Character Analysis of the Elder Mrs. Winning of Flower Garden

As Mrs. Mallard left the room, "there was a feverish triumph in her eyes, and she carried herself unwittingly like a goddess of Victory (para.19). “The goddess of victory” (para.19) embodies Louise's triumph over repression, over the “powerful will bending hers in that blind persistence...right to impose a private

The two housewives have a passionate love for gardening and bestow their love and appreciation towards their gardens. In the twentieth century, gardening was advocated as beneficial to one’s life and family. In the New England Quarterly, the journal, “Gardening as ‘Women’s Culture’ in Mary E. Wilkins Freeman’s Short Fiction,” states,“The time women spent in

The house is where she belongs to. “She gonna make a mess.“; the ranch is not the place for women and she will ruin everything. She is described as a “jailbait” by George, a threat that can be always triggered to him. Two quotations reflect that women has no position in the ranch and they can’t be a part of the ranch life. She is driven away by the men, she is an obstacle in their eyes. Even a prostitute could gain more respect than her, “Old Susy”, and at the weekend, everyone went into town and left her at the ranch. her image reflects the faith of women in US 's 20s-30s society, has no rights, freedom and

Although Janie and Tea Cake’s marriage has its share of arguments and alterations, Tea Cake’s influence

She wanted to be a role model for her children and at the same time, she wanted to become friend with them. Helen valued education, and she wanted Julie to go to college and have a successful life. However, after she found out that Julie had secretly being together with Tod, the poor, unambitious man. She was disappointed, betrayed, sad. Julie moved out of Helen’s home. Later, when Helen found out that Julie and her husband Tod had nowhere to live, she let them move in with her. She is a permissive parent, yet, she cares about her children, provides them as much support as she can. Helen stayed calm when Gary told her he wanted to live with his dad for a while. I can see her heart was bleeding when she heard her son’s words. She gave Gary his father’s phone number anyway, and Gary talked to his dad over the phone and figured out the cruel fact that his dad didn’t care for them anymore. Helen wanted to comfort Gary but he refused to talk. I felt Helen’s guilt and desperation at that moment. After she broke into Gary’s room and found out that Gary was carrying the bag that contains pornography, she immediately asked Tod’s help to talk to Gary. She had a chance to talk to Tod and had learned that Tod came from a broken family. She had a better idea of who Tod was and his help to Gary gained Helen’s respect. Helen supported Tod and helped her daughter Julie overcame the tough situation in marriage. Helen

The Flowers By Alice Walker Written in the 1970's The Flowers is set in the deep south of America and is about Myop, a small 10-year old African American girl who explores the grounds in which she lives. Walker explores how Myop reacts in different situations. She writes from a third person perspective of Myop's exploration. In the first two paragraph Walker clearly emphasises Myop's purity and young innocence.

In the 1960s, as displayed in the novel, social roles are a prominent influence in how people act in society. Despite the supremacy of these roles, the Blackwood family disregards these standards, acting out of norm for what women would do during this time period. This disregard for social roles displays criticism from an outsider's perspective since Merricat and her sister, Constance, do not follow the set beliefs in society and in fact show that social roles are not a relevant aspect in life. This neglect for roles can be seen in how the two sisters act after having their house destroyed by the townspeople and their family friend comes to invite them to her home, “‘They cannot be left alone,

In comparison to, Mrs. Freeman who is the complete opposite of Mrs. Hopewell whom she has worked for, for four years. O’connor does not show her point of view in this short story only what Mrs. Hopewell and Hulga describe her to be. She is described as very outspoken on whatever he thoughts are. She is very familiar and used to the unexpected due to her daughter Carramaes early marriage and pregnancy at the age of fifteen.

