Character Transformation In The Road

The father does not comply with his son and leaves the naked man alone in the cold. This further shows the differences between the boy and his father. The final contrast between the two is exemplified with the ending. Throughout the book the reader is allowed to assume that if the son dies in the novel then the father would consequently commit suicide. At the end of the story when the father dies first the boy stays strong and decides to blindly follow other survivors and put his faith in them. Throughout, the story; however the father doesn't put any trust into anyone. His son, being a foil of him decides to put his faith into other survivors and takes a leap of faith and follow them their camp. This instance further shows the stark difference between the father and the son.

This story also paints the picture of a father who would not give up on regaining his time with his son. It shows the father desperately trying to rectify the mistrust issues he created because he stated to the boy when they were sitting in the diner after the highway patrol redirected them away from the snow-covered route home that she would never forgive him if he did not get the boy home for

One thing that remains constant in the ever-changing world of Cormac McCarthy’s dystopian novel The Road is the relationship between The Man and The Boy. The father and son’s bond is extremely close, especially due to the isolation they face on The Road, but it is filled with love and endearment, like someone would expect any relationship between a father and son to be.

The expressions of the characters, caused by their surrounding, is also a factor that can alter the psychological traits in a character. The Man states “He does not trust his dreams, believing that they are "the call of languor and of death” (McCarthy 15).The man has a vivid

The boy is very warm-hearted and appears to struggle to understand that danger could occur at any moment, whilst his father knows a lot more about what some people, “the bad guys”, do in order to survive. It could be seen that the child is very naive and therefore trusts others more than his father. However his trust in others teaches his father a valuable lesson; that not everyone is a “bad guy”. For instance when the pair come across Ely, the father is wary about him but his son is adamant that they give him a tin of food. This shows to readers that the boy has faith unlike his father. Another example is when the son sees the little boy; he begs his father to go back and help him and asks if he can go with them. I believe that he wants to help others as

The father views his son as the word of god and a condition that makes life meaningful. His first expression of this association occurs early in the story: “If [the boy] is not the word of God God never spoke” (5). Erik J. Wielenberg, in his essay “God, Morality, and Meaning in Cormac McCarthy’s The Road,” claims that this conditional association is the hinge upon which all other ambiguous references to faith and God rest because with “if,” the man introduces the possibility of God existing and not existing in the same sentence. He continues to note that this conditionality also highlights God’s ability to exist through his ability to speak and therefore create (1). His interpretation acknowledges McCarthy’s purposeful ambiguity in God’s existence specifically because, rather than despite, the explicit reference to the boy

In The Road by Cormac McCarthy, the man and the boy are on a constant journey towards survival. Limited visibility is prevalent within different aspects of this novel. One is within the man, as he has a limited view on humanity itself. Throughout the novel, the man is

In The Road by Cormac McCarthy, the son does not display any selfish thoughts throughout his travels with his father, but rather the contrary. At the beginning of the novel, the son runs toward a little boy standing alone in hopes to help him, though he is scolded by his father. As the father and son continue on their trek, the boy does not seem to stop mentioning the little boy, “What about the little boy, he sobbed. What about the little boy?," (McCarthy 86). Despite his father’s disapproval, the son pleads that they should accompany the little boy and bring him along their journey. He fears the for the little boy’s survival since he believes the little boy to be alone without a “papa”. The son offers to split his food rations to accommodate the little boy, even though he is well aware of the scarce food supply him and his father encompass. Along with the encounter with the little boy, the son again displays his generosity and concern with an old man named Ely, “The boy took the tin and handed it to the old man. Take it, he whispered. Here," (McCarthy 163). As the boy watches the old man eat, he turns to his father to ask the same question: can we keep him? and once again the father opposes the idea. Also in

Three Day Road, by Joseph Boyden, is a novel that tells the tales of two Indigenous Canadian soldiers who serve in the Great War as they succumb to the pressures of colonization. According to the Oxford Dictionary, colonization is “the action or process of settling among and establishing control over the indigenous people of an area”. The author is able to illustrate the troubles that the indigenous characters have in maintaining their roots. In the novel, Joseph Boyden demonstrates that the colonization of a group of people can cause them to become detached from their origins. This struggle to maintain culture is evident in the characters of Xavier, Niska, and Elijah.

