Character Analysis Of Death Of A Salesman

How can two people watch or read the same story and yet, interpret it completely differently? Does it have to do with the author’s intentions, or maybe it has to do with the viewers’ own backgrounds and ideologies? Whatever the case may be, viewing one piece of work can lead to a wide array of opinions and critiques. It is through the diversity of such lenses that Death of a Salesman, by Arthur Miller has become one of the most well-known plays in modern history. There are many different ways in which a play can be criticized, however, criticisms from the approaches of a Marxist and reader-response will be utilized to further dissect Death of a Salesman. Marxist criticism sees pieces of works as a struggle between different socioeconomic classes; what better way to see Miller’s play than for what it is at face value, the struggle of a middle-class man trying to achieve the American dream (1750). On the other hand, a reader-response criticism comes from either an objective or subjective view; in this case Death of a Salesman will be viewed with a subjective lens based on Willy’s deteriorating mental health (1746).

     The single most weighted factor that edges Willie to his demise is his inability to make a living and achieve his “American Dream”. After being a salesman for many years, Willy just can’t cope with the fact that he hasn’t been successful at all. He believes that he is a terrific salesman. His imaginative thinking won’t let him accept the fact that he has become a failure instead of a wealthy businessman. Willy believes that to be well liked is the means to being

Toward the end of the story, Willy realizes that his life is falling apart: Biff does not have a stable job or family, is making only commissions for his job, his refrigerator and car are in despair, and he talks to himself. Willy just cannot figure out what has gone wrong, especially with Biff who to him seemed so promising because of his good looks and his charm with others. When Biff comes home again, Willy gets real nervous and starts talking to himself (Act I. Scene I). He is stressed out that Biff has done nothing with his life so he starts seeing visions of the past. When Willy talks out loud while seeing visions, he is trying to discover where he went wrong as a person and father. To find where he went wrong he begins to ask anyone in visions or in person. One character that he frequently asks for advice throughout the drama is his older brother Biff (Gross, 319-321).

The relationship between Willy and Biff is complicated. Actually, Biff is everything for Willy. He doesn’t do well as a salesman anymore, so this situation makes him depressed but at least there is Biff. So Willy believes that Biff will reach the success and his dreams will become true. That makes him want Biff to take some responsibility, in other words this is a big pressure on Biff. “How can he find himself on a farm? Is that a life? A farmhand? In the beginning, when he was young, I thought, well, a young man, it’s good for him to tramp around, take a lot of different jobs. But it’s more than ten years now and he has yet to make thirty-five dollars a week!” says Willy and then Linda says “He is finding himself Willy.” Then Willy answers again “Not finding yourself at the age of thirty-four is a disgrace!” This shows how Willy mad at him because he thinks they couldn’t reach their dreams because of Biff. Willy says “Sure. Certain men just don’t get started till later in life. Like Thomas Edison, I think. Or B.F. Goodrich. One of them was deaf. I’ll put my money

The father-son conflict between Willy and Biff is complex. First of all, there is a strong personal attachment. He wants Biff to love him. He remembers the fondness shown for him by Biff as a boy, and he still craves this. At this point, however, relations are strained. Although Willy shies away from remembering so painful an episode, he knows in his heart that his affair with the Boston woman left the boy bitterly disillusioned. Feeling some sense of guilt, Willy fears that all of Biff’s later difficulties may have been really attempts to get revenge. In other words, Biff failed to spite Willy. Although outwardly resenting such alleged vindictiveness, Willy still wants to get back the old comradeship, even if he has to buy it dearly. For instance consider when he asked Ben, “Why can’t I give him something and not have him hate me?” and his final moment of joy and triumph occurs when he exclaims, “Isn’t that remarkable? Biff… he likes me!”

In Theatre Mitu’s “hyper-theatrical” production of “Death of A Salesman” by Arthur Miller many aspects were added to heighten the messages and morals of the story about the American Dream. One major choice was the use of objects to signify characters as well as add to characters. Willy carried a empty, open briefcase. Linda carried a sun parasol. Biff carried football gear. All the other characters are objects themselves. Happ is a punching bag. Charley is a refrigerator door, and Bernard is a bug repellent light. The Women is a fan. Ben is a big light, and the waiter is a champagne bucket. Almost all of the characters excluding Biff, Willy, and Linda are recording voices which creates a degree of separation from the outside world. Happ is somewhere in between by being an actor with a microphone.

