highlighted in Creon were anger, violence, and self-importance.

The Summary Is About Antigone Who Lost Her Brother Who Died In The War And She Wants To GIve Him The Right Burial For Her Brother. Antigone Loves Her Brother And Wants To Let The People Know That. She Lost Her Father In The War, Her Mom Hung Her Herself, And Now She Lost Her Brother Like Her Father In The War.

The qualifications of a tragic hero vary between Aristotle and Shakespeare. Aristotle thinks of a tragic hero as someone who is a noble character by choice and makes his/her own destiny, while Shakespeare sees a tragic hero as someone who is born of nobility and born to be important. Although both tragic hero's end in a tragic death that effects many people, not all tragic hero's fit perfectly into both categories. In Sophocles’ Antigone, Creon is considered a tragic hero. Creon follows Aristotle's definition of a tragic hero by being a noble character by choice, having important potential, and falls due to "miscalculations" with circumstances that are beyond control.