Character Duplicity in Hamlet

Shakespeare's Presentation Of Claudius In Hamlet 'Hamlet' opens with the death of Old King Hamlet, Father of Hamlet, Prince of Denmark. The new king, Claudius, brother of the previous king has married Gertrude, the dead man's widow and has taken the throne. Shakespeare presents Claudius as the plays 'damned smiley villain' although he does allow him some redeeming features; leading an audience to view him as a complex and contradictory figure within the play. After Old King Hamlet dies Claudius is crowned king of Denmark and talks to the people as though he has sympathy and is saddened by his brother's death 'and that it is us befitted to bear out hearts in grief, and our whole kingdom

on an epic scale, Hamlet tell us that his father was so loving to her

Beyond Claudius’ need for admiration, he also tends to disregard the feelings of people around him. This is shown in a similar way as his need for admiration, being that he kills his brother to gain power. Such a selfish action will obviously impact those around King Hamlet, but Claudius disregard that and simply does it for his own gain. He doesn’t think about how Hamlet’s death will affect Gertrude, young Hamlet, Polonius, or anyone else close to him. In the aftermath of this, instead of helping Hamlet through the hard time following his fathers sudden death, he tells Hamlet he’s not a man for mourning for such a long time. Staying on the topic of the death of a father, Claudius uses Polonius’ death to get Laertes to want to avenge his

36-38). King Claudius appears to be an honest, noble king, but in reality he is King Hamlet's murderer and a manipulative ruler. Near the end of the play, Claudius manipulates Laertes into a duel with Hamlet, so that he can murder Hamlet without suspicion when he says, "But you content to lend your patience to us,/And we shall jointly labor with your soul/To give it due content.". (4.7. ) This shows that Claudius is openly offering a chance for Laertes to seek revenge upon Hamlet for killing Polonius. Later on, Claudius also lays out the plan to murder Hamlet, when he says

King Claudius expresses, “Welcome, dear Rosencrantz and Guildenstern. Moreover that we much did long to see you, the need we have to use you did provoke our hasty sending.” (2.2.1-4) He addresses them in what is seemingly a sincere manner, proclaiming the supposed yearning he has had. However, these so-called sincere actions towards Hamlet’s childhood friends are just to convince them to take on the role of spying on Hamlet’s actions and reporting them back to Gertrude and Claudius. He continues to mask his true motives by saying, “To draw him on to pleasures and to gather...you may glean..to us unknown, afflicts him thus that, opened, lies within our remedy.” (2.2.15-19) King Claudius’ choice of words convey an inkling to the audience that he cares for Hamlet because of how he expresses his need to find out Hamlet’s condition, and fix it. This also presents Gertrude with the idea that Claudius has Hamlet’s best interests at heart. This, in King Claudius’ favor, solidifies his honorable, yet selfless stature with his contriving

The use of attitudinal tones makes Hamlet react in a way that develops his character to dislike his uncle, Claudius. Hamlet’s opening statement in Act 1 Scene 2, displays a sarcastic tone and his inner struggles surrounding his mother’s remarriage shortly following the death of her former husband, which is considered incestuous in his perspective. He describes his uncle as “a little more kin and less than kind” (I.2.65) which displays hatred towards his uncle and emphasizes the discomfort in their relationship. There is outward conflict between them as there is tension in the air whenever Hamlet and King Claudius are present together. He first expresses suicidal thoughts in a melancholic tone, when he describes the corrupted world he lives in as an “unweeded garden/ That grows to seed; things to rank and gross in nature/ Possess it merely” (1.2.135-136) where he wishes his “too sullied flesh would melt,/ Thaw and resolve itself into dew” (1.2.129.) He expresses his disappointment in his mother for marrying too soon and describes his father as “So excellent a king, that was to this Hyperion to a satyr” (1.2.138-140.) He explains how his father was by far a better king than his uncle. This betrayal exposes Hamlet’s repressed feelings about his mother, and the impact of his father’s death is increased through his perceived betrayal to faithful marriage and family ties. His tone changes in Act 3, Scene 3 as he is now exposed to Claudius’ confession of being responsible for the

