Character Of Baby Kochamma

Another characteristic the author exhibits is forgiveness. The struggles her parents cause her display this trait. For instance, Ma constantly neglects Murray as a child. Drugs and alcohol consume the parent’s lives, so Murray and her older sister do not receive the proper care they need. Also, Ma frequently spent her daughter’s money or sold their items without their consent. The readers are astonished when the author says many times that she forgives Ma and just moves on. An important scene in the story occurs when Murray looks back on her childhood and forgives her mom for all of her wrongs, and concludes her mom did the best that she could do. Many people would resent their parents after all the hardships they caused, and so does the author at first. But she finds it in her heart to forgive which shows her kindness and really displays how mature of a person she is.

Many critics of The Autobiography of my Mother have remarked on the unrealistic facets of Xuela's extremist character. Her lack of remorse, her emotional detachment, her love of the dirty and "impure," and her consuming need for total control over everyone and everything around her give her an almost mythic quality. A more well-rounded, humanistic character would have doubts and failings that Xuela does not seem to possess. In light of Xuela's deep-seated resentment of authority, stubborn love of the degraded and unacceptable, intense rejection of the ìmaster-slaveî relationship, and--most pointedly--her hatred of the British and British culture, many critics have embraced the idea that Xuela is highly symbolic of the conquered, colonized

Here the author points out that the Grandmother “lurches from one strategy to another” (9) in an attempt to save herself. Almost as though the death of her family does not affect her, she exhausts all of her “manipulative techniques” (9) and ruses until her ultimate demise. While this argument may seem harsh, it is helpful because it allows students to see multiple layers of the character. It offers an opinion that students may not have been exposed to, and in the process, illuminates a more well-rounded character. In a sense, it pulls back the mask she carefully creates to reveal new aspects of her, ultimately making her a more interesting character to study.

Amir’s mother, Sofia, dies in childbirth; Amir inherits her love of literature and probably her looks to some extent, but, her being dead, never receives any motherly love or guidance, which could have helped him out of the cowardly hole he later digs himself into. Amir’s father’s best friend and business partner, Rahim Khan, tries to give Amir the motherly love he clearly needs, fostering Amir’s love of writing and steadfastly standing up for him when Amir’s father, Baba, criticizes him, but Rahim Khan does not do enough to instill honesty, courage, and strength of conviction in young Amir. Amir’s best friend, Hassan, a servant a year younger than Amir, is everything Amir is not: athletic, brave, loyal, honest, and kind, inciting jealousy in Amir. Assef, a local bully, poses a real threat to Amir, hating Amir for the crime of befriending a Hazara (oppressed ethnic minority), but Amir is protected by Hassan, allowing young Amir to freeze and not stand up for himself in Assef’s presence. Last, but most importantly, is Amir’s father, Baba, and his views on Amir: he blames Amir for Sofia’s death,

Ophelia begins the play as an average girl growing up in a place that would predispose her to Post-Traumatic Stress Disorder (PTSD). Her father’s murder did not drive her insane, but shook an easily shaken system. “First her father slain: Next your son gone; and he most violent author Of his own just remove…. Poor Ophelia Divided from herself and her fair judgment, Without the which we are pictures, or mere beasts” (Shakespeare).

The extent of Ma’s personality continues to unfold throughout the book. The Joad’s are centered around Ma and the way she shows leadership and growth. In the beginning of this section, Ma is simply a common woman, a woman of faith, love, strength, and courage. Everything that happens to the Joad’s, Ma feels in her heart. She gives us an example of what it is like to be women during the dust bowl/ depression.

First, we start off with the main character named Sophia, she is in love with a man who not only beats her, but abuses drugs a lot. This man’s name is Nathan and is a bad influence in Sophie’s life. Later, we discover that Nathan is no longer abusive to Sophie, because he kills himself with Cyanide, the same drug used in the Gas chambers at death camps. At first, we see Sophie’s character as just a regular person that has bad taste in men. But, we realize later in the story that she has been hiding her secrets of her past from her friends all this time, which is hinted at, when we discover a blue number tattooed on her arm. We now know she is a concentration camp survivor that not only was abused sexually by Nazi’s, but is not even Jewish at all. She is actually Polish, and was not a labor worker at the camp digging and doing various physical demanding tasks. Sophie’s job at the camps was to translate things for the Nazi’s, which resulted in helping her not die from weather or weakness, like many victims went through. Although she is not involved with the killing of people, she does however still feel guilty because she helped her racist father make Pamphlets for how the Jews were pollutants. She also underwent the tragic event of being separated from her son after being admitted into the camp. Lastly, we see another major character named Stingo, he ends up being Sophie’s

