Character Development Scene In Godfather

Michael’s face shows that he is unfocused and not really hearing what Sollozzo is saying. One thing to notice is the blocking in this scene; that although we know there are other characters in the restaurant, they seem to blend into the background and creates the feeling that the only people there are Michael, Sollozzo, and the Police chief. Even though we see the waiter walking around; we never see his face until after the shooting. After, there is a long shot and a high angle long shot of the entire restaurant again. Before Michael heads to the bathroom, there are a 180 degree reverse shot rule taking place as Michael starts to speak English. When Michael asks for permission to use the bathroom you can see the irritation in Sollozzo’s face. The scene then cuts between the table where the Police chief and Sollozzo are, and Michael in the bathroom. This is done to increase the audience’s suspense, because we know what’s about to happen. As Michael walks out of the bathroom the train noise starts up and gets louder when Sollozzo continues to speak. By the look on Michael’s face and his eye movements, he is contemplating about what he’s about to do and deafened and a little annoyed by the train noise; disconnected from all that Sollozzo is saying. Right before he shoots, there is a close up on his face. Then a few medium shots of the shootings and ending the scene with a long shot of the restaurant as Michael rushes out, dropping the murder weapon and, finally a Long shot of the two dead

He never grew up in poverty like Vito had to. Michael is more American than Vito, as he went to go fight in the war and wanted to follow with respect to societies law and order. Michael sought to build his power on the status quo. Michael in contrast wanted to stay moral and crimeless, but as time went on corruption and greed plagued the dream. Michael slowly turned into becoming the new “Godfather” through the Crime war. His view of the crime business was that it was immoral and not personal, it was merely just for survival. Michael wanted to bring things again to a balance. In result, he escapes because of the crime war. Michael voyages back to Sicily where his family started. Michael, just like Vito, escaped from unbalance to seek balance, but in the end is seen again being hunted by the same mafia that killed Vito's family. Michael comes back and becomes a criticizer of the whole family business and is seeing the corruption, greed, and desire plaguing the American dream. Through the plaguing greed, crime families are battling over the business and not working together. Corruption is seen through the political system and police because of the immunities that some of the crime families get, which for example is having the police as bodyguards. Their ultimate desire of becoming the top family. For instance, this resulted in other mafias trying to eliminating everyone, it's a competition. The other families are trying to profit

One of the greatest films and novels of all time, The Godfather by Mario Puzo is the book that I chose to write my report about. This book falls under the drama and crime fiction genres, due to its dramatic story of people being shot and murdered. The Godfather takes place in New York during the years 1945-1955, right after World War II. Most of the story is written from a narrator 's perspective, save for two points in the book in which the story becomes a first person point of view. One of the themes portrayed in the novel is that family always comes first, even if it isn’t a blood-related family, but a crime family. The novel’s theme is primarily that of loyalty, which is a crucial plot device because some of the Corleone family

Another fact about the cafe scene is the design of how it is all laid out. “Design is the process by which the look of the setting, props, lighting, and actors is determined.” (Barsam Monahan 495).It is important to incorporate how the characters, lighting and set help design and distinguish this scene in The Freshman. First it is important to compare the lighting between both films The Godfather and The Freshman. In the beginning of The Godfather film the viewers are introduced to Don Vito in his office at home. While there is a wedding happening outside Vito’s home his office is isolated from outdoor light and the only true light scene in the film is from the dim lights in Don Vito’s office. This limited form of light helped the viewer understand

The Godfather is a mob film focuses on the Corleone Family, with its head Vito Corleone (Marlon Brando) trying to find a suitable heir to his empire, while war is breathing down the neck of other crime families. Michael Corleone (Al Pacino) then steps in to organize the family back to shape. Directed by Francis Ford Coppola and based from the novel of the same name written by Mario Puzo. It received critical acclaim by critics and was cited as an influence by real life mobsters due to its rather realistic portrayal of gangster life and Cosa Nostra.

Mario Puzo’s "The Godfather" was the first and most influential gangster movie that paved the way for gangster movies of the future. The movie was directed by Frances Ford Copolla, who made many different ingenious ways to portray this gangster classic. The movie was a very subversive movie, and one of the first of all time.The Godfather has a many different uses of light settings through the whole movie, in which the movie can be interpreted on.

