In literature, there is always the protagonist. The protagonist is the character from whose perspective the whole story is told. And in many cases protagonists are a part of a psychological thriller, which is a literary work that emphasizes the unstable psychological states of its character(s). As the story and the conflicts progress, the protagonist usually undergoes a character arc, in which he or she witnesses significant changes in his or her personality. An example of a psychological thriller that utilizes a character arc is Patricia Highsmith’s, Strangers on a Train. In which the protagonist, Guy D. Haines, witnesses significant personality changes throughout the novel. In the beginning of the novel, Guy Haines is on a train to grant his unfaithful wife, Miriam a divorce. It is on this train where he meets Charles A. Bruno and shares his sorrows. Upon hearing Guy’s sorrows, Bruno shares his own distaste for his father and proposes that they both trade murders. After hearing this, Guy laughs to make it seem as if the conversation was a joke. However, Bruno does implement his plan and commits the murder of Miriam, after this he constantly pressures Guy to murder his father. After, many letters and phone calls, Guy murders Bruno’s father. Shortly after his father’s passing, Bruno passes away himself, which then leaves Guy to bear the guilt of the murders himself. For Guy, keeping quite had grown almost impossible, this pressure then causes him to confess his crime. Highsmith uses Guy’s character and arc to depict the deep-rooted psychological instability of everyman and to teach the audience that yielding to the wrong type of peer pressure can land you in trouble. In the beginning of the story and his character arc, Guy has a passive personality which allows him to be easily trampled upon. Guy allows his unfaithful wife, Miriam with whom he is trying to attain a divorce from to take advantage of him to simply avoid the “consequences.” An example which shows this prevalent trait is that when Highsmith states, ““You wouldn’t do that to me,” Miriam replied with that combination of threat and pleading that had played on both his anger and his love when he loved her, and baffled him.” (40). While under the
The character in the fictional book is what makes a great story and brings it to life to the reader’s eyes. In “Where Are You Going, Where Have You Been,” by author Joyce Carol Oates, the fifteen-year-old protagonist Connie is an interesting character who seems to be obsessed with wanting to grow up so fast. However, Connie seems to act differently when she is at home and when she is away from it. When she is away she seems to be a tad sexual with her appearance and tries hard to prove she is maturing. In this story, Connie is a tragic hero, who teaches us that even a great quality can be our doom. A tragic hero is usually a character who has a flaw that leads to their downfall at the conclusion. This happens when she tries so hard to act mature and finds out that maturity was not what she expected. Next, the narration is a key factor to the story that makes it what it is. The third person limited narration has Connie’s point of view which indicates that she somewhat thinks she knows what other characters are thinking throughout the story, sometimes the point of view seems to shift,
protagonists and antagonists, the plot structure and events of the story and the way he
A strong protagonist is some you should understand as if you were in the book. The protagonist goes on a journey to play a part in our lesson, they are the key to the problem being solved. A character shows a view through a different eye, which can let you open your brain for a stronger set of ideas. They should be our heros if our real life world is not perfect. They shows us how to view the world differently. We become one with protagonist and experience the changes of their personality. The protagonist brings us to a different world which we develope our second self. They allow us to think through a different eye and be placed in different shoes. The protagonist is usually the hero in which we claim examples by. According to Rekenthaler on page 8, line 70-71,“we become one and the same with the story's protagonist”, they set our examples to prepare us for the real world. Lisa Cron showed that on page 17, line 54-56, “Writers can change the way people think by giving them a glimpse of life through their characters’ eyes.” An argument can consist of two or more parts, but both characters both believe that the other is wrong. If they switched positions their opinion could change and they would view the argument from a different eye. Story can transport you into the other person's view without actual
The protagonist in a story makes key decisions, experiences consequences for those decisions, and affects the circumstances of the story. In the Greek tragedy Antigone Creon displays being the protagonist. Creon in the play made a key decision to place a decree. He affected the circumstances by deciding to punish Antigone for her actions and he experienced consequences for those decision resulting in unexpected deaths. Creon demonstrates being the protagonist based on making key decisions, experiencing consequences, and affecting the circumstances.
