Character Analysis Of The Character Of Margaret Hossack

“Let me,” Ludington called, “I can ride as well as any man!” A young woman of only sixteen told her father one night during the Revolutionary War. Sybil Ludington volunteered to round up her father's troops when the original messenger could not go any farther. Sybil traveled over three times farther than the well-known story of Paul Revere. She rode farther, alone, and in horrible weather to bring four hundred soldiers to aid Henry Ludington. Sybil, though her remarkable story is largely ignored by historians, should be as well-known as Paul Revere for her bravery and contribution to the war effort.

In The Crucible by Arthur Miller, John Proctor, the protagonist, is a farmer in his middle thirties. The author gives little to no detailed physical description of him, but from Proctor’s speech, we can still picture him as a strong and powerful man who is able to keep every situation under the control, the kind of personality which earns him deep respect and even fear from the people in town. On the other hand, Abigail Williams, the antagonist, plays an inferior role as an orphan who has no social status in a place like Salem. Over the course of the play, John Proctor is absolutely awakened and transformed by Abigail Williams. In the end, he overcomes the crucible by releasing himself from his guilt of

Have you ever noticed how some people just stand out from the crowd? Like the clouds in the sky and blades of grass, people are all different. “Everyday Use” by Alice Walker has a good example of an interesting, unique character. Maggie is a young girl who is not only physically but also mentally scarred. The way the burning house, her stuck-up sister, and society affects Maggie makes her different from everyone else.

After several days spent meticulously filtering and interpreting the poorly translated web of psychological theories, Katharine Cook Briggs finally decides to unwind on her recliner. She calls her daughter, Isabel, eager to hear about the newest rendition of the Myers-Briggs Type Indicator, test form D, but she is unavailable (“A Guide to…”). She turns on the television, interested to hear the latest news updates on the deteriorating geopolitics of the late 1950s. Instead, she receives an unappreciated surprise in the form of the perky, gleeful face of stereotypical housewife June Cleaver on Leave it to Beaver as she thoughtlessly cleans, cooks, and cares for the family, all the while indoctrinating the audience on domestic female roles that Katharine finds both diminutive and regressive. June Cleaver may not have been the news Katharine was anticipating, but it was equally informative. She very well could have been a June-type mother, or worse, her daughter could have been. This comedic television trope of the average housewife reinvigorates Katharine, a constant reminder of her good fortune growing up in an intellectually supportive environment. She turns off the television, opens Psychologische Typen von C.G. Jung, and continues to comb through the pages, endlessly searching for the key to unlock the complexities of personality (“Myers’ and…).

The character of Hester Prynne changed significantly throughout the novel "The Scarlet Letter" by Nathaniel Hawthorne. Hester Prynne, through the eyes of the Puritans, is an extreme sinner; she has gone against the Puritan ways, committing adultery. For this irrevocably harsh sin, she must wear a symbol of shame for the rest of her life.

“I jolted awake. My sheets were soaked through with sweat, blood, and the foul-smelling black substance that marked a victim of yellow fever. Yellow fever,” despite her desperate cries for mercy, yellow fever struck young Matilda Cook with its evil hand, along with thousands of other unfortunate victims. An unpredictable future haunted the families of Philadelphia as this unbearable sickness slithered in between their homes. In the novel Fever, Laurie Halse Anderson described the fictional epidemic that occurred in 1793 to the citizens of Pennsylvania. She passionately painted the picture with blended colors of pain, perseverance, and hope. Despite unbearable pain, the protagonist pressed on with strength and hope. While her character certainly deserves admiration, Matilda Cook is not the only strong character in this story, her friends Eliza and Nathaniel share some of her inspiring traits as well as some of their own.

Joy-Hulga was a woman of grace and elegance turned boisterous and clunky. Once known as Joy, a leading lady, until she felt the urgency to change her name. As she had down in order to better fit oneself. The reader finds Joy-Hulga in stances of vulnerability, victimism, and the act of living within two worlds.

The way Mrs. Hossack put it someone had come into the bedroom where she and Mr. Hossack were asleep. Once the intruder came into the house they beat her husband’s brains out with an ax.

In modern times, I do not believe in retributive justice. I believe that death can be solved by jail time, these people who are in jail may rather be dead, so why give them the satisfaction? Justice can now come about by the perpetrator being put into a jail cell and the victims family being greatful they’re locked away to think about that they have done. Although, I do believe in the times Margaret lived, death may have been a form of justice as the jails may not have been as secure, or the penalties not as harsh.

In U.S. history the roles of society were decide by gender, men’s role was mostly the same throughout history, but the women’s role changed slowly over time. There was many women who were fighting to change their roles and one such woman is Anne Marbury Hutchinson. In “Divine Rebel” Selma R. Williams tells the story of Anne Hutchinson, who was a Puritan woman of the late 1500s, and researched informations was hard to find. She was often described as a woman who did not fit the ideal woman mold and she did nothing to force herself into such a mold. Anne Hutchinson is described differently in the textbook that was assigned to our class as well as a few similarities. Anne Hutchinson may

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

Hedda Gabler is a play in which the author, Henrik Ibsen, demonstrates the heavy shackles of society and the burden it impinges on women through the words and actions of the protagonist, Hedda Tesman. Hedda is a woman living for her own pleasure. At twenty-nine-years-old and having been recently married, she is under enthused with her surroundings and yearns for titillating experiences. Obsessed with the aesthetics of the world, she wants to lead a poetic life filled with lust and luxury, yet is too frightened by what her Victorian values deem proper, to do so. Ibsen constructed a brilliant character that simultaneously arouses both sympathy and scorn from the reader through Hedda’s own words and actions.

The reflection of women in literature during the late eighteen-hundreds often features a submissive and less complex character than the usual male counterpart, however Henrik Ibsen’s Hedda Gabler features a women who confines herself to the conformities that women were to endure during that time period but separates herself from other female characters by using her intelligence and overall deviousness to manipulate the men in her life and take a dominant presence throughout the play. Hedda challenges the normal female identity of the time period by leaving the stereotype of the “quiet, subservient housewife” through her snide and condescending remarks as well as her overall spoiled aristocratic demeanor.

Mae Holland is an ambitious, intelligent young-woman and the main character in Dave Eggers’ novel The Circle. Although her character is paramount to telling the novel’s main story (detailing the prominence of the monopolistic, power-hungry tech company known as “The Circle”), she is hardly a protagonist, with her being ill-informed at best at the book’s beginning, and complicit in the Circle’s nefarious doings by the novel’s conclusion. Mae is an exceptionally bland character who offers little interesting internal dialogue and who’s only notable overarching character trait is her ever-present insecurity and her need to please others. Arguably, it could be said that Mae truly is not the main character of The Circle at all; Rather The Circle company itself, or more precisely Mae’s relationship with the The Circle (and by association its dystopian philosophies) are what take center stage. As a character, Mae is malleable; a clean slate waiting to take orders and eager to agree with her superiors, she yearns for attention from others, is figuratively trapped inside The Circle’s elaborate campus, and acts as a mouthpiece for the The Circle’s leaders; repeating whatever they want her to say. Due to the fact that Mae Holland possess these characteristics, she is comparable to a parrot.

Upon reading William Faulkner’s “A Rose for Emily,” one discovers several colorful characters, including one Miss Emily Grierson of Jefferson, Mississippi. Readers uncover her quirks and specific character traits as seen through the eyes of the townspeople who are highly interested in the goings-on in her life. Miss Emily Grierson is a round yet static protagonist who is lonely, unyielding to change, and overcome by her unfortunate life circumstances, and as such she should not be considered a mad woman as many readers might accuse her of being.