Let’s start with the story of “The Godfather Part II”. The movie’s story is a continuation of where the first movie left off, which is with Michael Corleone as the new don, or head of the family. However, this film is quite different from the first, or any other movie as it shows two different stories at once. One story is of Michael Corleone’s fall and the numerous legal battles he goes through as he tries to legitimize his family business, and the other is the story of Michael’s father, Vito, and his rise to power from young adult to mafia leader. The story of Vito Corleone is shown through flashbacks that happen too often for my liking, and are not as entertaining as the

The old saying, “Behind every great man is a great woman,” is true in the case of Michael Corleone, the son of Don Vito Corleone of The Godfather. The film focuses on the story of Michael and how he changes from a respectable, educated Marine to the ringleader of his father’s mafia business. In between the drastic turn of events, Michael has two love interests, both of which have a large, yet quiet, impact on his life.

1. The Godfather, placed among the topmost videos in American movie theater, starring Marlon Brando, Al Pacino, Adam Caan and Robert Duvall arrived in 1972. It had been made by Albert S. Ruddy and aimed by Francis Ford Coppola. The film predicated on the time course of 1945 to 1955, portrayed the main actors as market leaders of a criminal offense group in NY. The storyline revolves around the type Michael Corleone, enjoyed by Pacino, and shows how a typical man turns to be an underworld gangster. Without doubt, the film earned three Oscars in the categories Best Picture, for Best Acting professional (Brando) and in the category Best Adapted Screenplay (Mario Puzo). The film acted as an ideas for future directors, making gangster genre films.

The mise-en-scene in The Godfather I, directed by Francis Ford Coppola, plays a huge role in how the film is perceived by viewers. Mise-En-Scene is characterized as, “The arrangement of everything that appears in the framing – actors, lighting, décor, props, and costume” (elementsofcinema.com). The Godfather utilizes mise-en-scene perfectly. Coppola combined all the right components of a typical mafia film and made something extraordinary. From the clothing, to the homes, to the cars, and lighting; The Godfather was executed wonderfully. Lighting plays a huge part in The Godfather. The first scene opens with only one man talking, in low light. The relaxed lighting makes the scene intense and leaving the audience with a sense of fear. With the light just appearing on the man's face, the foundation is totally dark, highlighting the threatening tone of the scene. This scene uses the same lighting elements as chiaroscuro paintings would have. If you were to pause the scene at certain points you would be able to see the rembrandt light and the strong tonal contrasts between light and dark. Different props are also used throughout the film. When you think about the Mafia, you think Italian men

The Godfather is the story of a Mafia family. It follows the rise of Michael Corleone within the family. Michael was once a war hero and did not want to be involved in the family business. When his father is shot though, Michael takes revenge on the people who did it and becomes a part of the Mafia lifestyle. When his older brother is murdered, Michael ascends to become the boss of the family, and proves to be more ruthless than his father and brother combined. The scene that I am analyzing is one where Michael is becoming his nephew’s godfather at his baptism.

The Godfather presents Vito as the paradigmatic Mafia don. He is wise and intelligent, an excellent reader of others’ intentions, and a smooth, subtle talker, able to convince with words, not only bullets. Though a ruthless, violent criminal, Vito is also a warm, loving father and husband. In his later years, Vito comes across as relaxed and playful, even mellow. He has lived a rich, full life and earned a quiet retirement. Vito is both the perfect father and the perfect Godfather, making him a difficult model for all of his children, especially Michael, to imitate

In scenes where emotions are high and danger seems nearby, low-key lighting levels with the dark atmosphere within the room. Good Furthermore the appearance of the mobsters convey their professional behavior when talking business, and their savagery when carrying that business out. InterestingFor instance the mobsters all wear black suits to portray themselves as businessmen. With the exception of Don Corleone’s red rose placed over his heart, the majority of color gets drained.

THE GODFATHER, made in 1974, details the Corleone crime family in Manhattan during the mid 1930s. The Don, Vito Corleone, played by Marlon Brando, leads his organization against a relentless narcotics push by a rival family, the Sollozzos. Vito Caleone does not want anything to do with drugs because he believes they will be the downfall of the Mafia. The story, covering a ten year time period, offers a rich tapestry of Mafia life from the inside, drawing the audience into witnessing the transfer of power within a close-knit family

Mario Puzo was an American Screenwriter and Author who is best known for his Novel which was later adapted into one of the most famous movie series of all times "The Godfather".