Character Analysis of Ophelia in Hamlet by William Shakespeare

In Shakespeare's play, Hamlet, the character Ophelia is very controversial due to the fact that Shakespeare places her as the focus inside the minds of all the men in her life such as Polonius, Laertes, and Hamlet. Although Ophelia may appear to just be a beautiful, weak girl, she has the ability to gain power and attention over all of the men in her life. Throughout the play, Ophelia does not have much of a voice while also being mistreated and emotionally abused by her boyfriend Hamlet. Although Ophelia does not express her opinions and emotions publicly, she propels the plot along by influencing major events. Ophelia’s weak, indecisive, and obedient personality allows her to progress the plot by Shakespeare making her the focus of the men in

In "No Fear Shakespeare Hamlet" Ophelia is just a innocent victim that acts on what people tell her to do and don’t respond to what she want. Hamlet and Ophelia's love was real and not a lust but she let people manipulate her. When you love somebody they will do whatever it takes to protect and support there loved one and Ophelia played victim of loving Hamlet.

The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.

The play Hamlet, by William Shakespeare, looks at the issue of madness and how it effects the characters of the play. Madness can be looked at from very different perspectives, such as strong and uncontrollable emotions, a person’s desires, and also a persons mental stability. Throughout the play, the audience is questioning the sanity of the main character, Hamlet, as he goes on his quest for revenge. The people around him also show signs of madness, such as Ophelia and Claudius, but in different forms. Existentialist philosopher Friedrich Nietzche says, “There is always some madness in love. But there is also some reason in madness.” What Nietzche is saying is that when you are in love with someone or something, there is always a little

In another scene, Polonius orders Ophelia to return the gifts that Hamlet gave her, and to make her rejection of him unmistakable and absolute. Polonius believes that if she is the cause of Hamlet’s madness, this would be the proof. “That Hamlet loses his mental stability is arguable from his behavior toward Ophelia…” (Foster, par.16) In Branagh’s version, we see how terribly this tears Ophelia’s heart. When Hamlet sees her, he walks up to her, telling her how much he loves her. After Hamlet kisses her, she returns the love letters that he wrote back to him. She sees how crushed he is, which makes her feel even worse; but she also believes she has to do this because her father ordered her to. Hamlet tells her “Get thee to a nunnery” (William

Denmark is in a state of chaos shown by the opening death of the true

  In Shakespeare's tragedy, Hamlet, the audience finds a docile, manipulated, scolded, victimized young lady named Ophelia. Ophelia is a foil to Hamlet. Plays have foils to help the audience better understand the more important characters in the play.  The character of Ophelia is necessary so that the audience will give Hamlet a chance to get over his madness and follow his heart.

Shakespeare places many interesting characters in his plays. Claudius, Polonius, Marcellus, and Reynaldo are a few from his play The Tragedy of Hamlet, Prince of Denmark. However, Ophelia appears to be the most innocent all throughout the play. This character has either indirectly or directly affected the lives of every main characters in the script. Ophelia’s character is portrayed as obedient, maidenly, and a mad young girl.

In Act III scene i, Polonius and the King hide behind Ophelia's curtains and eavesdrop on the conversation between Hamlet and Ophelia. Hamlet goes on to scold Ophelia and accuse her of not being chaste "Ha, ha! Are you honest?" ... "Are you fair?" ... "Get thee to a nunnery. Why wouldst thou be / a breeder of sinners?" Hamlet goes on to say "...This was sometime a paradox, but now / the time gives it proof. I did love you once." Ophelia replies with "Indeed, my lord, you made me believe so." Her heart must have torn in two when Hamlet came back with "You should not have believed me, for virtue / cannot so inoculate our old stock but we shall relish / of it. I loved you not." Hamlet admits that he was deceiving her the whole time. This was likely a major factor in Ophelia's descent into madness and eventually, death. Again, Ophelia is the victim.

In William Shakespeare’s Hamlet, Ophelia is the most static character in the play. Instead of changing through the course of the play, she remains suffering in the misfortunes perpetrated upon her. She falls into insanity and dies a tragic death. Ophelia has issues surviving without a male influence, and her downfall is when all the men in her life abandon her. Hamlet’s Ophelia, is a tragic, insane character that cannot exist on her own.

Throughout the play, Hamlet and Ophelia have a very strong love connection. They loved each other and wanted to eventually get married. Hamlet and Ophelia hit some bumps in the road in their relationship but they always secretly wanted to be together. In Act 1, Scene 3, It was hard for Ophelia to comprehend when Polonius told her that he thought Hamlet's love for her wasn’t real, but she didn’t know what to believe. When Hamlet could no longer see Ophelia he began to get mad a frustrated, to add on also that he was going crazy over his own father's death.

   Michael Pennington in “Ophelia: Madness Her Only Safe Haven,” elucidates the character of Ophelia in Shakespeare’s tragedy, Hamlet:

Overwhelmed by outside forces and her repressed love for Hamlet, Ophelia is truly a sad and remorseful character in this play, an innocent victim with little essence or depth. An evident victimized woman, ruled by her Renaissance sense of romantic love, it can further be argued that Ophelia was extremely ambiguous. She was too incompetent to decide what she really desired in life. Because she falls in love with Hamlet at a very young age she cannot truly comprehend what love is all about, even though there is strong evidence that Ophelia had sexual relations with Hamlet. Hamlet emphasizes the hypocrisy of his words

In the beginning, of the story Hamlet makes Ophelia believe that she is the main reason for his insanity. Instead of Hamlet showing love or an emotional connection towards Ophelia, Hamlet treats Ophelia as a sexual object. We can see this clearly in the text, “ That’s a fair thought to lie between a maiden legs.” (Shakespeare 3.2.3) This shows how Hamlet sees Ophelia as a sexual object. He would rather engage in intimacy with Ophelia instead of getting to know her on a personal level. This also leads to another character in a story who treats Ophelia as an object rather than family.

In the relationship between her and Hamlet, he desired her like bait. He only showed lust for her, and wanted her to fulfill his sexual desires. “The majority of the critics have viewed Ophelia as a week character, in both form and function, and many have dismissed her as a woman … she has been consistently viewed as the least complex of the principal characters of Hamlet, the least useful.” (Resetarits). Ophelia loses her identity as a woman as she becomes a pawn to the men.