Character Analysis: Two Kinds By Amy Tan

In the biographical essay “Amy Tan” by Karen Stein, she mentions how Tan’s parents pressured her to be both medical physician and pianist. She grew up around California, moving frequently. At fifteen, Amy’s father passed away. This was when her mother, Daisy, took her children to Switzerland and enrolled them in school there, only to return again to California in the late 1960’s. Despite her parent’s wishes, and her mother’s pressure; Tan eventually switched her life course when she changed her majors in college to English and Linguistics (2). As a now successful American novelist, Tan has wrote such stores as the popular Joy Luck Club, a collection of stories involving many Asian-American characters involved in a Mahjong club and the trials and tribulations they face as Old-world American immigrants. Tan, today, is considered and important voice among the groups of “hyphenated Americans.” (Stein 3) “Two Kinds,” in fact, was one of the stories in the short series. As a reflection of her own past, “Two Kinds” itself was largely a piece of Tan’s history written in fictional form. John Updike, on the other hand, is a prolific American writer whose career began by writing about such political issues like the Cold War and the Iron Curtain. As a child of the Great Depression and enduring WWII, in similarity to Tan, Updike was no stranger to uncertainty and hardship (Greiner 195). While Tan and Updike’s style differ greatly,

Amy Tan had many personal experiences in her story. For example, when Amy Tan was living in Northern California, her mother had very high expectations on her. Her mother wanted her to be with the American society and be the best she could be. Amy Tan had to get a haircut very short to the way other famous children were acting in the United States. Amy’s mother was the one who encouraged this. With that, in the story “Two Kinds,” the young girl named Jing-mei live in a part of California and she had to get a very short haircut. Jing-mei’s mother wanted her daughter to look and act the same way Shirley Temple did. Within both of the girls lives, they each had to act like an already famous person exactly to please their mothers.

Tan shows that she is embarrassed in her family for their lacking of proper American manners. Although at the time she felt ashamed, the words spoken by her mother, “Inside you must always be Chinese. You must be proud you are different. Your only shame is to have shame” became better understood later in life. In Amy Tan's work, the strong use of description of both the event that are occurring and Amy’s feelings about them, draws the reader in and makes them feel as if they are part of the action. Tan's Chinese-American culture and life stories are imprinted in her writing which gives the reader an opportunity to gain knowledge about the way of life in her family, friends, and even the Chinese culture. Tan's main purpose of writing is to inform and educate people about growing up as a minority in the American society.

“Two kinds” is a story, a Chinese girl whose life is influenced by her mother. Her mother came to America after losing everything in China. Jing-Mei’s mother was immigrated early to America from China who has “American dream”. Her mother had high expectations on her daughter and did not care how it could affect her. It made Jing-Mei become a stubborn and rebellious person. “In the years that followed, I failed her so many times, each time asserting my own will, … for unlike my mother, I did not believe I could be anything I wanted to be, I could only be me. (104) She expressed her anger by going against her mother's expectations in ‘who I am’, it inferred that such tendency come from her childhood experiences. Jing-Mei was frustrated because she could not satisfy her mother.

The daughter did not like the idea of playing the piano. “Why don’t you like me the way I am? . . . I am not a genius! I can’t play the piano. And even if I could, I wouldn’t go on TV if you paid me a million dollars!” (492-493). Here, Tan is conveying the fact that parents and children have disagreements on what the child should do, and who the child is to become. For example, parents may have an idea where they want their child to attend their college education. The child, on the other hand, may want to go to a different college as suggested. Ultimately, it is the decision of the child. We cannot live how others want us to live. It is the path of our own making that truly makes us happy.

Amy Tan, born February 19, 1952, was an American writer whose works explore mother-daughter relationships and the Chinese-American experience. As a child Amy Tan believed her life was duller than most. She read to escape. Her parents wanted her to be a doctor or a concert pianist, however, she secretly dreamed of becoming an artist. She began writing fiction when she was thirty-three.

