Character Analysis the Chrysanthemums

In The Chrysanthemums, Elisa is a woman who is trapped at her husband Henry’s ranch by her gender and society’s idea of what a woman can manage. She is a very strong, capable woman who works all day to make the house spotless and the garden thrive. Elisa is good at her work, “behind her stood the neat white farm house… it was hard swept looking little house, with hard-polished windows, and a clean mud-mat on the front steps”. That show just how much work she puts into keeping the house clean. Elisa knows she is capable of successfully accomplishing any number of what society labels as men’s work and being held back makes her bitter and resentful. In an attempt to feel freedom, Elisa gifts some of her chrysanthemums to a traveling solicitor. She is devastated when she spots the flowers dumped on the road on her way to town with Henry. Elisa, like her flowers, feels discarded and devalued by men and society.

1. In "The Chrysanthemums," the interaction between Elisa and the traveling repairman helps develop the story's theme about taking risks. Describe their interaction and explain how it helps to develop the story's theme. Be sure to use specific details from the text to support your ideas. (10 points)

The dust bowl was a tragic time in America for so many families and John Steinbeck does a great job at getting up-close and personal with one family to show these tragedies. In the novel, “The Grapes of Wrath”, John Steinbeck employed a variety of rhetorical devices, such as asyndeton, personification and simile, in order to persuade his readers to enact positive change from the turmoil of the Great Depression. Throughout the novel, Steinbeck tells the fictional narrative of Tom Joad and his family, while exploring social issues and the hardships of families who had to endure the Dust Bowl and the Great Depression. Steinbeck’s purpose was to challenge readers to look at

Everything is everything in the world of short stories. Steinbeck's The Chrysanthemums is full of thick rhetoric that raises questions and stirs the mind and imagination. Everything from the title, to the last line needs to be thought about more than once. The story isn't just about a farmer's wife who likes pretty flowers. Not in the least! The Chrysanthemums is a story about how Elisa Allen is forced to a life that she feels is trapping her. The story is set in the early twentieth century and these times don't allow for just any woman to leave her ordinary, socially and politically correct life. Feminism is a large part of the story, and main character Elisa Allen's language, actions, and even the way she is described play a large

Seemingly, the flowers represent Elisa. She believes she is strong and tough and able to accomplish anything thrown her way; however, taken for granted as she is only a woman allowed to look and act accordingly. Surrounding the flowers is a wire fence set up to keep out predators and to separate the flowers from the rest of the farm. The wire fence is symbolic in the fact that it is identical to the world Elisa lives in. Elisa is contained within the farm, unable to explore or leave without the help of someone else. Elisa is stuck on the farm, isolated from the rest of the world so that she can be kept safe. Naive and unaware of how the world works, her husband keeps her on the farm to protect her from harm. When Elisa gives the chrysanthemum to the travelling merchant, she gives him a small piece of herself. Later, as her and her husband are driving to town, she sees the flower tossed aside as though it was nothing; as a result, she realizes she could never go off on and live the way the merchant had. The flowers embody her character still, and how out of her home without protection, the world can be harsh and cruel. In short, Elisa’s isolation leaves her ignorant, unable to understand how callous the world is, and comes to the bleak realization that she can’t live a life anywhere outside of her fence. Because of how women were treated, constantly pushed down and unable to pursue their interests, Elisa is left unable to learn what life has to offer. Learning

The novel The Sign Of The Chrysanthemum takes place in Japan during the 12th century. This novel is about a boy named Muna, meaning “no name”, that has moved from a rural part of Japan to the city, Kyoto. He was told that his father had a Chrysanthemum tattooed on his arm. Muna sets out to find his father after only knowing this little information about him. Muna was also told that his father was a Heike warrior, which brings up this conflict between two feuding clans. During this time period in Japan there was a conflict between the Heike and the Genji clans. The reason behind their fighting is because of the conflict over political power of Japan. Muna embarks on his journey

The Grapes of Wrath, written by John Steinbeck, is considered by many to be the hallmark of American literature. It covers the journey of the Joad family as they stick together through one of the harshest eras in American history, the Great Depression. The structure of the Joad’s narrative is interspersed by smaller, highly descriptive interchapters, which sets the novel apart from other classics in its ability to make the reader understand and relate to the Joads and everything they went through. The detailed, impactful vignettes foreshadow problems the Joads have to overcome and the overview descriptions in the vignettes contrast with the specificities of the Joad’s story. They contain Biblical allusions, colorful descriptions, and objects that can interact with the main characters later in the narrative. Through the use of imagery and diction, the vignettes make Steinbeck’s message more impactful and meaningful.

