Character Analysis Of Mael Lang

Rachel Aouli Kalama Utagawa was six when the book Moloka’i by Alan Brennert began. She wanted to travel the world like her father did. Every time he went to a new place he brought Rachel a cultural doll. The most recent addition to her collection was a Russian nesting doll. Like her newest doll, Rachel was still showing her outermost shell. She was an innocent girl who saw the good in the entire world around her. As she explored and discovered the layers of herself, the world around her unfolded. This sweet doll had layers of innocence, sorrow, hate, joy, and fulfillment.

In Wolfgang Staudte’s (1951) film, Der Untertan, the main character named Diederich Hessling develops from being a meek and cowardly boy to become a manipulative and self-involved man. The film uses many instances of imagery and subtle moments of foreshadowing to convey the ideals of the people of that time which lead up to the World Wars. Diederich is a typical Prussian citizen who blindly follows, supports the true “German values”, and bows to his superiors while stepping on his subordinates. The film illustrates Diederich’s character development, his shift in personality, and political confrontations through carefully crafted camera techniques that also highlight the time period that the film was set in as well as produced in.

Surrealism is a movement that built off of the burgeoning look into art, psychology, and the workings of the mind. Popularly associated with the works of Salvador Dali, Surrealist art takes imagery and ideology and creates correlation where there is none, creating new forms of art. In this essay I will look to explore the inception of the surrealist movement, including the Surrealist Manifesto, to stress the importance of these artists and their work in the 20th century and beyond. I also will look to films from our European Cinema course to express how films incorporate the influence of surrealism both intentionally and unintentionally.

The key to unlocking and understanding Marisol by Jose Rivera is in recognizing and examining the 3 different worlds Marisol works her way through over the course of the play. The main character, Marisol Perez, dies in the very first scene and spends the rest of the play trying to pass onto her impending afterlife. Additionally, Marisol is a play about Puerto Rican culture and religion and how it affects not only the life of an individual, but also the death of our main character.

In Lorraine's Hansberry A Raisin In The Sun. Walter wants to make money to support his family. He wants money because he thinks it makes him a “man”. How ever when his money is stolen, Walter’s perceptions of manhood shifts from valuing wealth and power to valuing family and pride.

Lorraine Hansberry’s “A Raisin in the Sun” touches on many issues African Americans faced in the early to mid-twentieth century. One can analyze Hansberry’s “A Raisin in the Sun” from many angles, and come away with different meanings. While Michelle Gordon focuses more on segregation and housing discrimination that plagued African Americans on Chicago’s Southside in Hansberry’s “A Raisin in the Sun”, William Murray emphasizes on Southern Pride and heritage. This paper will show contrasting views from Murray and Gordon in their critique of

The journey of the Joad family takes course during the period of the Great Depression in United States. This century brings extreme hardship upon families across America. Especially for the Joad family as they are also affected by the Dust Bowl in Oklahoma. The economic decline and natural disaster cause the family to relocate and abandon their home, and their past. In times of crisis, the Joads must endure the loss of family, property, and a home. The Joads travel west to California in hopes of finding new jobs and a new home. On their 2,000 mile journey a leader arises among the family. Ma Joad becomes the leader of the family, she learns to control her emotions and act for the greater cause of her family’s survival. Ma Joad possesses the

In the play “A Raisin in the Sun” written by Lorraine Hansberry, she is able to take us to place to see what it was like for an African American family to survive in the mid-twentieth century. The play details how the main characters are going through an evolving social and economic position, as well as the evolving gender roles. Hansberry uses the characterization of Beneatha, Ruth, and Walter in order to show the expectations and assigned gender roles for the characters in the story. In short, Beneatha is depicted as a woman who is challenging gender norms and expectations upheld by her family, whereas Ruth is seen as an example of a submissive housewife fulfilling her expected duties. Using “A Raisin in the Sun,” as well as “Marxists

In A Raisin in the Sun by Lorraine Hansberry, Walter Younger wants to be a “real man”. His dream is to become successful in business and make his family rich. However, when all his money is stolen, he becomes very pessimistic, abandoning the ideas of morality and dignity. At the end of the play, his son Travis inspires him to value his family’s pride over materialism. Over the course of the play, Walter’s view of manhood changes from someone wealthy and successful to a person who has pride and believes in human dignity.

In “Miss Brill,” Katherine Mansfield utilizes Miss Brill’s thoughts and actions and the surroundings to characterize Miss Brill as a lonely character. Mansfield immediately introduces Miss Brill with a very odd scene that shows her conversation with the fur coat. This quickly and effectively establishes the type of person Miss Brill is. As a result, Mansfield suggests that Miss Brill is a lonely and an “abnormal” person to illustrate to the audience how society treats those who are not considered “normal” through the later actions of a young couple.

M was directed by Fritz Lang and was released in Germany in 1931. M follows the story of a strand of child murders in a German city. In a hunt for the murderer the police as well as the organized criminal underground of this German city search rapidly for the killer of these innocent children. The specific elements that Fritz Lang uses to express his view of what the sound should be are, how particular sound techniques shape the film, and how the sound affects the story. In a shot by shot analysis of a series scenes that uses diegetic sound the audience can understand what Lang's intentions for sound was for this film.

Fritz Lang's 1931 film M takes a look how one German town comes together to take down a prolific child serial killer. The film is interesting in theme, narrative, and editing and is a standout film in Germany's cinematic history. M can also be considered to be one of the last great German films to come out of the country before Hitler took over the German film industry in 1933 (Mast & Kawin 148). M is also Peter Lorre's first film and his performance helped to catapult him as an actor and allowed him to establish a villainous persona that he would later be known for. M is not only a significant film due to its narrative and editing, but it is also significant because of its style.

The Cabinet of Dr. Caligari is praised worldwide for its anti-authoritarian message and expressionistic style with its framed narrative. The film is cited as one of the first horror films and influenced the development of film noir. Caligari remains to this day an important part of the history of German

In A Raisin in the Sun, by Lorraine Hansberry, the Younger family is trying to achieve the American Dream, which is “the ideals of freedom, equality, and opportunity traditionally held to be available to every American”(cite dictionary.com). The Youngers are a black family living in a poor part of Chicago. They inherit ten thousand dollars because Mama’s husband died. Mama is the matriarch of the Younger family. Each family member has their own idea about how to use this money to fulfill their dreams, and the play uses the decisions of the family members and other characters to show the reader that people’s actions are not always motivated by what they appear to be. Mama wants to use the money to buy a house in a white neighborhood, because she thinks it is a better environment for her family than their current living conditions and will benefit her family. Although there are a number of people in A Raisin in the Sun who appear too want to help the Younger family, Mama shows through her decision to buy the house that she is the only person that is looking out for the best interests of her family.

Simon is an unkempt slouch, in his ‘extremely dirty tennis shirt’ whereas Sorel is much more conscious of her appearance and, as Coward states, is ‘more neatly dressed.’ Simon’s interest during the extract is preparing his cartridge paper for more drawing, while Sorel seems to know enough about literature to discern that the collection of poetry that she was given by her friend is no more than mediocre. Simon is situated in low culture, while she is situated in high culture. Furthermore, although it is not specified how far into adulthood either of them are, Simon is much more childish and immature, whereas Sorel seems to have this slightly more adult awareness. But their differences are not confined to their appearances or to the things with which they occupy themselves. The siblings each have different attitudes as to how they have been brought up, and they have clearly responded differently to whatever it was that they learned from their parents, if anything.