Characteristics And Feminism In Charlotte Brontë's Jane Eyre

  The Victorian era in England marked a period of unprecedented technological, scientific, political, and economic advancement.  By the 1840s, the English had witnessed remarkable industrial achievements including the advent of the railways and the photographic negative.  They had witnessed the expansion of the Empire, and, as a result, were living in a time of great economic stability.  Yet they had also seen thousands of people starving-and dying-due to the Irish potato famine and poor conditions and benefits in British factories and witnessed the entire order of society questioned as the working classes began to demand representation in Parliament.    The English also experienced biological

In its simplest form, Charlotte Bronte’s Jane Eyre tells the story of a young woman, Jane Eyre, who grows up poor, makes the decision to be independent, does so, and, eventually, marries rich. The novel follows her from her childhood to her reunion with the love of her life and she, throughout it, deals with classism and sexism and exhibits her own form of feminism. By the end, it becomes clear that, with this semi-autobiographical novel, Charlotte Bronte was providing a criticism on society’s discrimination toward those of a lower class, a subtle argument against the male-dominated society’s treatment of women, and an even subtler call to action for women to find their own agency outside of the men in their lives. On another end, however,

A flower stands high in an empty field. It moves with every gust of wind and grows with every sunny day. At a single moment any one of the seven billion people on this Earth could have plucked it from the soil, yet for now, it remains in an upright position. Much like this flower, throughout life people are continuously influenced by those around them. Every person is changed constantly by the people around them, and their future is always altered because of this. In the novel Jane Eyre by Charlotte Bronté, Jane Eyre is impacted greatly by characters such as Mrs. Reed, Helen Burns, and Mrs. Temple. These characters, just like the flower at mercy its environment, had left a great impact on Jane.

Charlotte Bronte created one of the first feminist novels--Jane Eyre--of her time period when she created the unique and feminist female heroine, Jane Eyre. Throughout the novel, Jane becomes stronger as she speaks out against antagonists. She presses to find happiness whether she is single or married and disregards society’s rules. The novel begins as Jane is a small, orphan child living with her aunt and cousins due to the death of her parents and her uncle. Jane 's aunt--Mrs. Reed--degrades her as she favors her biological children. Jane 's aunt--Mrs. Reed--degrades her as she favors her biological children. Her cousin--John Reed--hits her and then Mrs. Reed chooses to punish her instead and sends her to the room in which her uncle

Charlotte Bronte’s novel Jane Eyre embraces many feminist views in opposition to the Victorian feminine ideal. Charlotte Bronte herself was among the first feminist writers of her time, and wrote this book in order to send the message of feminism to a Victorian-Age Society in which women were looked upon as inferior and repressed by the society in which they lived. This novel embodies the ideology of equality between a man and woman in marriage, as well as in society at large. As a feminist writer, Charlotte Bronte created this novel to support and spread the idea of an independent woman who works for herself, thinks for herself, and acts of her own accord.

The nineteenth century Victorian era woman needed wealth or position to avoid a life of drudgery.  Women were viewed as trophies or possessions men owned.  They were not permitted to develop nor expected to, and even venturing out on their own was considered inappropriate.  During the era in which Jane Eyre was published the home and family were seen as the basic unit of stability in society.  At the middle of this foundation stood a wife and mother representing the sum total of all morality - a Madonna-like image.  This image was reinforced by social institutions such as mainstream religious and political beliefs.  Women were steered away from independence, confidence, and

       Charlotte Bronte knew what she was doing when she assumed the pseudonym of Currer Bell. In Jane Eyre she wanted to pose radical ideas regarding the role of women in the 19th century, but being a sensible woman, she knew that society would never accept having a woman pose these new views. It would be altogether too logical and self-praising. Though the author was never credited for the published novel it must have been equally fulfilling for her to know that people had read the opinions voiced by a woman. Bronte's novel was successful as her refreshing story captivated the attention, if only negative, of many audiences. Jane Eyre is the epitome of feminism as her main objective in life is

As a governess, Jane is shown the life of the luxurious. Mr. Rochester's mansion is overwhelming, and his parties are extravagant. Mr. Rochester speaks to her frequently, because he needs someone to listen to him. When Edward reveals to Jane his former cheating wife, she feels a connection to him on personal level. Jane has never felt this since her relationship with Helen Burns at Lowood. Jane becomes

