Character Analysis Of Hamlet

murder in a rash mood. It is not seen by Gertrude. It tries to urge

William Shakespeare’s Hamlet is laden with tragedy from the start, and this adversity is reflected in the title character. Being informed of his father’s murder and the appalling circumstances surrounding the crime, Hamlet is given the emotionally taxing task of avenging his death. It is clear that having to complete this grim undertaking takes its toll on Hamlet emotionally. Beginning as a seemingly contemplative and sensitive character, we observe Hamlet grow increasingly depressed and deranged as the play wears on. Hamlet is so determined to make his father proud that he allows the job on hand to completely consume him. We realize that Hamlet has a tendency to mull and ponder excessively, which causes the notorious delays of action

Hamlet’s inability to act upon his emotions begins in the wake of his father’s death and his mother’s instantaneous/hasty marriage to Claudius. Criticized for his prolonged mourning of his late father and insistence from his mother to move on, Hamlet must momentarily seize publicly grieving for his father and in a lengthy expression of torment, contemplates suicide as he agonizes over the dreads of life and the reality that “[he] must hold [his] tongue,” in regards to his mourning (1.2.164). For the sake of his mother’s request, Hamlet anguishes over having to refrain from speaking of his grief, only to deliver a prolonged speech of his woes of mourning. While everyone in the kingdom of Denmark embraces the new king,

The final way that Laertes acts as a foil to Hamlet occurs once again when Claudius and Laertes are discussing Laertes’ actions to achieve his vengeance. Claudius gives Laertes advice saying, “That we would do/ we should do when we would; for this ‘would’/ changes” (4.7.134-136). Claudius is warning Laertes that if he waits long enough, he will probably end up not doing anything at all and will not achieve his goal of vengeance. This quote spoken by Claudius is quite similar to when King Hamlet’s ghost meets with Hamlet earlier in the play to warn him about how he was killed by Claudius and that he must get revenge. King Hamlet’s ghost also warns Hamlet saying, “Taint not thy mind” (1.5.92), telling him to not over think his plan because otherwise he will not pursue his vengeance. After Claudius warns Laertes to not get side tracked, the audience is reminded of King Hamlet’s ghost telling Hamlet to not over think because then their plans will not be pursued. This scene acts as a foil towards Hamlet because soon after the conversation, Laertes does pursue his plan of seeking vengeance, whereas Hamlet has been working on his plan the whole play, and has still not started to execute it.

“To be, or not to be, that is the question,” (3.1.64). This famous line in William Shakespeare's Hamlet perfectly encapsulates Hamlet’s internal struggle throughout the play. Hamlet tells the story of the young prince of Denmark and his desire for revenge on the uncle, Claudius, who murdered his father. As is the case in many works of literature, Hamlet changes greatly throughout the play. However, because of his attempts to act insane, it can be difficult to precisely map the changes in Hamlet’s character. By carefully investigating his seven soliloquies, where he is alone and has no need to “put on an antic disposition,” one can understand and interpret how Hamlet’s character develops throughout the play.

Hamlet proves himself a temperamental, twisted character in William Shakespeare’s play, Hamlet. The Prince of Denmark conveys his facetious demeanor with his behavior and sharp tongue, especially in scenes with Ophelia and Gertrude. Although Hamlet’s situation is difficult and easily sympathized by viewers, his aggression should ultimately be focused on his murderous uncle.

Hamlet is as much a story of emotional conflict, paranoia, and self-doubt as it is one of revenge and tragedy. The protagonist, Prince Hamlet of Denmark, is instructed by his slain father’s ghost to enact vengeance upon his uncle Claudius, whose treacherous murder of Hamlet’s father gave way to his rise to power. Overcome by anguish and obligation to avenge his father’s death, Hamlet ultimately commits a number of killings throughout the story. However, we are not to view the character Hamlet as a sick individual, but rather one who has been victimized by his own circumstances.

Hamlet is undeniably an epic among all plays. Shakespeare’s command of storytelling and the meticulously sculpted layers of the play add to the sheer grandeur of the life of Hamlet and the multitude of forces acting against him. The complex dialogue, the magnificent story arches, and the archetypal themes are all essential to the understanding and enjoyment of Hamlet, but there is one particular subject matter that The Bard placed at the center of all the conflict and emotion of the play: grief. The Prince of Denmark’s burdened life after his father’s death is completely coerced by the tearing force of grief throughout his mental and emotional state of being. His purpose, his insanity, and ultimately his downfall stemmed from this encumbrance.

In the conclusion of Shakespeare’s Hamlet, the audience gains an understanding of the importance of Justice to each character. In the final act both Hamlet and Laertes seek to find justice for the wrongs committed against them and their families. This leaves both men trying to identify how to right these misdeeds

With every introduction to a play of tragedy comes the eventual downfall of the leading protagonist. In Shakespeare's play of Hamlet, Prince Hamlet is faced with the devastating death of his father, King Hamlet. With this immense loss, the young prince is faced with a vast array of destructive emotions, one being the single most tragic flaw that inevitably sends him on a one-way trip to further heartache and tribulation. Hamlet, faced with innumerable amounts of pain, has the tragic, and unfortunate, flaw of being unable to act when necessary. This inability to act is displayed when he is unable to commit suicide, unable to kill his uncle, and unable to be straightforward with both his uncle and mother.

Hamlet is one of the greatest literary works that has the innate ability to transcend time with the study of the human condition. William Shakespeare investigates themes of revenge, morality, sex, and familial complexities that entangle us all at one point and time. Shakespeare story of Hamlet gives us one of our first tragic heroes in modern literary history. In his quest for revenge for his father’s death we also see the systematic decline and lapses into madness that will lead to Hamlet’s eventual demise. His quest for revenge is one the core themes of Shakespeare’s Hamlet we will examine how this quest leads to his ultimate destiny and failure.

The death of a family member is always going to be a tragic thing that greatly impacts one’s life. When that death happens to be a murder, it makes it even more heart wrenching, knowing that a loved one was taken before their time. Sometimes though, that sadness can turn into something that twists us, fills us with rage and despair until there is no option but to act upon it, regardless of consequences. That is the kind of person that young Prince Hamlet turns out to be. He became an avenger, someone who cares more about bringing justice to someone who has committed a foul deed than he cares for any other facet of his life.

Hamlet is the main character and protagonist in the play “Hamlet” by William Shakespeare. Hamlet is the Prince of Denmark. He is the son of Queen Gertrude and King Hamlet, who was murdered by his uncle Claudius. Hamlet is a very unique individual and handles many situations in unusual ways. Hamlet is an extremely intriguing and complex character that appears to change with every different perspective.

One aspect that makes William Shakespeare’s Hamlet alluring is how he broke the limiting mold of the one-dimensional character by representing characters in all of their human complexity. Hamlet, for example, is a compelling character because he is complicated. As Hamlet himself observes early in the play in, “Tis not alone my inky cloak/nor customary suits of solemn black, /Nor…forced breath/No, nor the fruitful river in the eye, /Nor the dejected ‘havior of the visage…/with all forms, moods, and shapes of grief, /That can denote me truly” (1.2.80-86). Hamlet insists that he is an individual with many psychological and philosophical facets, though he

Throughout Hamlet, the females of the play are portrayed as reliant on the men in their lives. The queen, Gertrude, relies very heavily on having a man in her life. Ophelia is very obedient of her father throughout the beginning of the play. Because of this, Ophelia is willing to sacrifice her relationship with Hamlet to please her father. Hamlet shows us that the queen and Ophelia needed one common thing, a man to rely on.