Essay on Character Analysis of Elisa Allen in The Chrysanthemums

One of the risks Elisa takes is trusting the repairman, also by telling him her thoughts and feelings, and by giving him the “Chrysanthemums” plant. At the end of the story, it shows that Elisa feels sad and betrayed because. When she told the repairman about how she feels he said, “a woman can't live the life he lives.” Then he describes how it feels and she felt even worse. The second way she got betrayed was when she gave him the “Chrysanthemums plant.” Later on in the story when she was going out for dinner on the way there she sees the “Chrysanthemums” holder. She makes up excuses to make herself feel better but it did not work.

Many readers who analyze Steinbeck's short story, "The Chrysanthemums", feel Elisa's flowers represent her repressed sexuality, and her anger and resentment towards men. Some even push the symbolism of the flowers, and Elisa's masculine actions, to suggest she is unable to establish a true relationship between herself and another. Her masculine traits and her chrysanthemums are enough to fulfill her entirely. This essay will discuss an opposing viewpoint. Instead, it will argue that Elisa's chrysanthemums, and her masculine qualities are natural manifestations of a male dominated world. Pertinent examples from "The Chrysanthemums" will be given in an attempt to illustrate that Elisa's character qualities, and gardening skills,

John Steinbeck's "The Chrysanthemums" shows the true feelings of the main character, Elisa Allen, through the use of setting and her interactions with other characters in the story. By way of vivid descriptions, Elisa's feelings of dissatisfaction over the lack of excitement in her life are portrayed. Her role as a mere housewife and then the subsequent change to feelings of a self-assured woman are clearly seen. These inner feelings are most apparent with the portrayal of Elisa working in the garden with the chrysanthemums, the conversation she has with the man passing through, and finally, when she and her husband are going out to dinner.

Toward the end of the story she realizes she was taken. Elisa had been taken advantage of because the man had no need for the chrysanthemums. On page 293 she finds the chrysanthemums and earth in the "dark speck" on the road. He kept the pot, her fifty cents, and a small piece of her pride but disregarded the flowers. His story of the woman who wanted chrysanthemums was just a facade and a devious scheme to get work.

In “The Chrysanthemums” by John Steinbeck it surrounds a woman named Elisa. Elisa’s marriage dynamic proves to be complicated as the banter between her and her husband Henry demonstrates the inability to communicate. Isolation leaves Elisa not satisfied in her life and marriage. Therefore, the loneliness Elisa looks for comfort when a tinker shows up looking for work and cons her. The tinker appealed to Elisa making her feel less alone than she usually does and even shows interest in her beloved flowers. By the tinker using Elisa’s interests, her loneliness subsides as she then craves the attention he gives. In “The Chrysanthemum” Steinbeck shows a theme of isolation throughout the story as Elisa is isolated from society, isolated from her own feelings, and even in her marriage.

Steinbeck introduces Elisa, the main character, as a masculine young woman with a “face lean and strong” (Steinbeck 209) and “her figure looked blocked and heavy in her gardening costume, a man’s black hat...clod-hopper shoes.” (Steinbeck 209) He lets the chrysanthemums symbolize Elisa’s true beauty. She feels that her husband does not see her as beautiful woman. All he can see is a house wife and a gardener. He shows little interest in the chrysanthemums. When Henry says, “You’ve got

Elisa Allen in Steinbeck's "The Chrysanthemums" and Louise Mallard in Chopin's "The Story of an Hour" have a great deal in common because of the fact that they both went through similar struggles. Both Elisa and Louise prove to be strong women that clearly had dreams of their own such as being equal to men and having a passionate relationship with a man. Although that may be true, they lacked resemblance in the true desire they each yearned for.

In his short story, “The Chrysanthemums,” John Steinbeck’s use of symbolism throughout the story provides the development for the plot which demonstrates that women sometimes suffer from estrangement and solitude while in search for their identity. Steinbeck presents the main character, Elisa Allen, as a frustrated woman who is dissatisfied with her current lifestyle as she yearns for a more adventurous one, instead of living up to society’s expectations of a woman only being a simple housewife. To support the theme, the author uses the fence and the flowers in a symbolic technique to represent the feelings of loneliness and alienation to portray Elisa’s relationship with the outside world.

