Character Analysis Of The Last Cab To Darwin

Good morning/afternoon Mr Webster and 8 Mahoney. Banjo Paterson, a renowned Australian poet of the 19th and 20th centuries, wrote countless ballads that explored the idea of Australian identity. Although Australian identity has undergone several changes, its foundations remain largely unchanged. Paterson’s unique background allowed him to explore Australian identity from a perspective that otherwise could only be obtained through the melding of various poets, thus allowing for an unrivalled insight into the concept of the Aussie lad. One of Paterson’s one hundred and sixty-two poems, The Geebung Polo Club, written in 1893, explores the ideas of mateship, resilience and fortitude, all of which are fundamental to the idea of the Aussie lad.

Australian people and culture are often stereotyped in the media in different forms, one of them being film. The two films being examined, ‘Red dog’ (2011) and the ‘Sapphires’ (2012), are an example of the Australian identity but from different points of view. ‘Red dog’ shows the kind and positive side which exemplifies mateship and loyalty. The film ‘Sapphires’ ,which takes place in the 1950’s through to the 1960’s, shows a negative and racist view towards the indigenous people. Both the films show different aspects of the Australian identity, not all insights of the films accurately represent contemporary Australian identity as the Australian identity has changed by the evolution of people and their lifestyle.

Finally, Australian Narratives teach us about respect. Through the use of Constable's intense language, "Jules wrenched the cue from Sadie's arm. 'Go on, piss of with your abo boyfriend." it creates a sense of hatred to Lachie and sympathy to Sadie and Walter. However, during chapter 16, Craig Mortlock is being friendly just because David lead the team to victory. "He flung his arm around David. 'Glad I caught you, mate.'" By looking at Constable's way to resolve problems, we can see how relationships work, how respect was shown and how we can apply them to real

Australia is filled with many different aspects in which makes it the country it is today. I believe it is important to study texts that explore aspects of Australia by studying texts such as ‘The Club’, by David Williamson, a play written in 1977 about an Australian football club and movies such as “The Castle”, directed by Rob Stitch in 1997, about the daily life of an Australian family when their happiness is threatened when developers attempt to buy their house to expand the neighboring airport. Both these texts show us what Australian life was like in the past. By us looking at themes such as language, tradition and the mateship shown we are able to explore different aspects of Australia that make it what it is today.

What does it mean to be Australian? Is it our multiculturalism, our wicked sense of humour or is it our recognisable accent? We are unique, we have thousands of species of native animals and we are proud of it. Australia has its own slang, which could be counted as a language in itself and we have neighbours of all different races. Australia is multicultural and is extremely accepting of others, no matter the country from which they have immigrated from, it is an Australian value. Furthermore, we respect and accept others religions and cultures into our society.

Mateship. Adventurous. Loyal. Free. Proud. These are the typical words Australians use to describe themselves, to identify themselves as different from the rest of the world. But who is an Australian? Someone that was born in Australia? Only people we choose to call Australian? People with great achievements that we choose to take credit for? Only people that love sport and vegemite? Or maybe only people with ‘Aussie’ accents? The Australian population is a proud one indeed, proud of their nation, their achievements and their own independent way of life, but sometimes us Aussies, forget about the rest of the world and all those other people that make us, who we are.

Charlie articulates how he “never understood why you would ever feel the need to shoot the fish in the barrel… (if) they’re in a barrel, you’ve already caught them… they can’t escape... why bring guns into it?” Silvey’s use of characterisation and first person point of view portrays Charlie’s realisation of the community’s racial prejudice towards ‘the other’. The “fish” is symbolic of Charlie and how he is different to the people of Corrigan; who are like vultures – constantly seeking the chance to attack those that are considered the ‘minority’. Charlie’s close friend, Jeffrey Lu, is a gifted and committed cricket player who persistently tries to get himself in the local team, however, due to his Vietnamese background, “he’s ruthlessly bullied and belted about by the boys at school.” The emotive imagery and alliteration of “bullied” and “belted” further depict Charlie’s internal conflict in addition to his realisation of the community’s racial prejudice towards the peripheral of society. The use of emotive imagery positions readers to realise the extent to which powerful words can have; causing readers to recognise how crude and harrowing humankind can be towards the marginalised. Thus, Silvey effectively conveys to the reader how the indigenous race were isolated from ‘white Australian’ society; how intelligent individuals were ostracised; and, how groups of people with racially different backgrounds were isolated from mainstream Australian society.

We can presume from the numerous emphasized lines indicating Australia’s uniqueness, that the distinctiveness of Australia is the main reason for the persona’s perplexing attachment and love for her country.

