Characteristics Of Sydney Carton In A Tale Of Two Cities

In the novel, A Tale of Two Cities Charles Dickens opens with an anaphora, about how the world is throughout the novel. A reoccurring theme throughout this story is the battle between good and evil. Most of the novel is about the struggles each force has and how most of the time good triumphs over evil. In A Tale of Two Cities, the triumph of love, the death of the Marquis, and the contrast between Sydney Carton and Charles Darnay shows how good triumphed over evil.

According to Aristotle, a tragic hero character can be defined to be of noble status, but not necessarily virtuous. There is some aspect of his personality that he has in great abundance but it is this that becomes his tragic flaw and leads to his ultimate demise. However, his tragic ending should not simply sadden the reader, but teach him or her a life lesson. In The Great Gatsby, by F. Scott Fitzgerald, Jay Gatsby is the tragic hero who portrays the corruption of the American dream through his tragic flaw. His devastating death at the end of the novel portrays the dangers of centering one’s life on money and other materialistic things and warns the reader not to follow his foolish steps. Jay Gatsby is the epitome of a tragic hero; his

In A Tale of Two Cities, Sydney Carton is the clear protagonist of the book. This normally would make the antagonist (however there is no clear one) his antithesis. Yet straying from the norm, Dickens creates a very peculiar opposite for Carton in the form of Jarvis Lorry. Lorry is a man of business, and will not be strayed from his financial past even by an encroaching revolution. Carton on the other hand is a bleeding heart romantic hero, who is motivated by love and passion. To complicate the entire ordeal further, both Carton and Lorry are fighting for the same side. The different personalities of the characters play vital roles in the outcome of the book as well as the outcome of the revolution.

Miller’s essay, Tragedy and the Common Man, gives an insightful look past the basic definition of a tragic hero and expands upon the idea that a common man could infact be in a similar position. He starts off talking about the primitive thought that all

Tragedy, like comedy, is in the eyes of the beholder and what makes a particular fictional character more tragic than another can be argued until the end of time. However, despite this, it seems that an undeniable part of what makes a character tragic is their ability to save themselves from their predicament but, for whatever reason, refuse to do so, thus damning themselves to their wretched fate. Likewise, the more obvious this ability, the more control that a character has over their fate, the more tragic their eventual downfall. Moreover, coupled with the preventable nature of the character’s tragic fate, is this fate’s unpredictability, which causes the audience to, even until the very end, have hope that the tragic character will triumph over their predicament. Furthermore, this is all merged with the ultimate insignificance of the tragic character’s demise and how, despite all their struggles, they are eventually rendered wholly irrelevant and forgotten. Hence, the most tragic of the three protagonists studied is Jay Gatsby because his final fate, compared to that of Willy Loman’s or Macbeth’s is the most unpredictable, had the least impact on society, and, ultimately, was the most avoidable.

The book A River Runs Through It has a wide array of characters with varying personalities. The characters range from one who has hair growing through his underwear to one named Paul Maclean. Paul Maclean is among the more interesting and most loved of them. He was a newspaper reporter, a tough fighter, and an artist at fly fishing. Sadly, Paul’s life was full of recklessness, and that same quality ultimately led to his downfall. Paul qualifies to be a classic tragic hero because he possesses the following “ingredients” required for this classification: heroic stature, potential, and tragic flaws.

The concept of a tragic hero exists when a character prevails the traits of bravery, honor, and loyalty, much like the main character of Cyrano in Edmond Rostand’s 17th century play, Cyrano de Bergerac. In the year of 1640, Cyrano realizes his love for Roxane, his intelligent and exquisite cousin. With the help of a young and handsome nobleman named Christian, Cyrano expresses his love for Roxanne through eloquent love letters that Christian delivers to Roxane, pretending that Christian himself wrote the letters. In due time, Cyrano proves to be a tragic hero through verifying himself to be a brave, honorable, and loyal man.