Bronte’s feminist ideas radiated throughout her novel Jane Eyre. There were many strong and clear examples of these ideas in Bronte’s protagonist, Jane, her personality, actions, thoughts and beliefs. From the beginning of the book, Jane’s strong personality and her lack of following social expectations were quiet clear. “Women of the Victorian era were not part of a man’s world, as they were considered below them.”(VanTassel-Baska, 4) The class divisions between a man and a woman were very distinctive. Jane however ignored this. When Jane first met Rochester, the whole scene presented a feminist portrait of Jane. A women walking alone in that era should never address a man, but Jane went out of her way to help Rochester stating that “if you are hurt, I can help” (Bronte, 98), Jane even let him place a hand on her shoulder. Jane believed that “women were supposed to be very calm generally, but women felt just as men felt” (Bronte, 116), which showed her perseverance and persistence in being independent and proving that men should be equal to that of women. This was of

Within Jane Eyre, Charlotte Brontë utilizes contemporary vernacular through a parallel of herself, Jane Eyre, to illuminate the atrocities of the patriarchal society of the 1840’s. “Modern literary criticism has long recognized Charlotte Brontë’s Jane Eyre (1847) as a pivotal text for feminists” (Griesinger 1). Largely due to the verbosity in which Jane asserts herself, along with underlying messages protesting the horrid conditions women of the time period endured. Although Brontë seeks progression through her linguistics, Jane also proves compliant in many regards and does not seem to mind doing so. Furthermore, due to the prominence of underlying themes revolving around religion, Jane’s beliefs, and the plight of women within the time period the novel was written, I utilized the writings of Emily Griesinger, a professor at Asuza Pacific University who teaches courses in British literature, religion, and autobiographies and/or memoirs to assist me in my comprehension of the work. In Griesinger’s work, “Charlotte Brontë’s Religion: Faith, Feminism, and Jane Eyre”, a focus is placed upon Brontë’s usage of radical terminologies and their evanescent properties, typically lacking complete manifestation, yet resolute nevertheless in their attempts at progression. Overall, the interpretation of Jane Eyre and its schematics by Emily Griesinger assisted me in my endeavors, wonderfully translating Brontë’s archaic scripture and highlighting fundamental principles of the text and

Tremendous spirit. The enviable trait that Jane Eyre from Charlotte Bronte’s Jane Eyre possesses is what stimulates her to achieve self-actualization despite the fact that she is a woman. True feminism isn’t as violent as a handful of vicious extremists claim it to be. The accurate definition of feminism is “the doctrine advocating women’s social, political, civil, educational and all other rights as equal to those of men.” Women of Charlotte Bronte’s era did not have basic rights such as the aforementioned. The feminist movement in the Victorian Era had only just begun and Jane Eyre was far ahead of her peers. Published in 1847, the bildungsroman novel of Jane Eyre was an intricate one, with subtle feminism carefully woven in it,

Within the specter of the Gothic fictions arises the atmosphere of gloom, terror, and mystery with some elements of uncanny challenging reality.At certain points, the interactions between the conventions of the Gothic fictions with other thematic, ideological, and/or symbolic functions of the narrative would rather be challenging. However, though the analysis of Jane Eyre written by Charlotte Bronte, certain factors come into focus.The novel of Charlotte Bronte entitled Jane Eyre has showcased a lot of issues that specifies how women in that time have been depicted by the experiences that the protagonist of the novel has encountered. The novel was published in a time when women were only considered as display or jewels of the noble men and

Charlotte Bronte’s Jane Eyre emerges with a unique voice in the Victorian period for the work posits itself as a sentimental novel; however, it deliberately becomes unable to fulfill the genre, and then, it creates an altogether divergent novel that demonstrates its superiority by adding depth of structure in narration and character portrayal. Joan D. Peters’ essay, Finding a Voice: Towards a Woman’s Discourse of Dialogue in the Narration of Jane Eyre positions Gerard Genette’s theory of convergence, which is that the movement of the fiction towards a confluence of protagonist and narrator, is limited as the argument does not fully flesh out the parodies that Charlotte Bronte incorporates into her work. I will argue that in the novel

"red room" she is told by Miss Abbot: "No; you are less than a servant

It is thoughtless to condemn them, or laugh at them, if they seek to do more or learn more than custom has pronounced necessary for their sex." As a great friendship and affection grow for Jane and Mr. Rochester, Jane notices that Rochester wishes to shower her in jewels, buy her fancy dresses, raise her up to some impossible image of the bride or woman, which does not suit her at all. This new treatment feels unequal, as Rochester would pay for her completely, she feels too dependent on him, and not her own woman. Jane acknowledges that she makes Rochester promise to let her continue on as Adele?s governess and being paid for that so that they are equal, or as she puts it: ?By that I shall earn my board and lodging, and thirty pounds a year besides. I'll furnish my own wardrobe out of that money, and you shall give me nothing but your regard: and if I give you mine in return the debt will be quit." Jane's views on this affair are extremely feminist when taken out of past perspective. In actuality, she attempt to not change the power dynamics of her relationship with Rochester, to be paid for work, instead of becoming his object or property. But she admits later: "My future husband was becoming to me my whole world; and more than the world: almost my hope of heaven.