O 'Brien, the author of the book is both the narrator and the protagonist of the book. As,
The protagonist typically is the leading character of a story who the reader empathizes with and wants to succeed. Usually, this character bares strong, positive traits. However, in the case of A View from the Bridge by Arthur Miller, the protagonist Eddie can be difficult at times to agree with. In 1950’s New York, Eddie, a hard working longshoreman, lives with his wife Beatrice and his niece Catherine, who they raised. Catherine is a smart young woman with a close relationship with her uncle, even though he still views her as a baby. Beatrice lets a couple of her cousins from Italy, Rodolpho and Marco, to stay with them illegally in order for them to find work. Marco, focused on making money for his family in
the other people. So, like I said he is the protagonist because of what his problems bring out in him
Do you know what Protagonist and Antagonist are? Protagonist is the character whose actions are the primary focus of the story. Antagonist is the character who the protagonist has the most conflict with. In Theodore Boone the Accused, the main conflict is conflict is that Theodore Boone is accused of stealing computers from a shop that he has never been in before. Most people think he is guilty but Theo knows he is not.
A protagonist, is a character, who has some type of pitfall in their life which they are not equipped for, they must be an underdog, who has no chance and still succeeds, not matter the amount of loss in their lives. Liesel is an embodiment off this very idea. “A character who has some type of pitfall in their life,” Liesel gets adopted and is sent away from her parent, a pitfall. “A pitfall which they are not equipped for,” a 9 year old girl is in no way prepared to be separated from her parents and have to break the law (Hide a Jew in her basement). “They must be an underdog, who has no chance and still succeeds,” Liesel is a young girl with no chance and no hope except for her reading, but she still succeeds, she lives, and grows to a comfortable age. “No matter the amount of loss in their lives,” Liesel was adopted, sent from her parents, force to break the law, lacked the skills to read,
The result of these characteristics give each story suspense and mystery, leaving the readers wondering what each character will do next and what further action will take place. Characters hold a primary role in determining the outcome of a story, which is the reasoning behind the many similarities and differences among literary characters. Also, a clear example is the similar plots with two completely different outcomes. Once the audience understands a character, they are capable of building on their existing knowledge to foreshadow events or understand the text more logically, which is evident when reading these
Protagonist – Jason Bourne, The Bourne movie series. Jason is the protagonist since he is the main character. He was taken from his life and the company made him forget his old life. He became an assassin, but later was a hero.
A protagonist is the leading character or actor in a play, novel, or story. The leading character of a play is not easily interpreted. A protagonist does not necessarily have to be good or bad. Determining the protagonist is one of the many engaging issues presented in the play. Many characters exhibit the characteristics of a true protagonist in Julius Caesar, few stand out over all others. Caesar was a powerful, courageous, yet arrogant leader who is depicted in many different ways. Brutus friend of Caesar, loves Caesar greatly but does not think he possess leadership skills. Antony is loyal, trustworthy, and a devoted follower of Caesar, and proves to be a required character in Julius Caesar. All three of the protagonist must go
In order to know who the protagonist of a story is, it is essential to know what a protagonist is. According to Literary Devices, “A protagonist is the central character or leading figure in poetry, narrative, novel, or any other story”. This means that the protagonist is the main character of the story. The story revolves around this character and the conflict affects them. A protagonist is usually an honorable and sincere person who looks out for others. For a character to be the protagonist, the audience must be able to relate to that character. They also have to have a flaw that the audience can personally connect to.
A tragic hero is the main character in a tragedy story. He is the main theme.
In Strangers on a Train, Hitchcock uses a unique combination of continuity and narration in order to create a fluid story while also drawing the spectator in with suspenseful situations. The spectator becomes immersed in the story because of how well Hitchcock uses these techniques. The spectator is given all the information throughout the story, which helps Hitchcock create suspense because the spectator worries for the characters because they know the entire situation while the characters are still figuring everything out. With these techniques, Hitchcock tells a unique story while totally engaging the audience in the story.