Character Analysis: The Year Of The Dragon

Through the personal stories of his hair, love life, and behavior, Liu is able to show the effects of his assimilation. The second section deals with Liu’s struggles to conform to white stereotypes as an Asian American. With his personal anecdotes, he establishes himself as a more credible source to speak on the subject of assimilation. The second section uses narration to provide evidence about Liu’s definition of assimilation.

In the “Autobiography of a Chinese immigrant” written in 1903 by Lee Chew, dialogues about his point of view

By using the word “Chinese” a numerous amount of times, she “shines bad light” on it. In other words, the emphasis of the word “Chinese” gives a negative feel to the whole concept of Chinese culture. “When I found out that my parents had invited the minister iver for Christmas eve dinner, I cried. What would Robert think of our shabby Chinese Christmas? What would he think of our noisy Chinese relatives who lacked proper American manners? What terrible disappointment would he feel upon seeing not a roasted turkey and sweet potatoes but Chinese food?” (paragraph 2) Tan is really embarrassed and really cares about what Robert will think about her house, her food, and her family. Theses three things all have one thing in common, which is, the Chinese culture.

In “Chinese Immigrant Lee Cew Denounces Prejudice in America, 1882”, we read the account of Chinese immigrant Lee Chew who, writing in 1882, finds himself discontented with the treatment he endures as an immigrant from China. Lee Chew’s experience was not unique; the Chinese immigration experience was one that was marked by discrimination and general exploitation. However, this pattern of discriminatory behavior was much more comprehensive than being directed at a specific race, and the Chinese experience is controvertible with the immigrant experience at large. Prejudice and discrimination in

In his essay “Paper Tigers,” Wesley Yang discusses his own experiences as an Asian American, tying them into the larger picture of Asians functioning in American society today. Yang’s argument is that even though Asian Americans are one of the most successful ethnicities in the country, stereotypes that Asian Americans are exposed to affect the way other Americans view them. Because of personal bias and racism, human society fails to see other people for who they are and put too much emphasis on what they are supposed to or not supposed to be in America today. Stereotypes cloud people’s vision and judgment and keep some from achieving their goals because others have a pre-created

attention is that it is a struggle to be an Asian in America due to the fact that Asians

The tale “American Born Chinese” by Gene Luch Wang depicts the story of three characters, Monkey, Jin, and Danny. They all have the problem of fitting into their new environments. Jin Wang has to deal with Asian stereotypes. Danny has to deal with embarrassment of his cousin. Lastly, Monkey has to deal with the fact that there is no position for him in the heavenly ranks. However, over time, these characters have to come together to fit in. Yet the question remains: what exactly about fitting in is the problem? Although Jin Wang takes the form of Danny to reject his Chinese roots, the embarrassment of Chin-Knee shows he cannot hide behind a false American identity, thereby delineating that race is the source of his problem.

‘The Chinese in All of Us’ is an essay written by Richard Rodriguez. Rodriguez is a first generation American, who’s a son of a working class Mexican immigrant. Author of a thin book called Hunger of Memory, that summarized the memories of how he became Americanized, Rodriguez shares how he believes we all are blending and being fluid with individualism but unifying as Americans.

THESIS - When evaluating Arnold “Junior” Spirit from Sherman Alexie’s The Absolutely True Diary of a Part-Time Indian and Jin Wang from Gene Luen Yang’s American Born Chinese, similarities radiate in both characters as their disparity in race deem the two of them as outcasts in the entirety of society. In addition to their lack of social interactions, their uniformity in their impulsive decisions cost them each a dear friend. Although Junior and Jin are quite similar, they share differences in the way Junior tries bettering himself by fitting into both his Indian and Reardan culture whereas Jin changes himself in every possible way to become Americanized.

Despite the fact that Asian Americans have been in Hollywood for decades, there are very few positive representations of them in film. More often than not, they’ve been depicted as stereotypical caricatures, and more specifically, as foreigners who can’t speak grammatically correct English. Moreover, the negative representations of Asian Americans in film has perpetuated certain misconceptions about their culture. Chan is Missing (1982) calls for more genuine representations of Asian American identities through its cast of complex characters and defiance of Asian stereotypes. The film also urges its viewers to critically think about their own notions of identity through the use of several recurring themes and filmmaking techniques.

The Chinese immigrants were stereotyped as anti-white. Henry Grimm, in his 1879 play, entitled “The Chinese Must Go”, attempted to show the racism of the Chinese toward white Americans by writing the following dialog for a Chinese character: “[W]hite man big fools; eaty to muchee, drinky to muchee, and talkee to muchee” (Doc. A). The dialog reveals the hatred the Chinese had against the whites. This stereotype generalizes that the Chinese looked at themselves as being superior to whites. The tension between the Americans and the immigrants separated them, and eventually lead to the Chinese Exclusion Act.

Frank Chin has been the most vocal critic of Kingston's who accused her "of reinforcing white fantasies about Chinese Americans" (Chin, 1991) and claimed that writers like Maxine Hong Kingston, Amy Tan and David Henry Hwang who won approval of the American white readers deliberately distorted the image of Chinese American to reinforce stereotypes and cater to the fantasies of American readers about a traditionalist Chinese culture. (Frank Chin, 1991, pp. 3-29)

In the story “Two Kinds”, author Amy Tan, who is a Chinese-American, describes the conflicts in the relationship of a mother and daughter living in California. The protagonist in this story Jing-mei Woo’s mother is born and raised in China, and immigrates to the United States to escape from the Chinese Civil War. For many years she maintained complete Chinese traditional values, and has been abided by it deliberately. This kind of traditional Chinese culture has also affected her daughter profoundly. However, Jing-mei is born and raised in the United States. Despite she has a Chinese mother; she is unfamiliar and uncomfortable with Chinese

     The focus of our group project is on Chinese Americans. We studied various aspects of their lives and the preservation of their culture in America. The Chinese American population is continually growing. In fact, in 1990, they were the largest group of Asians in the United States (Min 58). But living in America and adjusting to a new way of life is not easy. Many Chinese Americans have faced and continue to face much conflict between their Chinese and American identities. But many times, as they adapt to this new life, they are also able to preserve their Chinese culture and identity through various ways. We studied these things through the viewing of a movie called Joy Luck Club,

The Term “yellow” is ironically crucial to the reader’s perception of why the main character, Danny, is so fearful of his ethnic identity. Even though Danny cannot escape his “Korean-ness”, he instinctively insists upon rejecting his ethnicity, pursuing a “colorless”, life in America. Don Lee’s short story, “yellow”, illuminates the struggle of Danny, whom like many later generational Asian Americans attempts to assimilate into overall American culture, only to be constantly rejected. One’s ability to consume and digest this cultural dismissal can determine their ultimate mindset, this concept is highlighted by the conversation between Danny and his wife Rachel, “No stereotype is innocent” (Danny to Rachel), she replies, “Racism’s not the problem. It’s you” (pg. 249). In this instance, it can be realized that it is both society’s as well as Danny’s perception of his Asian identity that are misguided. Due to American society’s racial insensitivity, Danny finds himself filled with paranoia, unable to trust those around um, and even himself. It is only through eventful encounters/relationships that Danny may overcome his fear of “yellow”, seeing not only color but the humanity behind it.