This, in turn, exploits Hamlet’s similar flaw of ego and furthers the conflict, but what’s more, it illustrates Claudius’ sheer audacity and lack of repentance. He continues to try to cover up the sin and appease Hamlet into complacency rather than confess and ask for forgiveness. In a mark of pure arrogance, Claudius tells Hamlet to “throw to earth / This unprevailing woe and think of us / As of a father”, conceitedly requesting that Hamlet merely forget the murder and replace his father with the murderer himself (I, ii, 110-112). Similarly, instead of directly confronting Hamlet about his mental condition, the king more or less hires Rosencrantz and Guildenstern to spy on the prince, again cementing his smug mindset. The king does not believe he can be caught or, rather, that Hamlet is competent enough to figure out his plan and foil him. Claudius, too, thinks only of himself after Hamlet’s inadvertent killing of Polonius, pondering “how shall this bloody deed be answered? / It will be laid to us” instead of considering the ramifications of the murder with respect to Hamlet (4.1.17-18). The other two paper-thin traps the king hatches only reinforce his failure to see beyond the apparent; his attempt to deport Hamlet to England and have him killed reeks of treachery and, luckily, Hamlet realizes the king’s subterfuge, crushing the plot and flipping it back on him. Claudius remains steadfast in his efforts to remove Hamlet, going so far as to set up a

An act as appalling as this would never cross the mind of a person with a healthy sense of sanity. Although he committed this dreadful crime, Claudius was good at keeping secrets; nobody ever knew of his sins. “Claudius is socially adept, and his charm is genuine. He can exhibit deep distress over his ‘dear brother’s death’ and admiration for his wife, ‘Th’imperial jointress to this warlike state.’ He knows the value of a great funeral, but quickly turns mourning into celebration and moves on ‘With mirth in funeral and with dirge in marriage’ to whatever lies ahead” (Claudius). This narcissistic king only cared to bring attention to himself when his kingdom chose to mourn the death of Hamlet. Claudius mourns his brother’s death in public but he only pretends to grieve so that his crime will not seem conspicuous. “Though yet of Hamlet our dear brother’s death the memory be green, and that it us befitted to bear our hearts in grief , and our whole kingdom to be contracted in one brow of woe, yet so far hath discretion fought with nature that we with wisest sorrow think on him together with remembrance of ourselves” (Shakespeare 10,11). Claudius explains that although it is necessary to mourn, life still goes on. He points out the importance of realizing the health and prosperity of himself as the new king, only to take the attention off of the abhorrent tragedy he caused to the kingdom for the sake of gaining power and a

When the audience first meets Hamlet, he is dressed in black. He is in mourning over the death of his father. When questioned by Gertrude about his attire and his disposition, Hamlet replies 'But I have that within which passeth show—these are but the trappings and the suits of woe.'; (Act 1,

Claudius is not the only fraudulent character in the first two scenes where the theme of appearance verses reality is prevalent. When Hamlet’s mother tries to get Hamlet to accept the fact that all things in nature die she asks him, “If it be, Why seems it so particular to thee?” (I, II, 79) Hamlet responds with, “ “Seems,” madam? Nay, it is I know not “seems.” ” (I, II, 79) Hamlet accepts the fact that all things in nature eventually die, yet he refuses to believe the appearance of how his father dies. The queen is again applied to this theme when she addresses Rosencrantz and Guildenstern to spy on Hamlet:

But, is not willing to make a sacrifice since he does not want anyone else ruling Denmark besides himself. Not only that, but Claudius did not think about the impact that King Hamlet's death would have on Hamlet, Gertrude, and Denmark as a whole. Hamlet struggled significantly with his father's death and this was something that didn’t concern Claudius since he was not concerned about Hamlet’s well-being nor did he think about Hamlet while murdering his father. Also, Claudius never thought twice about how King Hamlet’s death would impact Denmark as a whole since he was a great ruler and his absence might cause the country to “crumble”. The only thing Claudius was concerned and blinded with was ruling the throne and not the fact that he would make an unfitting ruler and what would be best for the country since all he wants to do is control everyone. Furthermore, in the soliloquy, it is present that Claudius has a sense of guilt for murdering his

