Character Analysis Of Emma By Jane Austen

Jane Austen's novel "Emma" published in 1815 and the film adaptation "Clueless" written and directed by Amy Heckerling in 1995 both share a similar interest in maintaining a high social status. Emma Woodhouse of the novel "Emma" and Cher Horowitz from the film "Clueless" are both spoiled young lady living in a high-class society. Emma Woodhouse is part of the rich, upscale society in a large and populous village in the nineteenth century England, while Cher Horowitz lives in a rich, upscale Beverly Hills, California USA. Both of the main characters, Emma and Cher shows arrogance and lack of acceptance to other social class due to their use of power and wealth, which they are unaware of it themselves. Emma and Cher's immaturity has resulted

Jane Austen’s Emma can be categorized as a bildungsroman, better known as a coming-of-age tale, in which the reader follows the title character as she comes to terms with her position in the world during the Regency period. However, looking beyond the titular character, one can look at Emma as a satirical work regarding the restrictions and conventions of 19th century society. This satirical element later went on to inspire Heckerling’s interpretation as she adapted the story of Emma into the cult film, Clueless, which goes on to highlight the phenomena of cliques amongst the youth of America. Both works use the element of exaggeration in order to explore the gender stereotypes and expectations placed upon society during their respective eras. Heckerling effectively takes the novel Emma and thrusts it into the world of Beverly Hills, keeping the underlying themes while engaging a more modern audience.

The ensuing disconnect between Emma’s perception and the reality of her surroundings forms the crux of Austen’s novel. Just as Cher convinces herself that Elton loves Tai and Christian loves her, everything that Emma imagines is occurring in her small village turns out to be wrong, and she manipulates people and events with disastrous results. Emma suffers little limitation as she goes to the Cole’s party, to the ball at the Crown, and to the excursion at Box Hill, "provided all was safe at Hartfield." The fact that this represents Emma 's change of response to her father rather than being a change in Mr. Woodhouse himself is made clear by details which would have felt inconceivable in book three, for instance, we casually hear that Emma had replaced the small uncomfortable table at Hartfield with a modern round table sometime in the unspecified past.

Then in 1905, Emma abruptly moved out and became estranged from Lizzie. It was rumored that Emma disapproved of Lizzie’s relationship with actress Nance O’Neill. She was uncomfortable with Lizzie’s close friendship with the actress. Emma silence on the issue just drove the speculations that Emma became aware of new details on the murders. It was never truly known, just speculated why Emma moved out.

A Comparison of Emma by Jane Austen and Movie Clueless The film Clueless, written and directed by Amy Heckerling, is an adaptation of Jane Austen's novel Emma and closely parallels the story in terms of character development and action. Although Emma was written in 1816 and developed ideas and issues of that period in time, 180 years on we can still recognize and identify with the exact same issues. This just proves that despite all the radical social changes that have taken place since Jane Austen's time, people and life haven't really changed all that much. The general life issues of money, love, friendship, class and finding ones place in the world are raised in both texts.

Though at first glance, Emma appears to be a generic romantic novel about virtue and ladyhood, Austen actually challenges what the meaning of “ladyhood” is to the reader. We view Emma’s follies, trials, and triumphs through the eyes of the omnipotent narrator who first describes Emma as a stereotypical, wealthy young lady who is “handsome, clever…with…a happy disposition” (1). Through the use of irony, Austen employs a series of situations in which Emma, a “lady” of high standing within her community, challenges conventional thinking of what it means to be a young woman in the early nineteenth century, particularly her ideas concerning marriage and

Emma, a novel by Jane Austen, is the story of a young woman, Emma, who is rich, stubborn, conniving, and occupies her time meddling into others' business. There are several recurring themes throughout the novel; the ideas of marriage, social class, women's confinement, and the power of imagination to blind the one from the truth, which all become delineated and reach a climax during the trip to Box Hill. The scene at Box Hill exposes many underlying emotions that have been built up throughout the novel, and sets the stage for the events that conclude it.

During Jane’s time at Gateshead she is as vermin to all in the house related to Mrs. Reed. She constantly feels depressed and lonely. As a child she craves motherly love, as it is something that she can never have because her parents are dead. In chapter two Jane explains,

The novel's limited scope of action gives us a strong sense of the confined nature of a woman's existence in early- nineteenth - century rural England. Emma possesses a great deal of intelligence and energy, but the best use she can make of these is to attempt to guide the marital destinies of her friends, a project that gets her into trouble. The alternative pastimes depicted in the book — social visits, charity visits, music, artistic endeavours — seem relatively trivial, at times even

Emma Woodhouse, who begins the novel "handsome, clever, and rich, with a comfortable home and a happy disposition" (Austen 1), suffers from a dangerous propensity to play matchmaker, diving into other’s lives, for what she believes is their own good. Despite this, she is a sympathetic character. Her matchmaking leads only to near-disasters and her expressions of remorse following these mistakes are sincere and resolute. Jane Austen's Emma concerns the social milieu of a sympathetic, but flawed young woman whose self-delusion regarding her flaws is gradually erased through a series of comic and ironic events.

(Austen 1). Having a conceited nature, she only tolerates following her own advice, as well as frequently acting upon her instincts regardless of the consequences, especially when it comes to match-making. Emma believes that she is able to match any two people whom she deems compatible. Even though Emma is self centered, she ironically refuses to tend to her own feelings. Speaking to her father Emma states, “I promise you to make none for myself, papa; but I must, indeed, for other people.

Though instead of being grateful, she listens to Emma and refuses his proposal which is seen as an enormous shock and appalling judgment by her. We are then presented with Miss Taylor, who was a governess for the Woodhouse household. Though Miss Taylor marries, and moves away, she is still considered as a very close relation to the Woodhouse’, which is again an odd case for this society. A

In eighteenth century which feminist in social status was not popular by that time, author can only through literature to express her thought and discontented about society. Jane Austen’s Emma advocates a concept about the equality of men and women. Also satirizes women would depend on marriage in exchange to make a living or money in that era. By the effect of society bourgeois, Emma has little self-arrogant. She is a middle class that everyone could admire, “Young, pretty, rich and clever”, she has whatever she needs. She disdains to have friends with lower levels. However, she is soon reach satisfaction with matchmaking for her friend. Story characterizes a distorted society images and the superiority of higher class status. It

In the novel Emma, the author, Jane Austen, uses many different techniques to characterize Miss Bates as a woman with no intellect, but a very kind heart. Miss Bates in a humorous character who is loved and loving.

In the beginning of the story, Emma is a young girl who is well educated and romantic in nature, she assumes that the world will live up to levels of her witness of the novel as the idealistic and passionate girl with a big heart that cares for the happiness of the whole state. She believes that reconciliation is the tool for the nation's happiness and see the life expectations as she slows goes through the novel.