As Elisa diligently cares for her garden she spots an unfamiliar wagon in the distance. She is approached by a tinker who repairs broken pots, pans, and various household supplies. He eagerly asks Elisa if there is anything he can repair. As she adamantly refuses she implies that she can repair her own pots and pans. She is stern in her refusals and allows us to learn that she desperately wants to be an equal and accepted. Elisa implies that she can repair her own pots and pans and eludes us to However, the tinker observes how loving she is with her flowers and uses that to his advantage. He starts a conversation about her beloved chrysanthemums and implies that an acquaintance has been looking for these specific flowers. The tinker quickly gains Elisa’s trust, gives her hope, and plays on her vulnerabilities.   She begins to get a restored sense of self and

John Steinbeck’s short story, “The Chrysanthemums” features many themes: themes of gender suppression, love, passion, and betrayal. This short story revolves around the character Elisa Allen who has a strong love and a great passion for her flowers, for her beloved chrysanthemums. However, when a mysterious man arrives towards the end of the text Elisa’s love and passion for the chrysanthemums weakens and she feels betrayed by one of the things she loves most. Steinbeck uses the unlikely encounter between the Tinker and Elisa, as well as, the encounter between Elisa and her husband as a way to express the theme of love and betrayal.

The chrysanthemums being fenced in from the rest of the ranch symbolizes her feelings of isolation. Elisa craves to live an exciting life like the tinker does but is told that such lifestyle women cannot live. A reader could analyze that Elisa’s chrysanthemums are a replacement for the children she lacks. In Skredsvig analysis she states, “Elisa's planting skills is the possibility that her gardening is a sublimation of her frustration over having no children and a projection of her "natural" role as mother” (Skredsvig). Elisa tends them with love and nurture as the flowers are her pride and joy. Additionally, they represent Elisa’s femininity and sexuality as a woman. For example, Elisa feels resentful of Henry because he does not appreciate her femininity image; however, after having an encounter with the tinker, her hopes are renewed and revived for a brighter future. As she gets ready for a night out with Henry, she admires herself in the mirror appreciating the beautifulness of her sexuality with confidence. After witnessing her flowers wrinkled on the road, Elisa is devastated to see her flowers diminish symbolizing

John Steinbeck’s, The Chrysanthemums, was published in 1938 in a book of short stories, entitled The Long Valley. The Chrysanthemums has been a rather powerful draw for scholars because of its wide gap for interpretations and analysis of its main protagonist character, Elisa Allen and also the unique descriptions used to portray the deeper meaning behind the setting of the story. Themes of sexuality, oppression of women, as well as other numerous types of conflict portrayed in this rather somber short story have made it a popular study among scholars and students alike. Steinbeck also uses literary elements including a dramatic tone, rich symbolism, and personification which increase the stories feeling and value exponentially. Steinbeck

"The Chrysanthemums" introduces us to Elisa Allen, a woman who knows she has a gift for growing things, but it seems to be limited to her garden. Diligently working in her garden, Elisa watches as men come and go, living their lives unconfined, wondering what it must feel like to have that freedom. That emotion is revealed as Elisa gases at her husband and acquaintances talking, "she looked down toward the men by the tractor shed now and then." As she tills the soil for her chrysanthemums Elisa tills the thoughts in her head. The garden she so desperately maintained represents her world. A world that will only flourish if nourished. Emotional nourishment and stimulation is what Elisa lacked and longed for. The garden is limited in space to grow and so is her marriage. The garden is safe, non-threatening and so is her world. The garden contains many different elements that make it what it is, although unseen, and if the proper nourishment is not given it will die, as with Elisa.

In John Steinbeck’s tragic, mangled novel, The Grapes of Wrath, the reader is shipped off into the heart of the great Dust Bowl in the American Midwest in the peak of American hardship. Through his use of realism in the era of the modern age, Steinbeck reveals the hardships that were faced by common American citizens during the Great Depression, and utilizes the Joad family in an effort to depict the lives of the farmers who had to flee to new land in the high hopes of a new and better life. The obstacles the family faces are similar to what countless other families had to face, with very little of the population able to successful thrive at the time. By utilizing the empowering endeavors unforeseen by these poor families and the meteorological catastrophes overlooking the Midwest, Steinbeck illustrates the nationwide panic faced by many Americans in an effort to delineate their confusion and uncertainty.

Most women have a sense of freedom and independence from their male counterparts, but they will not reach out away from their sheltered lives with a male to a new challenge or a new life. Women whom breakout of the their molds made by their significant other take a chance with life and try to become the independent woman others dream about at night. On the Allen’s farm, chrysanthemums flourish, but does Elisa Allen flourish with them? With tender care, the flowers grow heartily and healthily, though the one who tends them is not so satisfied with her rooting in life. In “Chrysanthemums,” John Steinbeck portrays Elisa Allen as a stereotypical female, yearning to bloom like the flowers she harvests.

"[Elisa's] passionate involvement with the process of planting becomes an expression of all the suppressed romance in her life" (Lewis 393). "She is a strong, childless woman of thirty-five that has subliminated her maternal instincts by producing remarkable flowers" (French, John 83). Nevertheless, "the plants and flowers cannot compensate for the lack of understanding and affection from her husband" (McCarthy 27). In the story, Elisa plays the role of a simple-minded lady who allows her husbands thoughts and actions to dominate her. "Elisa's marriage neither fills her time nor fulfills her desires" (Hughes 24). However, Beach concludes that Elisa without a doubt has a "soul" and is much less simple than she seems (Beach 32).