An important flaw the son has is that he does not remember the world as a peaceful place the son only remembers the world destroyed. This type of naivetes gives the boy a minimal outlook on the past and see the difference of the present. The father knows the difference which gives the father the realization before The Road begins. The son in portions of The Road is starving, this desolate place called the world does not give any chance of hope or second ones. The importance of this geographical state in the book makes the father and son rely on one another because they know the very importance of staying alive, and the only way they can do that is to fight for one another. The Road opens with a setting of desolation, “When he woke in the woods in the dark and the cold of the night he’d reach out to touch the child sleeping beside him”, which creates a concern within the readers that are realizing the magnitude of this horrible place. (McCarthy 3) The son in the first page of the book is mentioned

The life of “the boy” and “the man/papa” has become a journey overall to find a home, one they can settle down on and not worry about the next source of food or water. By applying Thomas C. Foster’s literary criticism How To Read Literature Like A Professor into the context of The Road it is clearly evident that the journey the boy and the man/papa is on, is a quest. “A quest, consisting of five key aspects “(a) quester,(b) a place to go,(c) a stated reason to go there, (d) challenges and trials en route, and (e) a real reason to go there” (3) The boy and the man/papa are the questors, who are craving to find the remaining good people in the world. They’re journey is filled with obstacles presented by the thieves and “bad guys” who are initially the cannibals. However as they surpass each obstacle, as they find a new source for food, and as they find shelter for the night, they grow as a person, especially the boy who has to witness only evil within the human heart. Their goal is an undefined location, but the journey becomes more important, and the roads become the platform of their challenges. As the boy and the man carry forth with their journey, the fear of the corruption of the world enveloping them exists. As the boy tells, “Are we still the good guys? he said. [The Man:] Yes. We're still the good guys.[The Boy:] And we always will be.[The Man:] Yes. We always will be. [The Boy:] Okay.”(McCarthy 120). Because the journey to the destination held so many

The Road portrays the journey of the father and son across a black and white world that is analogous to my experiences of the quest of survival in Afghanistan and the refugee camp in Pakistan. Where many have abandoned their beliefs and morals to survive the hellish situation. Those who survive with their beliefs and values still in intact are constantly challenged on a day-by-day basis. Their survival must be persevered to keep the fire burning, however small for their own children. There must be some goodness that remains for their children to carry into the next generations. They must always remain

We often consider the world to be filled with core truths, such as how people should act or what constitutes a good or bad action. In The Road, McCarthy directly challenges those preconceptions by making us question the actions of the characters and injecting a healthy dose of uncertainty into the heroes’ situation. From the very beginning, the characters and their location remain ambiguous. This is done so that the characters are purposely anonymous, amorphously adopting all people. While on the road, the order of the day is unpredictability; whether they find a horde of road-savages or supplies necessary for his son’s survival is impossible to foretell. While traveling, the boy frequently asks “are we the good guy” and the father always replies with “yes” or “of course,” but as the story progresses this comes into question.

In order for a child to live in a complete and happy family, the paternal love plays a major role in a child’s life, especially the love of a father which is as much important as a mother’s love. Moreover, a father’s love is one of the greatest influences on the child’s personality development throughout his/her life. A father’s love brings a sense of protection of security in a child. In the novel The Road, Cormac McCarthy present the great example of paternal love. The novel deals with a post-apocalyptic story about an unnamed man and his unnamed child as they move toward the south to find a better place to live after the catastrophic event. The son is the only reason for the father

The boy who travels with his father finds purpose to survive in believing that they will one day find the good guys. In this he believes that they themselves carry the torch of being the good guys and finds hope in that. Throughout the novel, the boy expresses his heart for helping others several times when he gives an old scraggly man on the road a can of peaches, pleading to help a man who got struck by lightning, and by being worried about a boy who was alone they had passed on the road. The boy evidently through his actions expresses a need to help others. When the boy spotted another little boy from the road, he ran over to where he had seen him and searched for him. When the Father saw that the boy ran off, he grabbed the boy by the arm and said “‘Come on. There’s no one to see. Do you want to die? Is that what you want?’” Sobbing, the boy replied, “I don’t care, I don’t care” (85). The boy sees the little boy as alone with nothing and he feels like it is his responsibility to his own