Character Analysis Of Robert Bernstein's 'West Side Story'

The play “West Side Story” presents itself as a story of two gangs who are in the midst turf fueled feud. This feud between the sharks and the jets runs deeper than turf, the feud is truly about how Americans

For this assignment. I will be talking about the original musical performance of 42nd street. I will present the conditions of the stage and setting for the original stage performance. In this, I will talk about the plot and the characters of 42nd street, how the plot progresses and how each character has their own purpose in the story in comparison to each other. I will talk about the underlying themes of 42nd street; how these themes are important

For this Case Study I chose fictional character Will Hunting from the award winning movie Good Will Hunting. Will Hunting was born in a poor region of south Boston, Massachusetts, an orphan, who lived with a very abusive alcoholic foster dad. As a kid, Will was subdued to frequent physical abuse by his foster dad, between getting beat with a wrench, and having cigarettes put out on him, Will dealt with a lot at a young age (James A. Frieden).

Travel back to New York city during the 1920s, a melting pot of culture, a place where new ideas, technology and business mix and mingle into a metropolitan jungle, where dreams are made and stars are born. During this era, in a small neighborhood on the island of Manhattan, an explosion occurs that would forever change the course of history. The explosion would liberate an entire race that had been ignored for centuries into a new era! The explosion was known as the Harlem Renaissance. It was during this time black culture was freely expressed and openly excepted by the mainstream white culture. Today, the culture is still openly expressed but there is a sense of segregation. It affects our culture to this day! Television programs are

It is often said that the people one surrounds themselves with can reflect things about themselves, such as their beliefs and ideals. One’s friends and acquaintances can reveal subconscious attractions to people that fulfill their ideals or agree with the things they say, but these relationships can also help one discover their personal philosophies by reinforcing opposing views. Indeed, in J.D. Salinger’s novel, The Catcher in the Rye, the way Holden reacts to and interacts with secondary characters reveal his established philosophies and the values he holds most dear to him.

Over the past three decades, hip-hop has become an important element in every American’s journey, influencing everything from music, fashion, and language to politics and attitudes toward gender and race. In 2006 Kanye West told MTV, “Everyone in hip-hop discriminates against gay people.” While bravely condemning homophobia he added that the genre isn’t alone: “Not just hip-hop, but America just discriminates.” Still, till this day, the homophobic discrimination is uprising due to moral or religious

The movie Good Will Hunting an American Drama Film was directed by Gus Van Sant, and starring Robin Williams, Matt Damon, Ben Affleck, Minnie Driver and Stellan Skarsgard in 1997. This movie is about a man named Good Will Hunting who was a genius but chose not to live as a genius because of fear of past experiences and the ill treatment he received when he was in foster home. Some of the other characters in the movie were supportive and some were not supportive of him. This essay discusses Good Will’s personality traits and his interaction with the other characters in the movie. Good Will Hunting possessed the following personality traits, namely: independence, intense interest in a problem, and the need for stimulation.

This paper is a critique of a production of Show Boat, a musical classic with compositions by Jerome Kern and lyrics by Oscar Hammerstein II, which was performed and produced by NETworks Presentations LLC at Emens Auditorium on the 14th of February 2001. Clayton Phillips, the director of the production, attempted to test the waters of racial discrimination by exploring controversial themes such as prejudice and interracial relationships. Show Boat takes an enlightened approach to ethnic controversy by using both music and drama to express the feelings and hopes of the characters to the audience. Even though I enjoyed the production, I felt that it was lacking in terms of its plot and may have overused its melodic reprises. However, Show

“The rise of rock ‘n’ roll and the reception of it, in fact, can tell us a lot about the culture and values of the United States in the 1950s. According to historians James Gilbert, there was a struggle throughout the decade ‘over the uses of popular culture to determine who would speak to what audience, and for what purpose”. At the center of that struggle, rock ‘n’ roll unsettled a nation had been “living in an ‘age of anxiety’” since 1945” (p.15). Altschuler talks about how music and race interlock with one another. Rock had become a “highly visible and contested arena for struggles over racial identity and cultural and economic empowerment in the United States” (p.35). Other chapters within the book state the battles involving sexuality, generational conflicts, as well as other social issues. The author states ideas that are somewhat problematic. For example, he states that there is a myth that rock ‘n’ roll went into a “lull” following the payola hearings (the practice of record promoters paying DJs or radio programmers to play their labels ' songs) of 1959 and did not come about again until the arrival of the Beatles in 1964.

George Gershwin‘s opera Porgy and Bess is said to have been racist and outdated even in the time that it was written in 1935. There are many aspects of this work that are incorrect and prolong stereotypes about African Americans by depicting them as violent and religious. Gershwin classified this opera as a folk opera, a term which was offensive to African Americans. George Gershwin, arguably a great composer, composed an opera that is considered to be controversial due to its negative representation of African Americans. Porgy and Bess is a cultural artifact and when discussing it we bring up complex issues of race from the time it was written and even to this day in the United States.

In the movie A Bronx Tale, young Calogero witnessed a shooting outside his house. The cops show up at his house later that day to question him. The police officer had Calogero go to where the police had a line of men who were suspects of the shooting. Calogero got to Sonny, who was pretty much the head gangster of the neighborhood. Calogero knew it was Sunny but chose to tell the police it wasn’t any of them. The lie that Calogero told to the police is morally wrong because according to Pollock, in the ethics book “Morals and morality refer to what is judged as good conduct. (Pollock, 8, 2012). I would say that the lie he told

Race and social status in culture is not only shown in history, it is also depicted in several films such as the original 1968 Planet of the apes, and 1961 West side story. Both films are unique in their own ways but go hand in hand presenting specific perspectives on race and social status from the beginning of history through today.

The broadcasting and recording industries did not solely represent the conquering racial assumptions of the 1950's, they internalized them and helped to continue them. Racial conventions permeated the organization and structure of the music industry at every level. The very existence

The term ‘hip-hop’ refers to a complex culture compromising of four elements: deejaying, rapping, rhyming, graffiti painting, and b-boying. These elements incorporate hip-hop dance, style, and attitude. “Hip-hop originated in the primarily African American economically depressed South Bronx section of New York City in the late 1970s” (Tate, pg.1). Hip-hop is a culture of fashion, language, music, movement, visual art and expression. The genre of hip-hop comes with a very significant history and evolution with its own heroes, legends, triumphs and downfalls. “Real” hip-hop is often stressed in the 21st century due to what is being passed off as hip hop, and it is often made clear that just because one takes a hip hop class, or listens to hip-hop music, does not mean they conform to the true immersion of hip-hop culture. Therefore, “real” hip-hop encapsulates the true essence of hip-hop culture, untarnished by impurities such as rapacious record labels, and vapid, materialistic subject matter. Due to the background of how and where hip-hop first emerged, the African American culture often feel responsible to protect what is for them, and to protect the culture of hip-hop entirely. Boyd states that even though hip-hop as a culture was created as a social movement, the “commercializaiton” of hip-hop demonstrated in film and media construes it to another form of urbanization and popularity”(Boyd, 79). However, in the two movies being examined in this essay (Save the Last Dance

In America, racism as well as race relations are generally extremely sensitive subjects that are often brushed underneath the rug. Earlier this year, Jordan Peele’s Get Out graced the big screen, and left audiences with a great deal to digest. Peele’s first cinematic debut touched on the delicate topics of racism and the continuous devaluing of African American culture by “liberal” Caucasians in American suburbs. In this essay, one will explore the ways in which works written by modern political thinkers such as Nietzsche and Marx effortlessly add perspective through various theories on the difficulties brought to light in the motion picture, Get Out.