Claudius shows two faces; one of the grieving brother in mourning for his dead king and then as if the earth isn’t cold on his brother’s grave, he acts calm and professional as King himself showing almost no sadness at all up to entrance of Hamlet in the scene. To move that quickly in emotion, sets the passage and the context as a strongly passionate scene for conflict to come later on. Returning to Claudius, his motion to marry Gertrude and its here we can identify some scheming in the out and open; “Therefore our sometime sister, now our queen,

Claudius manipulates his speech through the use of flattery, condescension and empathy in order to persuade Hamlet to take his side and exploit him for his own purposes. Claudius first creates a false sense of compassion and unity with Hamlet, declaring that “Our whole kingdom [is] contracted in one brow of woe” (1.2.3 - 4), thus claiming to mourn the king’s death as deeply as Hamlet and uniting the two in a common passion. He further creates an illusion of equality by consistently using the “royal we” throughout his monologue, in particular when discussing marrying Gertrude: “Our sometimes sister, now our queen...have we...taken to wife” (1.2.8 - 14). Through this use of “we”, he implicates everyone in this kingdom as a part of this action and deflects potential criticism, as Hamlet and other people view this action as inappropriate and dishonorable. Because he wishes to further draw attention away from the king’s death, he encourages Hamlet to resolve his mourning period. He first patronizes Hamlet through the use of repetition so as to reinforce his new authority as king. Claudius reminds him, “You must know your father lost a father, that father lost, lost his” (1.2.93 - 94). He later scolds Hamlet’s extended mourning as “unmanly grief” (1.2.98) so as to emasculate and shame Hamlet’s actions. He then changes subject by urging Hamlet to

Shakespeare’s depiction of the relationship between Hamlet and Claudius aids him in implying that his statement refers to Claudius’ impact on Denmark, rather than a more literal account of a garden. The first instance the two share a scene, it is clear that Hamlet does not appreciate what Claudius undoubtedly believes to be words of wisdom. Hamlet’s father died less than two months prior to the beginning of the story, yet Claudius insists, “But to persever in obstinate condolement is a course of impious stubbornness; ‘tis unmanly grief. It shows a will most incorrect to heaven…” (Shakespeare 1.2.92-95). Here, Claudius displays a lack of sympathy for Hamlet’s grief, which both fuels Hamlet’s dislike of him and initiates his lack of trust, for Hamlet undeniably views Claudius’ absence of grief as an alarming oddity. Hamlet later laments about how quickly his uncle wed his mother: “Within a month, ere yet the salt of most unrighteous tears had left the flushing in her gallèd eyes, she married” (Shakespeare 1.2.153-156). This untimely union again highlights Claudius’ lack of sorrow, for less than a month after his brother’s death, he chose to marry Gertrude. Hamlet’s anger is a result of his mother’s ill-timed remarriage, but it is a product of Claudius’ insensitive involvement in it as well. Furthermore, although Hamlet does not directly come to this conclusion,

In the book of Hamlet, William Shakespeare introduces the character King Claudius in act one scene two. The character makes an impression of a powerful man who commands respect from every individual. Shakespeare portrays Claudius’ role as the most crucial and intriguing person. In the play, Claudius is the most mysterious, the most controversial and the most discussed character as many people look at him only to see a villain. As the play starts, Claudius is the King of Denmark, who has inherited Gertrude, and the uncle to prince Hamlet. As with the rest of supporting characters in the play, Claudius is underdeveloped to his complete potential (Mabillard,n.p). His major role that he plays in Hamlet is to spawn Hamlet’s anger and confusion