Character Comparison Between Elaine Young And Keith Watson

Interestingly, visual techniques are also effective in portraying the theme of free will versus determinism to question the responder who and what controls our lives. The tripartite storytelling structure incorporating three wholly, self-contained alternate versions of events is an unconventional filming technique reinforcing the postmodernist perception of having minimal control over life. As Lola rushes past minor characters in the film, flash forwards offer alternate glimpses of the possible outcome of their future, suggesting that fee-will alone is not a sole determination of the outcome of life. In each run, Lola’s encounter with these minor characters varies, showing that even the slightest change can become a significant impact to life. An extreme close-up

The autobiographical essays in “The Girls in My Town” by Angela Morales creates her violent personality over time, ranging from childhood to adulthood. As a little girl she always took everything from everyone dealing with bullies and her crazy father. The type of violence she deals with is domestic and emotional abuse from her father. She goes on to write about her parent’s appliance store and how she escaped from it developing a different personality. She as well writes about her experiences in the bowling alley that she feels made her safer. She remembers fighting for equal rights for girls as a sixth grader, calling the cops when her parents fought. Morales did not live an easy live she had to deal with the daily girl problems during her time and the fact of her parents being divorced which she described as an excellent relationship when in reality it was not.

This book is made up of two cycles of poems, each confronting the same subject: the characterization of a black man in white America. In this book, I plan to focus mainly on the first cycle and touch briefly on the second. The first cycle includes four different sections. In section one of cycle one, Eady writes about Susan Smith and Charles Stuart, two murderers who blamed their crimes on nonexistent black attackers. The first poem is called “How I Got Born” (Eady 5), in this poem the fictional young African American man is conjured up. In the upper right-hand corner of the page, Eady writes a note that explains who and what the speaker is: “The speaker is the young black man Susan Smith claimed kidnapped her children” (Eady 5). In the first few lines of the poem he says, “Susan Smith willed me alive/ At the moment/ Her babies sank into the lake” (l. 1-40). So right away he gives us a pretty straightforward explanation for what this poem is about and what this section will be about. In the next few poems, the narrator discusses his “existence” and reason for being created. Eady uses a lot of metaphors, similes and imagery in his poems, and he does a phenomenal job with imagery.

“Where Worlds Collide” is an essay by Pico Iyer who talks about the expectations and reality of Los Angeles through the perspectives of travelers from different backgrounds. In “Where Worlds Collide,” Pico Iyer argues that even though Los Angeles is depicted as a vicinity to receive wealth, happiness, and many opportunities- it is actually the antithesis, and instead, many harsh prejudice and unending craziness will occur instead; Iyer argues this by using allusions, anaphoras, and juxtapositions to help convey what he is saying.

Marisol is a young, assimilated hispanic woman in 1990’s New York who works a white collar job in Manhattan and lives in the Bronx. She doesn’t have family or loved ones living close to her except her friend and colleague, June. One night she has an unfortunate

In the film “Mi Familia,” we follow the story of the Mexican-American Sánchez family who settled in East Los Angeles, California after immigrating to the United States. Gregory Nava and Anna Thomas introduce the story of this family in several contexts that are developed along generations. These generations hold significant historical periods that form the identity of each individual member of the family. We start off by exploring the immigrant experience as the family patriarch heads north to Los Angeles, later we see how national events like the great depression directly impact Maria as she gets deported, although she was a US citizen. The events that follow further oppress this family and begins separate identity formations. These

The film Selena uses the themes of discrimination, music, and family to express the struggle Mexican-Americans go through to find and establish their sense of identity. Through the musical career of Selena’s father, we see the difficulty of finding acceptance and establishing an identiity. After having his family, we see the effects his past experiences through his kids. Through Selena’s success, we see the crossing of borders and establishing of new identities.