Death of a Salesman, is a classic American masterpiece. The tragedy was written in 1949 by Arthur Miller. Miller is considered by many to be one of the greatest American playwrights of the twentieth century. Death of a Salesman, one of his most recognizable works, revolves around the Loman's life, and Willy's death, shown through his final days and series of flashbacks and illusions.

Arthur Miller was a playwright who wrote plays such as “The Crucible” and “Death of a Salesman”. Miller was a kind man and wanted to keep his reputation to a high standard. He believed that theater would change the world. His works were based off of his life, friends, and family. The way he portrayed himself made people believe that he was a hero. Elia Kazan was Miller’s director on Broadway when “Death of a Salesman” came out in 1947. The play was about a New York family’s life in reality and what they wanted it to be.

Willy’s biggest issue with his son is that he let him down by not being any more successful than him. He feels like Biff is failing on purpose just to make him look bad. Although, he has no decent job and is single; Biff has become disoriented about life. Earlier in the play Biff tells Happy, “I tell ya Hap, I don't know what the future is. I don't know - what I'm supposed to want” (Miller266). Biff once looked up to his father as a role model, but lost all faith in him once finding out that he was having an affair. Ever since he has rejected Willy’s commitment of being a husband and also a father. To add to his ruins are Willy’s ideas of how Biff should get ahead in life. Willy taught Biff that popularity was the right way to get to the top, rather than hard-work and dedication. Trying to live by his dad’s standards caused Biff to fail high school and become unable to put forth the effort to become

Willy’s unreasonable expectations of Biff creates a hostile relationship between Biff and Willy. Ever since Biff was in highschool, Willy always expected Biff to be very successful without instilling the tools

Later in a flashback, Willy and Biff are on their way to Ebbets Field for a football game when Charley appears and beings a conversation with Willy. Merely joking around, Charley makes a few comments which Willy takes great offense too and beings insulting Charley and telling him to put his hands up as if to fight. Willy's arrogance shows it's face once again when Willy is talking to Biff about his meeting with Oliver. Completly ignoring what Biff is saying, Willy goes on about how good of a kid Biff is and how impressive he is. Though not directly insulting, Willy ignores what his son has to say and goes off on his own tangents, losing the respect of the reader. Willy then ends up in another flashback in the bathroom of the restauraunt where he met Happy and Biff for dinner. The most disgusting part of Willy is revealed here. Biff walks in on Willy and his woman friend whom hes had a secret relationship with. Willy attempts to cover it up and when that doesnt work he orders Biff around and shows how bad of a person he can be.

In Death of a Salesman, by Arthur Miller, Bernard thinks that Biff should be studying for the Math test. The perception that Biff has on this is that he doesn’t think that at all. Biff said to his dad “Oh, Pop, you didn’t see my sneaker!” (32). Bernard then said “Just because he printed University of Virginia on his sneakers doesn’t mean they’ve got to graduate him, Uncle Willy!”

"After all the highways, and the trains, and the years, you end up worth more dead than alive," (Miller, 98). This quote was spoken by the main character of the Arthur Miller play Death of a Salesman: Willy Loman. This tragedy takes place in Connecticut during the late 1940s. It is the story of a salesman, Willy Loman, and his family’s struggles with the American Dream, betrayal, and abandonment. Willy Loman is a failing salesman recently demoted to commission and unable to pay his bills. He is married to a woman by the name of Linda and has two sons, Biff and Happy. Throughout this play Willy is plagued incessantly with his and his son’s inability to succeed in life. Willy believes that any “well-liked” and “personally attractive

this wasn't the only incident where he had shown no regard at all for Willy.

The play, Death of a Salesman, was written by Arthur Miller in the year 1949 and was one of his first plays published. This play, Death of a Salesman, can be portrayed in many different ways. Death of a Salesman is a look at the “inside of a man’s head” as a result of Willy always talking to voices he is hearing, all of the emotions and inner thoughts of the characters, and Willy’s flashbacks of what happened in his life.