Prospero

Prospero, the "rightful" duke of Milan, primarily seeks revenge against two people, Antonio and Caliban. But, Prospero allows his

Character Analysis of Mercutio Mercutio is always bursting with energy and his speeches are full of

     In Shakespeare's The Tempest, Prospero's magic is the means that Prospero teaches his lessons to the plays various characters. Whether or not those lessons were learned or not is irrelevant. The main issue is that Prospero's character is indeed a complex one, and one that deserves much attention. Two essays that look at the complexity of Prospero and his magic are Stephen Miko's "Tempest," and Barbara Mowat's "Prospero, Agrippa, and Hocus Pocus." Both of these essays, in dealing with Prospero and his magic reveal things about Prospero that only enhance the mystery of his character.

Prospero’s character is seen as incautious, and perhaps arrogant, which adds to the foreshadowing of the story’s ending. When nearly half of the town has died, Prosperous packs up his things and takes his close friends to live in the safety of one of his many palaces, leaving all the other citizens to fend for themselves against the Red Death. Upon moving to the castle “Prospero had supplied everything they needed for pleasure” (Poe 2) and never once stopped to consider his subjects, or their safety. In a crucial time of need, the leader could not be bothered and instead decides to flee, revealing the kind of person he really is. The king’s carelessness for everyone, except his own social circle suggests that this trait may get the best of him in the end. Karma is commonly a substantial factor in literature, and Prospero certainly appears to have something coming back to bite him. Similarly, the way in which Prospero’s character is portrayed proposes that maybe his own ego may

    In William Shakespeare's The Tempest, Prospero lives with his daughter Miranda on a deserted island.  On the surface, he appears to be a benevolent leader doing his best to protect and care for the inhabitants of the island, especially for Miranda.  On closer inspection, however, Prospero plays God, controlling and creating each individual to fit the mold he desires.  He takes advantage of his authority over the people and situations he encounters while wearing a facade of integrity and compassion to disguise his wily intentions and to retain love and respect.

Prospero orchestrates the events of the play with ease, his magic giving him the power to manipulate the characters and environment around him. This almost omniscient power that is presented pushes the audience to question what is

Prospero enslaves Caliban and Ariel, seizing the island for him and Miranda, just like Alonso and Antonio had done to him. The rightful ruler of the island is Caliban, and although Caliban at one time tried to rape Miranda, Prospero repeatedly punishes him for this one event that occurred much before this play takes place. Prospero initially “helps” Caliban by educating him and in exchange, Caliban taught Prospero and Miranda how to survive on the island. Prospero uses the act of attempted-rape to justify his seizure of the island. This take-over should have been enough punishment but Prospero enslaves Caliban, threatening to hurt him if he does not do his bidding. By endlessly punishing Caliban, Prospero inadvertently shows his malicious side. Although Prospero freed Ariel from the tree he was bound inside, Prospero blackmails Ariel and essentially enslaves him too. Prospero repeatedly tells Ariel that he will set him free but, it seems as if that is an empty

Originally, he was a fair duke that showed love to everyone he met; however, his love of magic gets him exiled by his own brother. Once on the island of his banishment, Prospero develops monstrous characteristics of greed and domination. He imposes his beliefs upon initial inhabitants by teaching them his own language so that they could communicate with him (Tempest. I.ii.352-364). Prosper felt he had the superior form of communication and higher level of intellect, so the previous occupants should have to learn his language. He also forced his self-proclaimed authority on this creature who was the birth-right land-owner. This creature, Caliban, is upset and claims, “This island’s mine by Sycorax my mother, / Which thou tak’st from me” (Tempest. I.ii.331-332). Just as Prospero’s kingdom was taken from himself, he retaliated by taking Caliban’s kingdom from him. To do this, Prospero enslaved Caliban as well as another he finds on the island through use of his magic and forces them to do his menial tasks. It is through his exploiting and dominating actions that Prospero is seen as a monster. He cultivated his supremacy over everyone to a malicious extent that he was a malevolent monster disguised as a