In "The Chrysanthemums" John Steinbeck develops a theme of limitations. The story is essentially a man in the mirror story where the rigid Elisa sees herself for the first time as trapped. Although Elisa has recognized her life as limited and confining, she sadly accepts her life as is and does nothing to rectify her situation. In John Steinbeck's "The Chrysanthemums" symbolism of the fence, the garden, and the chrysanthemums help illustrate the story by striking an emotional chord with the audience.

"The Chrysanthemums", one of John Steinbeck's masterpieces, describes a lonely farmer's wife, Elisa Allen. Elisa Allen's physical appearance is very mannish yet still allows a hint of a feminine side to peek through. John Steinbeck brings symbolism into play to represent Elisa Allen's frustrations and hidden passions. Isolation is another representation through symbolism found in "The Chrysanthemums." Elisa's failing detached marriage is represented through two symbols. The two reoccurring symbols are the chrysanthemums and fences. John Steinbeck draws pity from the reader for Elisa Allen who desperately wishes to experience the passions of a fulfilling marriage and the stimulation of

Elisa has obviously taken on a more masculine façade due to her years spent on the farm. However, it seems apparent, both early on and later in the story that she has tried to maintain what femininity she has.

Steinbeck uses chrysanthemum’s to symbolize Elisa’s strength and power in order to show how societal standards cause women to miss out on opportunities and become frustrated with the confinement of their expression. “[Elisa] was cutting down the old year's chrysanthemum stalks with a pair of short and powerful scissors. She looked down toward the men by the tractor shed now and then. Her face was eager and mature and handsome; even her work with the scissors was over-eager, over-powerful.” Chrysanthemum stalks require a great deal of force to be cut down, which is highlighted through Elisa’s use of “powerful scissors.” Ordinarily, flowers are portrayed as beautiful and delicate; however, chrysanthemums are sturdy and tough. Steinbeck chose specifically to use chrysanthemums because they symbolize the strength Elisa has; she is confident, empowered, and masculine, but all of her strength is confined within the standards of society just as the chrysanthemums are confined within the walls of her garden. Elisa, as a woman, is unable to express herself as strong, masculine, and proud because that was not the standard that women were held to during that time; her expression is confined to her work in the garden with her chrysanthemums, and it is frustrating for her to miss out on the opportunities that would showcase her strength and let it be appreciated by her husband and the mender because of the standard of delicacy and beauty that women are held to.

Henry Allen plays the role of a typical male, "[he is] well-meaning and basically decent." However, "his concentration on his own role as provider, organizer, and decision maker has blinded him to the fact that [his wife] needs something more in her life than a neat house and a good garden" (Lewis 394, 394). "[The tinker] is described as big, bearded, and graying, a man who has been around, who knows something about life and people…" (Lewis 392). When the tinker begins a discussion with Elisa and discovers her vulnerability, he then uses this as a part of his scheme to manipulate her emotionally. "[The tinker] is accomplished at gauging a person's emotional needs, and he has developed a facility for the kind of

John Steinbeck, in his short story "The Chrysanthemums" depicts the trials of a woman attempting to gain power in a man's world. Elisa Allen tries to define the boundaries of her role as a woman in such a closed society. While her environment is portrayed as a tool for social repression, it is through nature in her garden where Elisa gains and shows off her power. As the story progresses, Elisa has trouble extending this power outside of the fence that surrounds her garden. In the end, Elisa learns but does not readily accept, that she possesses a feminine power weak for the time, not the masculine one she had tried so hard to achieve through its imitation.

The novel The Language of Flowers, is one written by author Vanessa Diffenbaugh. The novel centers around a young girl named who goes by the name of Victoria Jones. As the reader begins, they are made aware of Victoria’s upbringing and all the difficult challenges she had endured during her time living within the foster care system. Diffenbaugh does an excellent job intertwining both the past and present to help readers understand her turmoil, as well as her joy. The author expresses this through the main character Victoria, who eventually develops a gift for flowers in which she uses to changer not only her life, but others’ lives as well. In fact, flowers are the only way that Victoria feels connected to the world around her because she