Cormac McCarthy’s The Road, is an enticing, but soul-wrenching novel that perfectly conveys the precise conditions of a cold, desolate world, in which one feels utterly isolated. McCarthy does not hesitate to go into detail about powerful or foul events within the plot. He says exactly what he means, and can effectively incorporate forceful interactions between the characters and each other, as well as characters and their given environment. By using the literary devices of symbolism, imagery, and theme, McCarthy handcrafts a novel with such eloquence and grace that such a bleak and miserable world is perhaps a seemingly beautiful one.
McCarthy writes, “I want to be with you. You cant. Please. You cant. You have to carry the fire. I dont know how to. Yes you do. Is it real? The fire? Yes it is. Where is it? I dont know where it is. Yes you do. It’s inside you. It was always there. I can see it” (pg. 278-279). Here, the lack of punctuation marks are prominent features of McCarthy’s writing style. One can infer that by doing this, he emphasizes the struggle and hardship of the current world, and how the civilities of the preapocalyptic world are no longer deemed significant in the present society. The dialogue between the man and the boy comprise of no quotation marks, which make it difficult for the reader to understand who is speaking which words. On the other hand, McCarthy structures the interactions between the man and the boy in a manner that it is almost poetic-like. Furthermore, the simplistic nature of the dialogue allows for interpretation of the raw emotion that is present in the text. Fear, lack of confidence, love, and fatigue are common emotions that the man and the boy inflect through their nightmarish journey on the road. “Carrying the fire” is a phrase that is used frequently in the novel. One can assume that the phrase is referring to having optimism in the goodness of humanity. Unfortunately, many of the inhabitants of this gruesome practice repulsive lifestyles including, but not limited to, cannibalism, rape, unprovoked battery, murder, and theft.
McCarthy describes in the novel, “. . . wagons drawn by slaves in harness and piled with goods of war and after that the women, perhaps a dozen
Mccarthy creates a bleak post apocalyptic society through the use of imagery. He describes a world where there is no wildlife and all that’s left are the ashes. “The road was gullied eroded and barren. The bones of dead creatures sprawled in the washes. Middens of anonymous trash”(177). While the man and the boy travel the road, they rarely come across other living things. The boy even shows a lack of knowledge about animals, constantly asking his father questions about them. They always have to keep moving due to the constant threat of danger. Their nomadic lifestyle prevents them from becoming attached to anything. This gives the feeling of absolute isolation. Throughout the novel, the man often has dreams of life before. His dreams are described in vivid colors, "walking in a flowering wood where birds flew before them he and the child and the
Cormac McCarthy’s brain child “The Road” is a postapocalyptic novel that illustrates the harsh reality of the world. This story serves as a truth that humans, when stripped of their humanity will take desperate measures in order to survive. The reader learns; however even when it seems all hope is lost good can still be found in the world. The son character of this story illuminates this philosophy. He is a foil of his father and shows how even a person never accustomed to the luxury of a normal life can still see goodness.
McCarthy’s The Road exemplifies the struggle to survive throughout the entire novel. In the most trying times, during the longest stretches without food, the father’s persistence and confidence
In the novel, The Road, Cormac McCarthy illustrates the expressions, settings and the actions by various literary devices and the protagonist’s struggle to survive in the civilization full of darkness and inhumanity. The theme between a father and a son is appearing, giving both the characters the role of protagonist. Survival, hope, humanity, the power of the good and bad, the power of religion can be seen throughout the novel in different writing techniques. He symbolizes the end of the civilization or what the world had turned out to be as “The Cannibals”. The novel presents the readers with events that exemplify the events that make unexpected catastrophe so dangerous and violent. The novel reduces all human and natural life to the
“When he woke in the woods in the dark and the cold of the night he’d reach out to touch the child sleeping beside him”(McCarthy 3). What McCarthy really means is that The man’s and The boy’s actions are a reflection that comes from the effects on how the setting of The Road could have changed their psychological traits. Because the boy was born into this disastrous and scary world, The man felt that the boy was his responsibility. The man would do anything in order to make sure the boy will survive. Similarly, the boy, being only young in age feels sympathy for the man and shows that he is thankful for The Man’s comfort. The boy even shared the “last” coke with The Man, which was shown by McCarthy explaining “He looked at his father and then tilted the can and drank. He sat there thinking about it. It's really good, he said…Yes. It is…You have some, Papa”(23).
The use of McCarthy’s style of writing is written in a way that someone can detect the feelings of the character rather than the story of what happened. The purpose for narratives is to focused on the plot of the story but McCarthy wants the readers to really feel exactly what the characters feel so he in repetitive of how “Cold and Grey” (McCarthy 19) the world around them is Even when they are physically battle something like hunger, you can really feel that they were almost always “Out of food” (McCarthy 197).