Shirley Jackson’s novel, The Haunting of Hill House, explores the cultural anxieties in the mid 20th century. Specifically, men use womanhood (societal norms) as purposely infantilizing women in order to confine the female mind. Jackson utilizes symbolism, metaphor, and anaphora in her novel in order to convey the message for men to stop infantilizing women. Moreover, Jackson spreads awareness that women are being confined by a system that men developed: womanhood. Hence, in effect, the novel serves as an informal protest against male repression through a medium that can be read by a wider audience —more importantly an indirect challenge to male readers. According to Krolokke, Second Wave Feminism became prominent due to cultural discontent with patriarchy during the mid 20th century. Moreover, Krolokke informs the readers that Second Wave Feminism influenced women to challenge traditional family roles and male ideologies about women not belonging in the workplace (11-12). Mid 20th century is also when Jackson published The Haunting of Hill House. So, with these historical and cultural contexts in mind, Jackson’s The Haunting of Hill House ends the novel with Eleanor killing herself because she wants women to challenge the ideas of patriarchy into effect. Hence, Second Wave Feminism has a connection to Eleanor having a childlike personality (can not think for herself) because she wants women (especially young and single women) to explore their rights (their choices) and

     Tillie, the housekeeper, had a surprising reaction to the situation at hand. When she hears the news of the marriage she pulls John aside and makes several disturbing comments. The first was about, “a member of my own race getting above hisself,” and “civil rights is one thing, this something else.” Her behavior depicts that she could of been brought up to believe that the white race was above the black race. Her response was different from that of the two sets of parents, whom only seemed concerned due to the external problems the union would induce.

She lost another love by the name of Oluf, could not find much work, and lost hard-earned money through a bad business investment. After all this peril she took Russell and Doris and moved to Baltimore. Another move equaled more stress, less money, and more struggling to get by. With what seemed to be the world against her, she made it. She remarried, bought a house, and became the success she demanded of herself. Every step of the way Russell was exposed to all the ups and downs. His mother’s life during those times shaped and influenced his own.

In the 20th century, the average home life in rural Oklahoma was full of hard workers in the pursuit of the picture-perfect home surrounded by plentiful land. The sun rose over the land, signaling the commencement of the day ahead. The farmer had already been awake since before the sun broke the horizon, preparing his little equipment and his animals for his land’s work. The farmer’s wife was in the kitchen, cooking her husband a warm breakfast as a sign of her gratitude. Their children woke and soon were running into the kitchen, bellies growling. After gobbling up the breakfast, they ran outside to play and do chores of their own. The rest of the farmer’s wife’s day was spent cleaning, cooking, and looking after the kids until the sun went down and it was time for bed. Set in this time, The Grapes of Wrath, by John Steinbeck, holds contrasting female characters. Some characters show the defiance of the gender roles at the time, while others adhere to them. In some instances, a female character can surpass the expectations set upon her by the patriarchal society in which they live she lives, setting her free to use a voice she never was allowed.

This theme of social facade and hypocrisy is seen throughout The Jilting of Granny Weatherall in the character of the grandmother. For example, the grandmother had an illegitimate child,

She thrived in an industry which was predominantly male-operated, challenging the limits of what a women could pursue. With her knowledge of the family business, Frances was considered “as good a judge of credits as any banker in the country.” (74) Frances Harling proved herself to be just as capable as any male banker, much admired for her capabilities by both old and new generations of the time. Among the women of Black Hawk, Mrs. Gardener also challenges gender norms by running a business. She runs a hotel, with primarily male visitors, with the help of her husband. Although it was common at this time for men to be in charge of their family’s business, Mrs. Gardener took this position in her family’s dynamic. It was in fact “Mrs. Gardener who ran the business and looked after everything. [...] [Her husband] was a popular fellow, but no manager.” (89) Although men were usually the breadwinners of their families during this time period, Mrs. Gardener showed that women could be breadwinners as well. Her skills and ambition provided her with a successful business opportunity that she took pride in. Additionally, her husband appeared grateful for her skills as Mr. Gardener realized “that without [Mrs. Gardener] he would hardly be more than a clerk in some other man’s hotel.” (93) Mrs.

"And he will be rich, and I shall like to be the greatest woman of the neighborhood, and I shall be proud of having such a husband" (P.84).