Character Growth in Conrad's Heart of Darkness Essay examples

    Literature is never interpreted in exactly the same way by two different readers. A prime example of a work of literature that is very ambiguous is Joseph Conrad's, "Heart of Darkness". The Ambiguities that exist in this book are Marlow's relationship to colonialism, Marlow's changing feelings toward Kurtz, and Marlow's lie to the Intended at the end of the story.

Both Kingsolver and Conrad use similar story construction and point of view in these texts. The truly pivotal characters in each text, rather than the narrators, are the mostly unspoken antagonists of the story. In Heart of Darkness, the story is centered on Kurtz and his actions involving the Congo. The true focus of the novella lies not with Marlow, but rather Conrad uses Marlow as a medium in order to examine Kurtz. In the novella, Marlow is an outside observer. The story follows Marlow’s ever-changing perception of Kurtz in order to characterize the unseen character. When Marlow first learns of Kurtz, he is told that he is “a remarkable person…a prodigy” (Conrad 69), but as the story progresses, both Marlow and the reader delve into Kurtz’s true character and discover a tyrant of imperialism.

In Heart of Darkness, Joseph Conrad suggest that true human existence cannot prevail productively without the dynamics of society. Throughout numerous scenes in the novel, Conrad stresses the necessity of societal restraints through Kurtz’s inability to prosper as a human being when he is removed from the expectations of civilization. In the scene above, Marlow’s myopic observations of Kurtz reveals Conrad’s theme by illustrating the annihilation of Kurtz’s essential human characteristics as he descends into a barbaric lifestyle absent of the norms of society. Not only does the above scene support Conrad’s main theme, but it portrays his writing style, characterization of Marlow, and symbolism as used throughout the novel.

    Joseph Conrad's Heart of Darkness is full of oppositions.  The most obvious is the juxtaposition of darkness and light, which are both present from the very beginning, in imagery and in metaphor.  The novella is a puzzling mixture of anti-imperialism and racism, civilization and savagery, idealism and nihilism.  How can they be reconciled?  The final scene, in which Marlow confronts Kurtz's Intended, might be expected to provide resolution.  However, it seems, instead, merely to focus the dilemmas in the book, rather than solving them.

What makes Joseph Conrad’s Heart of Darkness more than the run of the mill adventure tale, is its moral complexity. By the end of the novel, we find a protagonist who has immense appreciation for a man who lacks honest redemption, the mysterious Mr. Kurtz. It is the literal vivaciousness and unyielding spirit of this man, his pure intentionality, which Marlow finds so entrancing and which leaves the reader with larger questions regarding the human capacity. Therefore, Heart of Darkness is profoundly different given its character complexity and ambiguous narrative technique which ultimately deliver home a message of the complex motivations and capabilities of mankind.

     Heart of Darkness by Joseph Conrad is a novel about a man named Marlow and his journey into the depths of the African Congo. Marlow is in search of a man named Kurtz, an ivory trader. Though Marlow?s physical journey seems rather simple, it takes him further into his own heart and soul than into the Congo. The setting, symbols and characters each contain light and dark images, these images shape the central theme of the novel.

"Restraint! I would have just as soon expected restraint from a hyena prowling amongst the corpses of a battle," comments Marlow as he questions why the hungry cannibals aboard his steamer hadn't gone for the white crew members (Conrad 43). "The glimpse of the steamboat . . . filled those savages with unrestrained grief," Marlow explains after recalling the cries of the natives seeing the steamer amidst a brief fog lift (Conrad 44). "Poor fool! He had no restraint, no restraint . . .a tree swayed by the wind," speaks Marlow of a slain helmsman amidst an attack by tribal savages (Conrad 52). "Mr. Kurtz lacked restraint in the gratification of his various lusts," says Marlow a few moments after he tells of his first glimpse of

    Within the text of Heart of Darkness, the reader is presented with many metaphors. Those that recur, and are most arresting and notable, are light and dark, nature and Kurtz and Marlow. The repeated use of light and dark imagery represents civilization and primitiveness, and of course the eternal meaning of good and evil. However, the more in depth the reader goes the more complex it becomes. Complex also are the meanings behind the metaphors of nature included within the text. It represents a challenge for the colonists, often also signifying decay and degeneration. Finally Kurtz and Marlow represent imperialism and the colonists. All these metaphors come together and contribute not only to

Conrad’s usage of imagery in the - Heart of Darkness - Aristotle, a famous Greek philosopher, said that the aim of art is to represent not the outward appearance of things, but their inward significance. If that is the case, then Joseph Conrad is a true artist regarding the pictures he paints with his words. Conrad's most effective literary tool for plot development and expressing the theme is his use of imagery. Karl, a noted critic, explains this technique that Conrad uses. “The scenes and images (that Conrad depicts) are a variety which permits extension and almost a limitless number of references are possible”(168).

Beyond the shield of civilization and into the depths of a primitive, untamed frontier lies the true face of the human soul. It is in the midst of this savagery and unrelenting danger that mankind confronts the brooding nature of his inner self.  Joseph Conrad’s novel, Heart of Darkness, is the story of one man's insight into life as he embarks on a voyage to the edges of the world. Here, he meets the bitter, yet enlightening forces that eventually shape his outlook on life and his own individuality. Conrad’s portrayal of the characters, setting, and symbols, allow the reader to reflect on the true nature of man.

The constant change in scenery throughout the Heart of Darkness contributes heavily to the meaning of the novel as a whole, for it allows the novel’s author, Joseph Conrad, to expand on the effects the physical journey of travelling through the Congo has on the inner mentailites of the characters- Marlow and Kurtz- in the novel. Conrad’s continuous comparisons between characters, their surroundings, and the plot, create the genuine progression of the novel, while the physical journey that is taken allows the characters to make their own discovery of humankind. As Kurtz’s destiny and the struggles he overcomes go on to deeply affect the two characters’ journey through the story’s plot, as everything in the Heart of Darkness is linked or comes back to Kurtz and all the wrongful actions he has committed in the Congo- as he was the perpetrator of all the darkness in the novel to begin with.

The scene disturbs Marlow a great deal and he hastens to reach the camp, where he is removed from this reality he finds unpleasant when he comes upon another man like himself, dressed in pure white, such that Marlow "took him for a sort of vision", and is temporarily rescued from the setting Conrad has created. Conrad continues to create a setting that is described as

The Heart of Darkness by Joseph Conrad is a frame narrative which creates a clear and organized structure. This structure helps emphasize upon the hypocrisy of imperialism in the novel and Marlow’s journey to discovering his true identity. The orderly and systematic nature of the structure corresponds with the Company in the novel and how it seems so structured on the outside while their mission is actually extremely chaotic underneath as displayed by Kurtz. The cyclical structure of the novel outlines Marlow’s journey in finding himself and his true identity. As the chaos of the journey is uncovered, Marlow delves deeper and deeper into uncertainty regarding the things going on around him in his life.

Heart of Darkness is written by Joseph Conrad and published in 1899. It is a novella written in the early modernism literary period.

The two major themes of Heart of Darkness are the conflict between “reality” and “darkness,” and the idea of restraint and whether or not it is necessary. Conrad’s passage describing the restraint of the hungry cannibals exemplifies both themes:  It describes how reality shapes human behavior, and contrasts the characters of Kurtz and Marlow.  “Reality,” as it is used here, is defined as “that which is civilized.”