Character Comparisons; Comparing Two Characters, One from Streetcar Named Desire and Another from Death of a Salesman

Blanche lives in a fantasy world where truth and logic are replaced by a fake humanity. At one point she says,

This qualm is created when Stanley notes that her extravagant possessions are as lavish as the contents of ‘the treasure chest of a pirate’, which could not be afforded on ‘teachers pay’ .This allows the audience to question the true nature of the loss of Belle Reve, and may even foster distrust towards Blanche henceforth. It provides as particularly significant when Stanley notes that Blanche’s belongings are what is left of the plantation. This could be symbolic of a changing America, notably developments away from slavery and inequality, as the wealth that remains from a plantation is now (under the Napoleonic code) indebted to a Polish immigrant. It is this modernising America which has worsened Blanche’s state, perhaps presenting Blanche to be a victim of a changing society. When Blanche enters the scene, she is dressed in a ‘red satin robe’ which alludes to the Scarlett Woman in Revelation 17,and also presents a much more sexualised Blanche in contrast with her white purity shown previously. Blanche ‘airily’ claims that she feels like a ‘brand new human being’, perhaps suggesting that her bath has washed away the façade of purity almost like a baptism, revealing her true nature, which is so incredibility conflicting with her presentation of virtuous southern Belle that it feels to be a individual being .In addition to this, Blanche’s almost addiction with bathing maybe related to her need to constant consideration of her looks; Samuel Tapp once claimed that ‘ Blanche is a victim of the mythology of Southern Belle’ and I feel that her fixation with her appearance and her need to remain pure are the most prominent manifestations of

Though Blanche doesn’t necessarily want Stanley, she still feeds off the attention given to her. Though what Blanche does may be immoral, there is evidence of her wanting to be clean and virtuous. Almost anytime Blanche’s clothes are described, they are white, an innocent color. The reader can see that Blanche wants to be the virtuous person she often pretends to be.

Similar to Stanley, Blanche also faces a power struggle. Her ultimate downfall is a result of Stanley’s cruelty and lack of understanding for human fragility. Comments about Stanley’s ‘animal habits’ and ‘sub-human’ nature act as the agent of Blanche’s downfall. Stanley cannot deal with her mocking him in his own home and is fed up with her lies. During the final scenes his

The play A Streetcar Named Desire, by Tennessee Williams, is a play about a woman named Blanche Dubois who goes to live with her sister after she loses her home in Mississippi. Between the hardships of her previous life and the way she is treated now, she is not in a good way by the time the play ends. She basically has a mental breakdown. There are three stages of Blanche’s mental state. She lives in a fantasy, Mitch rejecting her, and Stanley raping her, Blanche is mentally unstable by the end of this ply.

Blanche repeatedly lied to make herself look pure to others. It only served as a masquerade to hide her dirty, sinful reality. She lied about her age, alcoholism, promiscuity, and why she had to leave Laurel. When Stanley asked her if she wanted a shot, she replied, “No, I—rarely touch it” (Scene 1, page 1548). She could not confront her reality, so she retreated to her world of illusion. This was Blanche’s most prominent flaw. If she could have accepted things for what they are, she could have salvaged her sanity. If, from the beginning, she had been truthful to Stanley’s friend Mitch, he could have forgiven her. Dismally, Mitch would not trust her after finding out everything she said was fabricated. “I don’t want realism. I want magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don’t tell truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it” (Scene 9, page 1590). Blanche feared lights which symbolized her fear of reality. She claimed that with Alan’s death, all light had gone out of her life. “And then the searchlight which had been turned on the world was turned off again and never for one moment since has there been any light that’s stronger than this—kitchen candle.”

The themes of A streetcar Named Desire are mainly built on conflict, the conflicts between men and women, the conflicts of race, class and attitude to life, and these are especially embodied in Stanley and Blanche. Even in Blanche’s own mind there are conflicts of truth and lies, reality and illusion, and by the end of the play, most of these conflicts have been resolved.

In A Streetcar Named Desire Blanche’s flaws that lead to her downfall are abundant. If we are to view Blanche Dubois as a tragic heroine, then it is in scene six that her tragic flaws are especially evident, and in particular desire. They are so prevalent here as it is arguably the beginning of Blanche’s demise and as in Shakespearean tragedy; it is in the centre of the play that we see the beginning of the protagonist’s downfall. Desire, as her harmartia, is represented in several ways in scene six.

Blanches’ emotional state of mind is also conspicuous at the start of the play as she circumvents direct light, fearful of showing her fading looks and the light would make her vulnerable to the truth. Blanche is unable to withstand harsh light, calling the light a ‘merciless glare’(S1:pg.120*) because with Allan’s death, the light had gone out of her life and the effect this had is that she wanted dim lights hiding the reality of her painful memories. This links to the theme of dream and reality as Blanche, a delicate character, refused ‘to accept the reality of her life and attempts to live under illusion’ (*2), living on the borders of life similar to a moth which creates the image of Blanches’ fragility.

In the opening of the play Blanche says, “They told [her] to take a street-car named Desire, and then transfer to one called Cemeteries and ride six blocks and get off at—at Elysian Fields!”(1.1). This sentence sets the theme for the entire play. The streetcar “Desire” brought her to Stella’s home, but symbolically it shows that Blanche’s

A Streetcar Named Desire is a socially challenging play in light of the way in which Tennessee Williams depicts the capacity of human nature for brutality and deceit.  He takes the viewpoint that, no matter how structured or 'civilized' society is, all people will rely on their natural animal instincts, such as dominance and deception, to get themselves out of trouble at some stage in life.  William's has created three main characters, Blanche Dubois, Stella Kowalski and Stanley Kowalski. Each of these characters is equally as civilized as the next, yet all are guilty of acts of savagery on different levels.  Throughout the play Williams symbolically relates these three characters to animals, 'savages,' through the disclosure of

Blanche's panorama towards gay people had interchanged with her beliefs and this lead to her biased opinion towards her husband. Most likely, things were probably said that weren't meant to be hurtful, but her husband still committed suicide. This misunderstanding of her own feelings as well as her husbands’ potentially lead to a guilt savaged life for Blanche.

Blanche’s unexpected arrival at the entrance of the play is what stirs an even bigger monster in Stanley. Upon her entrance, she immediately causes trouble due to her and Stanley’s differences. Blanche is a southern belle from a very wealthy background. She is very proud of being brought up in the upper class while Stanley is proud that he lead his own life through the working class. This makes him a very rude and animalistic man with a lower level of education. Even their first conversation

Blanche deals with many issues the loss of loved ones, the loss of the family estate, the inability to deal with reality, rejection from others, and the rape by Stanley. Blanche has also become independent and assertive which is not the typical norm of a southern woman. She has been forced into a world she is not prepared for. Because of this Blanche begins to live in her own world, her own little fantasy. She also uses alcohol and sexual promiscuity to escape from the loneliness she has endured since her husband’s death. Williams shows us through the way Blanche speaks to the paper boy;

            Blanche is not really lost in illusions; rather she uses them as camouflage. She wears them as she wears her clothes and her glass necklaces, as protection from a reality that she finds horrifying. One must not think of Blanche as just a fragile, delicate blossom. There is a fierce desire in her for life at any cost. Her masquerade may