New experiences prompt individuals to reconsider their upheld values in the social context in which they’re placed. Tim Wintons short story, “Neighbours” questions Australia's social discourse by exploring the transition of individuals into a new phase of life. Winton challenges society’s ignorance and cultural stereotypes by displaying a provocative new experience which has the ability to manipulate and change individuals perspectives. Society’s ignorance can be

Australia’s identity has always been a complicated one. Starting with Aboriginal genocide, 1800’s cowboys and villains, two world wars and a bunch of poems describing them, it makes it difficult to conclude on what being an ‘Aussie’ really is. Thankfully, the two thought-provoking poems Nobody Calls Me a Wog Anymore by Komninos Zervos, and My Country by Dorothea Mackellar both use their discerning selection of themes to reflect modern attitudes in some extent. Along with their themes, Nobody Calls Me a Wog Anymore and My Country both use their story to capture the attributes modern Australians possess to some degree.

Mateship in Australian Films Mateship has long been a major aspect of the national image as projected by Australian films, yet the moralities of mateship and the image of men as mates did not go unchallenged. Australian cinema as a significant part of the whole industry of image-makers in the country, the way it portrays mateship, the single most important mythic element in the cultural identity of Australia, is worth analysing. This paper first reviews the historical background of mateship in Australia and its contemporary development. The review here serves as a general discussion of mateship that provides the potential readers with some basic understandings of the idea, and as background

The play presents complex notions about family bonds, based upon their shared cultural experiences and the way in which they reinforce their cultural Australian identity and help members of the family endure the physical hardship and social isolation. Jack Davis’ social realist drama, ‘No Sugar’ explores how the varying levels of family unity, rebellion and cultural identity depicted in different characters influences their survival. In this play, the term ‘survival’ operates on two continuums. It is conveyed as the physical sense of life and death through the play’s protagonist, Jimmy Munday, as well as the pursuit of happiness. This pursuit is predominantly reflected in the parallel yet contrasted lives of Mary and Billy Kimberley as well as Gran’s deteriorating health after losing family members. Although Davis articulates the endurance of the Indigenous Australians, he incorporates figures of white authority who seek to demolish the Indigenous race and culture. Set in the time frame of 1929 to 1934, ‘No Sugar’ presents a critique of the conventional colonial British views of that era; and their effect on the preservation of Indigenous spirit and culture.

Australian’s have a unique proud culture. This culture differentiates them from the British motherland. Through many decades Australia has formed a unique, which at its foundation is made from mateship. Mateship or friendship is the core of Australian identity as this was instilled into them through events such as war. WWII in particular demonstrates the level of mateship shown by Australians as many made the ultimate sacrifice in order to save a mate. The stories of ‘The Magic Pudding’ by Gary Crew & Shaun Tan and ‘Memorial’ by Norman Lindsay will demonstrate how mateship is a significant part of how Australians see

Australia has always been centered around diversity and change, specifically with the vast multiculturalism and migrant culture throughout the nation. The specifics of Identity hold an important role in shaping our identity as students and as a nation. Australians pride themselves on being a land of the free and full of diverse culture. This is specifically referred to in our national Anthem; “For those who've come across the seas, We've boundless plains to share; With courage let us all combine,”(McCormick, 1984). Displaying Australia’s open attitude towards immigrants and contributes to the diversity present within our society today. Even before this, much of Australia’s Identity was associated with caucasian culture (Originating from British Settlers). Which is the dominant perception of Australia through the media with australian representation being present through the stereotypes of Bogans, which was made popular through shows like Kath and Kim (ABC, 2007). Also, represented through the popular depiction of Australian people - the bushman made popular by movies like Crocodile Dundee (Faiman, 1986) and through famous real life bushman; Steve Irwin. An important aspect of Australian identity which is consistently neglected is the culture and representation of the initial owners of the land; the aboriginal people. Throughout history the constant mistreatment and neglect of the indigenous, has lead to a massive gap in privilege between the aboriginal people and our

Australians have a very distinctive humour which could be labelled “black humour”. We can see it in many films, for instance “Crocodile Dundee (1986), Kath and Kimderella 2012 and the castle (1997). Even films about subjects regarded as serious, such as Gallipoli (1981) still manage to depict the typical Australian as a larrikin, always out for a joke. We use humour as a way of coping, and as an act of defiance against authority These films are all good examples of pure Australian humour, which poke fun at everything but the joke is mainly directed towards ourselves. Humour has helped to shape our identity and character; it has influenced how Australians feel about themselves and the way we interact with others. A good mate is one you can share a joke with, and it is indeed considered a mark of respect to be made the butt of someone else’s