In the excerpt “Two Kinds,” written by Amy Tan, the author expresses her personal perception on cultural tradition along with the conflict of her mother’s opposing views. Upon travelling to America, the mother of Jing-mei continued to carry-out and force her culture onto her daughter in order to preserve their culture. Despite her seemingly increasing progress, rebellion and disobedience

The mother, truly wants what is best for her daughter, but refuses to acknowledge that her daughter does not want to be a prodigy or play the piano. Her daughter only wants to live her own life and does not understand the success her mother is trying to push on her. Every mother and daughter relationship is different, but the most classic type is the “mother knows best trope.” Of course, if the story was presented in China, rather than America, the daughter may have fallen into her mother’s life path, “"Only two kinds of daughters," she shouted in Chinese. "Those who are obedient and those who follow their own mind! Only one kind of daughter can live in this house. Obedient daughter!" (Tan pg #). However, since her daughter was born in America, she was given an opportunity to be who she wanted to be, because of America’s new dream of independence and

Amy Tan's, “Mother Tongue” and Alice Walker's “Everyday Use” both share similar traits in their writings of these two short stories. “Mother Tongue” revolves around the experiences Tan and her mother had due to her mother's English speaking limitations, she also revolves her story around the relationship of a mother and daughter. Alice walker on the other hand writes a story narrated by “Mama” the mother of two daughters Maggie and Dee and explains the conflicting relationship she has with Dee, both writers similarly emphasize on the relationships these mother and daughter characters had and they unravel both short stories based on these relationships. Although both short stories

In the story “Two Kinds”, author Amy Tan, who is a Chinese-American, describes the conflicts in the relationship of a mother and daughter living in California. The protagonist in this story Jing-mei Woo’s mother is born and raised in China, and immigrates to the United States to escape from the Chinese Civil War. For many years she maintained complete Chinese traditional values, and has been abided by it deliberately. This kind of traditional Chinese culture has also affected her daughter profoundly. However, Jing-mei is born and raised in the United States. Despite she has a Chinese mother; she is unfamiliar and uncomfortable with Chinese

“You must raise children yourself to understand your parents’ love.” This passage is a common proverb to express the challenge of understanding parents’ love and intentions. Similar to the proverb, Amy Tan illustrates the process of recognizing mother’s intention in her short story “Two Kinds.” The mother and daughter confront because of the mother’s anxiousness in finding her daughter’s prodigy. As time goes by, through one important scene in the story, the daughter becomes aware of her mother’s love and comes to terms with herself. The significant scene is when Jing-Mei’s mother offers her the piano for her thirtieth birthday. With all the conflicts she had with her mother and within herself, from the important scene, Jing-Mei realizes that she is transformed from a “pleading child” into a “perfect contented” adult.

The biographical connection that the author “Amy Tan” draws in her short story “Two Kinds” with her main character Jing-mei, crosses in more than one side. First of all, they both are Chinese American whose struggle in their identities with their Chinese immigrant mothers. “Due to a cultural conflict and lack of proper understanding of each other’s perceptions” (Priya 1), and as a big gap developed between the two daughters and their two mothers, in which resulted a complex relationship between them.

The short story, “Two Kinds”, written by Amy Tan, is written from the point of view of the character named Jing-Mei. There are three experiences which demonstrate her viewpoint. In the first experience, Jing-Mei is being told by her mom about the “American dream”. At first, she strives to pursue this prodigy. Her mom would test her every night after dinner. Through Jing-Mei’s eyes, she starts to realize that it was not the life she wanted to live. Lines in the story illustrate this when he says “I won’t let her change me, I promised myself. I won’t be what I’m not.” (p.406). In the second experience, Jing-Mei performs in a talent show. Her mother forced her to learn how to play the piano. After seeing a little girl playing the piano

The short story “Two Kinds” written by Amy Tan is about conflict between a mother and daughter. A mother tries to live her life through her daughter and her daughter rebels. The prominent theme of this short story would seem to be "unfulfilled dreams”. After losing everything in China, the mother of Jing Mei comes to America with the dream that Jing Mei will have it all: fame, fortune, and most of all success unlike herself. Little does she know, her dream will be short-lived.

Amy Tan’s short story “Two Kinds” describes a Chinese immigrant family who hope of finding success and an overall betterment of life in America. After losing everything in China, Jing-mei’s mother, Mrs. Woo, tries as a minority house maid in the 1960s to provide all the opportunities she can for her last daughter. This short story revolves around the interactions between the Jing-mei, who desires a ordinary life, and Mrs. Woo, who seeks only the best from her daughter. The values of these two characters are in constant conflict of which creates a lasting segregation between parent and child. Through Mrs. Woo’s death, Jing-mei questions her childhood upbringing and her mother’s true intentions that were masked by pure immigrant ambition.