Finally, she is able to detect the lies of her father. Lies he tries concealing. As he once indirectly pushed her away, Mariam needed him to know how much damage he causes. She would not spare him of the injustice he has commit. It would be the first time she speaks against a man. “ ‘I’ll visit you’ he muttered.[. . .] ‘No. No,’ she said. ‘Don’t come. I won’t see you. Don't you come. I don't want to hear from you. Ever. Ever.’ ”(50). Mariam is an intelligent, outgoing girl, daring at times. She went as far as walking to the busy streets of Kabul to search for her father. With this, she wanted to leave him with a wounded heart. Like she felt when he refused to open the doors of his home. After the miserable ceremony, these traits withered away.

Her husband refuses to believe that she has rebelled against him without Nagib's influence. She responds to this by asking "Was it Nagib who gave birth to me or I to him?"(95) It was with difficulty but her husband accepts his new wife. This empowers the mother to begin school, cut her hair, smoke, even learn to

Amir was a son of a reputed father and he gets to attain school and he gets to learn and experienced many things. For example, he gets to participate in the poetry recitation where he is much interested in and sports although it wasn’t his choice. Whereas, Hassan as a servant stayed home to do the household work. Hassan made Amir’s breakfast, cleaned his room and did all the household chores while Amie goes to school. Though Hassan desires to get the education but there wasn’t a chance given to him as a servant. Therefore, despite illiteracy he would passionately listen to what Amir would read for him. Additionally, Amir grows up as young child who longs for his father’s love and approval. He lives with inexplicable jealousy of Hassan. Whereas, Hassan grows up as a young child serving under Amir and respecting Amir’s order. Hassan is cheerful, loyal and loving. He always attempt to please and serve Amir. Moreover, Hassan wasn’t privileged like Amir as he had to undergo insult and defamation by other people around

This is the woman she might have become – warm, tolerant and imaginative. Instead she becomes jagged, benighted and imaginative. . . .Ophelia is made mad not only by circumstance but by something in herself. A personality forced into such deep hiding that it has seemed almost vacant, has all the time been so painfully open to impressions that they now usurp her reflexes and take possession of her. She has loved, or been prepared to love, the wrong man; her father has brought disaster on himself, and she has no mother: she is terribly lonely. (73-74)

Besides the relationship between Ammu and Velutha, the twins also share a bond of friendship with Velutha, ‘with the man they weren’t supposed to love’, suggesting that despite the fact that Velutha is an ‘Untouchable’ the twins are tremendously fond of him. The three children, Estha , Rahel and Sophie Mol visit Velutha and have a tea party, ‘he greeted them with the utmost courtesy’, suggests that he respects and admires the children. ‘It is only now, these years later, that Rahel with adult hindsight , recognized the sweetness of this gesture. A grown man entertaining three raccoons, treating them like real ladies’, this implies that Velutha is extremely playful with the children as he lets them paint his nails red as well as they come dressed as ladies in saris and it is only now that Rahel realises how kind it was of Velutha to play along with their game.

The resentment within the young girl’s family is essential to the novel because one can understand the young girl better as she makes her decision.

Hamida is the character that represents the people who yearn for a change. Often, she feels as though she is worth more than just living in the old alley – and she calls it a “Nothing Alley”(27) and asking herself “Oh what a shame Hamida, what are you doing living in this alley? (27)”. During World War II, many people in Midaq Alley go to work for the soldiers in the hope of earning more money and living in a more comfortable life. Hamida is one of those people who sacrifice themselves and everything that they have in an exchange for the wealthy life they always have dreamed of. Hamida is not a religious person and has a different perspective from the people in the alley because she sees a better life in the modern world. In the end, she decides to become a prostitute for pretty clothes and jewelries. She does not regret choosing this life as she is able to have an opportunity that gives her “desire for life and adventure (186)”.

The opening of the story begins with the return of Rahel to Ayemenem. Other significant scenes include the burial of Sophie and the case where the family members are reluctant to acknowledge Ammu and the twins. It is worth to note that during the time burial, Rahel had the view that Sophie was alive. Nonetheless, the events that unfold throughout the story can be defined as being based on the need to explain some themes. One of the themes relates to the position of the family. The author uses different concepts to develop Ammu at the beginning, in the middle, as well as at the end of the story. Some of the relationships that were explored by the author include the connections between brother and sister, grandparent and grandchild, and mother and child among other groups.