Sydney Carton, “one of Dickens’s most loved and best-remembered characters” (Stout 29), is not just another two-dimensional character; he seems to fly off the pages and into real life throughout all the trials and tribulations he experiences. He touches many hearts, and he even saves the life of Charles Darnay, a man who looks surprisingly similar to him. In Dickens’s A Tale of Two Cities, Sydney Carton is a selfish man of habit, a cynic, a self-loathing drunk, and an incorrigible barrister until he meets Lucie Manette; throughout the novel Sydney is overcome by his noble love for Lucie and transforms from a cynic to a hero as he accomplishes one of the most selfless acts a man can carry out.

In comparison to classical heroes otherwise known as ordinary people, a hero is seen as a person who is admired or idealized for outstanding achievements, courage and noble qualities. Robert tries to take on the responsibility of a “guardian”, to protect his sister Rowena, who is in an abnormal state and looked down upon by society. Yet, when Rowena desperately needed Robert, “he was locked in his bedroom. Making love to his pillows” (Findley, 16). After Rowena’s death Robert reacts by enlisting himself in war. “So Robert Ross was admitted to the army, 2nd of April, 1915” (Findley, 24). In search of innocence, Robert Ross loses his own due to the calamities of war. Rowena’s death served as a catalyst for Robert to join the army. Initially,

Heroes in literature and history, more often than not, meet tragic ends, unless they were created by Walt Disney. These particular people are often seen as someone who is apart from the masses in morals and attempt to accomplish a higher calling for the common good. The problem with this type of hero is that they are destined for suffering.Two such characters exist in classic literature, Winston Smith of George Orwell’s 1984 and Hamlet of William Shakespeare’s “Hamlet, Prince of Denmark.” Hamlet is the true classic tragic hero, though, because he is of noble birth, possesses high moral standards, completes the task he is given to better the world, and causes tragedy in both his life and the lives of others.

Arthur Miller’s play Death of A Salesman demonstrates the life of a man facing troubles within himself and society. A tragedy is the imitation of an action that arouses fear and pity. This play could be considered a tragedy because it depicts the downfall of a perfect family and outlines the deterioration of a man’s life. A tragic hero, as defined by Aristotle, is someone who exemplifies great importance or heroic qualities; however, Arthur Miller views the tragic hero as someone who struggles heroically with life. Using Arthur Miller’s definition, it can be determined that Willy Loman is a tragic hero. Even though Willy Loman does not fit the classical view of a tragic hero, he is in fact a modern day tragic hero because of his error in judgment, a reversal of fortune, and his excessive pride.

Sydney Carton is the most memorable character in Charles Dickens’ A Tale of Two Cities, a story of redemption, resurrection, self-sacrifice change and love, all of these words have to do with the extreme transformation of. Sydney Carton had such great love for Lucie Mannette that evolves from a depressed loaner that can only attempt to substitute happiness with alcoholic indulgence to a loyal caring friend who makes the ultimate sacrifice for the ones he loves.

Similar to Jarvis Lorry, Sydney Carton undergoes a transformation of character. When Carton is first introduced in book one he is a pitiful lawyer, an “idlest and most unpromising man,”(Dickens 78). In chapter five he is displayed as an “amazingly good jackal,”(Dickens 79), meaning that he is “content and apathetic towards the fact that he will never be accredited with the performance and outcomes of his actions,”(Trojan, Kara). However, Lucie Manette inspires redemption in Carton through love, for he knows that if he can save her in any way then he can absolve his misery and find a purpose for his years on Earth. When Lucie Manette’s husband is punished to death row, Carton is determined to keep his promise. Carton takes the place of the spouse

A Tale of Two Cities, written by Charles Dickens, takes place during the French Revolution. The book centers on the heroic attempts of Sydney Carton and Charles Darnay. Sydney Carton puts on the façade of being insolent and indifferent, but his true nature is expressed in the book when he puts others first, defends Charles, and dies for the ones he loves. Charles Darnay is a once wealthy aristocrat whose attempts at heroism include going back to France, his financial sacrifice, and the noble way in which he was willing to face his death.

Sacrifice, even when it comes to one’s ultimate end, is crucial in order to survive as a productive race. In the book Tale of Two Cities by Charles Dickens, he illustrates the hardships of the early-nineteenth-century lifestyles. With the resurrection of an evicted man, the novel sprouts from a broken family recovering and growing. This novel incorporates many grand gestures and adventures, such as the French Revolution, treason trials, and the sacrifice of one’s own life in the name of love.