Prospero uses his language to minimize and blame Caliban. Prospero not only refers to Caliban as “filth,” but also accuses him of “lying” and “seek[ing] to violate / [t]he honour of my child” (i.ii. 348- 351). Prospero blames his treatment of Caliban to the actions of Caliban; the quote: “with human care, and lodged thee / [i]n my own cell, till thou didst seek to violate / [t]he honour of my child” illustrates how Prospero blames Caliban for how Prospero treats him (i.ii. 349-351). This is violent because it shifts the blame from Prospero to Caliban essentially blaming the

I believe Prospero is a evil person. He manipulates people to get what he most wants. Even if it harms some people or makes them suffer. For example in “The Tempest” Prospero owns a slave named Ariel.

Prospero uses his status as the father of Miranda to enact his own self-righteous deeds. Furthermore, Prospero uses his position of power within the patriarchal system with leisure. Prospero hides behind a powerful woman and declares all deeds in the name of his daughter. In actuality, all Prospero's actions are to advance his quest. Prospero uses Miranda to regain favor with the king and become Duke of Milan, yet again. Finally, Prospero is a symbol of all that is wrong with the patriarchal system, which is used to legitimate the deeds of evil men. Prospero inflicts great harm upon the female gender, who must live under its immense societal oppressive

However, his unique and magical gift, allows him to gain an undefeatable power to control others. Prospero enslaves Caliban and no longer values him or his presence. When Caliban

Prospero's relationship with Caliban differs from that of Prospero and Ariel's. Prospero does not view Caliban as a being who could be his equal. He is blinded by his prejudice against Caliban's appearance and manners. Caliban is portrayed in a negative light. He can be seen as the depiction of the victims of colonial expansion. Although Prospero seeks this righteousness, he both mistreats and insults Caliban, who ultimately attempts to kill Prospero.  In comparison to Ariel who acts only when commanded by Prospero, Caliban is wild. He refuses to be colonized and tamed. This can be taken as a reference by Shakespeare towards those who were

Prospero holds authority over several characters in the play in order to control them to satisfy his evil plans. Prospero has power over Ariel, who is a spirit that he enslaves after saving him from the witch of the island. He uses this debt to control Ariel to do his bidding. He also uses force by threatening Ariel with his knowledge of magic to remind him how powerful he is. Prospero has authority over Caliban by claiming that he gave Caliban the ability to speak and the gift of knowledge. Lastly, Prospero has authority over Ferdinand by using magical powers to make his daughter Miranda fall in love with him. He accuses Ferdinand of being a spy which in turn causes Miranda to protect Ferdinand. Ferdinand is willingly to become Prospero's slave for Miranda's sake. Prospero manipulates their relationship and this time his control over other characters is justified by his love as a father. He wants to test their love and make them covet it very much so that when they are allowed to be together they will appreciate it more.

It is said that "A power struggle collapses when you withdraw your energy from it. Power struggles become uninteresting to you when you change your intention of winning to learning about yourself" (Gary Zukav). A comedic play written by William Shakespeare demonstrates the theme struggle for power that develops throughout the story of The Tempest. The Tempest is defined as an outrageous storm in which Shakespeare uses to enhance the play. This story is about a person named Prospero and his daughter who are stuck on an island due to Prospero's brother, Antonio. Antonio took over Prospero's dukedom of Milan after "kicking them out" (Act 5) and trying to end their lives. With the help of good, Lord Gonzalo, they survive. Now, marooned on an island with a malevolent servant [Caliban] and a spirit helper [Ariel], Prospero continues the practice of magic which will 12 years later come to haunt his fellow enemies whom receives a gift of Prospero's power in the end. The "outrageous storm" (Act 1) is just the beginning of a struggle for power. In The Tempest, Shakespeare uses conflicts to develop the theme struggle for power.