Los Angeles possesses the characteristics of great fame and fortune as well as immense homelessness and poverty. Often times, young people are misled by the financial success of some and assume that is typical of city people. Writers Joan Didion and Carol Muske-Dukes characterize the realization that an adolescent’s lifestyle is not suitable for the demands of a city as signaling the dawn of the apocalypse. In the essay, “Slouching Towards Bethlehem,” Didion highlights how the failure of society is brought about by a family’s inability to fulfill traditional roles and a lack of education as exemplified during the Hippie movement. While poet Muske-Dukes utilizes gothic language and allusion to illustrate the notion of an apocalypse in the poem “Like This”.

Because Smith never offers up any backing for his word, the reader is left to speculate how he came up with all his information and why they should believe anything he has to say. Smith goes on and on, mentioning example after good example while never once backing up what he has to say.

While today Los Angeles is prided on being one of the most diverse cities in the United States, there was (and still is) a tremendous amount of resistance that had to be overcome. Society’s inclination to maintain homogeneity along with the testing of loyalties and allegiance through pressures of war have proven great obstacles in the evolution of what is now a majority-minority city. Nina Revoyr’s Southland gives a historic fictional recount of Los Angeles’ most tested times from perspectives looking in to the past, present, and future. The discovery of unpleasant truths through grave social injustices provide a painful reminder of Los Angeles’ history and consequently a warning for future setbacks. Southland is an emotional testament to the inescapability of discrimination within stratified cities and the unspoken necessity of assimilation that occurs as a result.

Nina Revoyr’s novel, Southland, provides a glimpse into the injustice, scandal, and struggle in Los Angeles from the 1940s to the 1990s due to its racial composition. The novel contains a unique cast of characters who, although often times interact with conflict, are forced to live side-by-side one another in their separate attempts to attain the American Dream. Southland takes its readers on a journey through a history full of trials and tribulations, with Los Angeles as its stage; throughout this story, the reader begins to understand that there was much more to this place than what was originally promised by the boosters. Revoyr makes it

While most fictional characters are given a voice with which to express themselves, that voice usually does not stray beyond their realm of fiction and therefore is restricted from the power of the real world. The imaginary black man that Susan Smith falsely claimed had abducted her children in 1994, however, existed in reality in the minds of the American public for nine days until the truth surfaced about her infanticide. Cornelius Eady’s poetry cycle, Brutal Imagination, serves to give that imaginary black man (hereafter referred to as Zero), a voice that draws power from his simultaneous existence in both the real and fictional realms.

Sabina Berman is a notable and critically acclaimed Mexican playwright. Berman’s notable work includes her first published play, Yankee (1979). In Adam Versényi’s translation of Yankee, Berman explores the relationship between the individual and identity. Through the three main characters—Bill, Alberto, and Rosa—we see the continual conflict they face as they aspire to achieve their respective objectives: to feel nurtured and loved, to have peace and quiet, and to feel loved and acknowledged. But it is Berman’s interjection of juxtapositions that forces us to analyze the relationship between the main characters. More specifically, Berman focuses on the impact Bill has as an intruder, and how he highlights the national identity incompatibilities between North American and Mexican cultures, to expose the serious social and political problems between the nations.

The film Mosquita y Mari directed and created by Aurora Guerrero is a coming of age story set about Huntington Park in the southeastern part of Los Angeles. It uses tense scenery that seeks to explore what it means to be in a romantic relationship versus a close friendship. Furthermore, upon legitimizing Yolanda and Mari`s relationship the film provokes the audience to ask the question, “If they are queer, what is keeping them in the closet?” This question is most effectively answered by examining how Yolanda and Mari`s ethnicity, locational, and immigrant descendant identities intersect to keep them in the closet.

A mother drives her three kids to soccer practice in a Ford minivan while her husband stays at the office, rushing to finish a report. Meanwhile, a young woman prays her son makes his way home from the local grocery without getting held up at knife point by the local gang. Nearby, an immigrant finishes another 14-hour shift at the auto parts factory, trying to provide for his wife and child, struggling to make way in a new land. Later, a city girl hails a cab to meet her girlfriends at their favorite club to celebrate her new promotion over cosmopolitans. These people – the suburban soccer mom, the tired immigrant, the worried mother from the hood, and the successful city girl – each represent the