Characteristics Of Marcel Duchamp

Found art (also known as Ready-mades) is a description of art created by modified and undisguised objects that are not considered art for the main reason of their non-art function. The art created by these found objects convey meaning through their context, assemblage/composition and by the artists intention and approaches taken to montage pieces together.

He forever changed the world and had a huge impact on the 20th century. He believe that they should do away with so much art that impresses the eye and rather make them mind travel.

Non-conformist to traditional art forms, Conceptualism challenges the viewer to delve into the mindset of the artist. It is often seen as multidimensional as it forces the audience to decipher the artists intentions. This art movement has been completely rejecting the standard ideas of art since the mid-1960’s. Since then, many artists have made a name for themselves by self-consciously expanding the boundaries of art. Many of these artists have said they’ve linked their work to artist Marcel Duchamp.

Art throughout history have challenged the values and attitudes of their contemporary society. With a focus on the postmodern frame, Artists have used and changed art conventions such as the Salon des Refusés and using the world as a source of ideas to create artworks. These artists include Leonardo Da Vinci from the Renaissance movement and Claude Monet from the Impressionism movement. The artist Chiharu Shiota and Lee Bul have also used the art convention Biennale and the world agent to create “Conscious Sleep” and “Diluvium” respectively. Through the use the world as a source of ideas, artists with a focus on the postmodern frame have used art conventions to create artworks.

Identified as one of the great American artists of the 20th century, Robert Rauschenberg was a profound individual with a curious mind for disruption. Known for his radical experiments, ranging materials and mediums, and efforts to explore the boundaries of what constitutes art, Rauschenberg was an artist interested in not just the outcome, but the process. His “Combines” in the early 1950s established his “Neo Dadaist” label as his works incorporated found objects and photographs, breaking down the barrier of sculpture and painting. His interest in avant-garde art and provoking methods caused a lot of stir during his lifetime. However, Rauschenberg diverged and literally erased critics precedent, and continued to pave the way for numerous movements and artist to come; changing the art market forever.

The Inter-war period is defined as the time between World War I and World War II, during the years that span between the 1920s-1930s. Most of the world was in a rebuilding mode during this time, having to come back from the devastation of the first World War, and the personal and economic turmoil that accompanied it. Much of the culture and art was affected by the sign of these times, and many of the great artists’ works clearly depict the mood and sentiment of the world in this decade.

The world of art is exists in a constant state of change, as with every passing generation its very definition evolves. For instance, the disproportioned figures resting against a flat plain of the Medieval Times got replaced by the hyper-realistic works of the Old Masters and those, in time, were taken over by the whirl of colour and light that the Impressionism brought in the 19th century. After that, many other movements came to exist, each vastly different than the last, and in the future more will see the light of day. Consequently, both Raphael’s “ The School of Athens” and Marcel Duchamp’s “Fountain” are both considered great works of art, regardless of the fact that those two pieces are nothing alike. Therefore, under certain circumstances, the illegality of painting on public or privately own spaces does not diminish the artistic qualities of graffiti— those two statements are mutually exclusive, as certain types graffiti are in fact works of art, regardless of the method used to create them.

He presented this commercial object as art, a form called ‘readymade’, allowing him as an artist to select and modify it, showing that art is not all about artistic technique and expensive materials, testing censorship and peoples thoughts of what traditional art was at the time, and continuing today. Duchamp sparked new ideas of what art was all about, stunning artists and audiences around the world; while continuing to argue “an ordinary object [could be] elevated to the dignity of a work of art by the mere choice of an artist” , allowing people to see that art could be whatever the artist wanted it to be and what the artist felt it was. This significant change in the way audiences view and appreciate art came from the incident where the Society of Independent Artists, refused to show Duchamp’s, R Mutt’s Fountain. The independents congratulated themselves on championing all that was new and progressive in art, and to

Marcel Duchamp was born on July 28, 1887. His birthplace is Normandy, France, which is also where he was raised. Duchamp was one seven children. It is said that he “comes from a family of artists”. But ironically enough, his favorite childhood pastimes consisted of chess, reading, painting and playing music. Marcel created one of his earliest artworks at the age of fifteen and named it Landscape at Blainville (1902). He was very close with two of his older brothers that left home to become artists in 1904. Marcel went along with them to Paris and studied painting at Academie Julian. With the support of his brother, Julian Villion, he worked as a cartoonist while attending school. Duchamp became familiarized with the modern trends in painting, in Paris, during the 1900s. He also studied Fauvism, Cubism and Impressionism. Marcel related to the Cubist notation more than any of the others because it was “reordering reality,” not just “simply representing” it (“Marcel Duchamp,” sec 5). His early painting, Nude Descending A Staircase, showed his interest in machinery and its connection to the body’s movement through space, which later transcends into early Modernism. Duchamp was attracted to avant-garde notations of an artist as an anti-academic. He felt a natural liking in this respect with one of his early heroes, the Symbolist painter and graphic artist,

His prolific portfolio included experimentation in everything from printmaking to ceramics, although oil painting was for most of his career his primary medium. His extensive legacy in popular culture and fine art, particularly in abstract geometry and use of color, is extensive and incomparable to all but a few other titans of modern art.

In the area of modernism exist two visionaries responsible for redefining the way in which art is perceived. Ahead of their time, Gustave Courbet and Edouard Manet revolutionized the art world both technically and stylistically, with their risqué content and bizarre technique. Throughout their careers, each artist broke societal norms and pushed through artistic boundaries in order to showcase reality through their paintings and thus, give rise to modernism.

However, Lewitt departed theoretically from other artists who were working in a Reductivist manner by placing his emphasis on the ideas from with the work derives rather than on the work’s physical presence. For Lewitt, the concept itself drove his work, which he categorized as “conceptual art”, to the extent

Marcel Duchamp is widely considered as one of the most influential artists of the 20th century, his early works saw him in the Post-Impressionist movement however his want for art to be in the service of the mind saw his move away from that style of art. He was a French, sculptor, painter and writer whose work is associated Dada and with being the precursor to conceptual art. Duchamp spent nearly his whole art career challenging his audiences to think about what art really is. “His critical examination

Conceptual Art is formed within complex historical context, but the critique of “What makes a particular object or practice into art”, stress ideas and concept rather than modernist art form, is clearly influenced by Marcel Duchamp. Although he doesn't see himself as a conceptual artist. His famous conceptual artwork Fountain stormed the art world in 1917. Some meanings of this work demonstrate that Duchamp brought influence on many conceptual artists and their works. First Duchamp negates the originality of artwork, artwork is not necessary

Marcel Duchamp produced his work in 1917 and it was a porcelain urinal which Marcel titled Fountain and signed “R.Mutt” on the surface of it.He submitted it to the exhibition of the Society of Independent Artists but Fountain was unaccepted by the exhibition although the ruled said that all works would be accept from the artist who pay fee to the committee. But the board members from the committee had a debate about should Fountain to be display or not. Marcel Duchamp was a member of the Society of Independent Artists but most of the members from the committee did not know Fountain was submitted by Marcel Duchamp. At last Fountain did not display during the whole show and Marcel Duchamp resigned from the committee. For many artists they thought that Fountain is with the meaning of satiric not only because this piece was a porcelain urinal and also it released the truth that if any thing is affix to the creation of the artist then no matter what is it, It will just be an