Cormac McCarthy’s The Road portrays a gripping tale of survival of a father and son across a post-apocalyptic world that is devoured by marauders and cannibals who have abandoned all of their beliefs, morals and values and do anything to survive. In contrast, the two protagonists are portrayed as the ‘good guys’ who carry the ‘fire’, and try to survive in the obliterated world. They are challenged to maintain their own beliefs, morals and values as they enter their quest. As a young adolescent who has witnessed the harsh environments of a war torn country such as Afghanistan, and has prior experiences of being a refugee. The novel effectively
We often consider the world to be filled with core truths, such as how people should act or what constitutes a good or bad action. In The Road, McCarthy directly challenges those preconceptions by making us question the actions of the characters and injecting a healthy dose of uncertainty into the heroes’ situation. From the very beginning, the characters and their location remain ambiguous. This is done so that the characters are purposely anonymous, amorphously adopting all people. While on the road, the order of the day is unpredictability; whether they find a horde of road-savages or supplies necessary for his son’s survival is impossible to foretell. While traveling, the boy frequently asks “are we the good guy” and the father always replies with “yes” or “of course,” but as the story progresses this comes into question.
Archetypal criticism follows a basic rule of categorizing or relating any work of literature into a set framework. It works from a subjective basis, it is used to determine and grasp the ideas of universal truths messages through literary work. The universal truths and messages are determined by identifying patterns like character types, storylines, settings, symbols. The Road by Cormac McCarthy is a novel that accurately exemplifies the principles of archetypal criticism. This narrative account associates the characters of a young minor and his father to encapsulate the ideas of archetypal criticism. McCarthy presents the novel by setting the scene of a death-defying journey through a post-apocalyptic wasteland of America. The young lad
In addition, McCarthy uses personification, metaphors, and similes to convey his message about the struggles of survival in such cruel settings. For example, in The Road McCarthy used personification during a conversation between the man and the woman, “I've taken a new lover. He can give me what you cannot,” and the man replied, “Death is not a lover,” (The Road 29). The use of personification in The Road often refers to death because it is what drives the man to keep fighting, unlike his former wife who gave up succumbed to it. Therefore, the man knows death too well and will do anything hold onto the little bit of life he has left for the boy so he can, “carry the fire,” (The Road 145). Furthermore, in All the Pretty Horses McCarthy uses
Throughout the novel, The Road by Cormac McCarthy, McCarthy repetitively uses symbolism to portray several deeper themes throughout the novel. One theme of the symbolism that is mentioned many times in The Road is the fire. A significant occurrence of this is when the man is discussing the fire with the boy. '' 'Is the fire real? I don`t know where it.' 'Yes you do. It's inside you. It always was there. I can see it' "(McCarthy 279).The fire represents the hope for humanity, and the man sees the fire inside the boy. The boy shows compassion for everything, alive or dead. Not only does the fire symbolize the hope for humanity but it represents strength and the will to live. During the novel fires are lit to keep The Man and Boy safe and warm but the fire keeps them alive even in the heart of the storm.
The encounters and interactions the man and boy had while on the road help develop McCarthy’s larger theme of humanity losing its selflessness when it’s in danger. For example, while the man and the boy are traveling to the coast they come across a burnt man, half-dead lying in the road. After some observation, the boy asks the man if they could “help him” but is continuously shot down by his father who repeatedly tells him to “stop it” (McCarthy 50). The Road’s setting is one of the strongest over the weak, those who can’t survive for themselves they simply won’t. This burnt man, who was struck by lightning, is an example of that as he is now in no condition to scavenge for food and medical supplies and will probably just die where he currently sits. The boy, realizing this, wanted to do something to give the man even a small chance at survival, but the man knew he was a lost cause and should be left to die. The boy and his overwhelming desire to help the dying man is representative of old society and its pressure to help those with lesser than you, ideals that were result of religious codes and churches. But in a world where none of that matters or is present, the man is what humanity has become, selfish being whom only care about
In Passage A, McCarthy uses ambiguous and foreboding dialogue in order to generate narrative suspense. At the beginning of this passage the father and the son come upon a house at the edge of an old town’s remnants, and the boy asks his father where they are (105). The father ignores the
Cormac McCarthy’s The Road is his post-apocalyptic magnus opus which combines a riveting plot along with an unconventional prose style. Released in 2006, the novel has won awards such as the Pulitzer Prize and the National Book Critics Circle Award (Wilson). Oprah Winfrey also selected the book for her book club ("Cormac McCarthy”). The author, Cormac McCarthy, was born in 1933 in Rhode Island and is said to have wrote the novel because of his son and their relationship. The Road centers around a boy and his father while they try to survive after an unknown disaster occurs. While some people may argue that the unusual style takes away from the novel, it adds to the tone and meaning of the work.
Throughout the novel, McCarthy illustrates the unconditional love the man has for the boy. This is depicted by the continuous sacrificing of necessities to keep the boy healthy and alive. McCarthy uses imagery to illustrate the hopelessness of the world and the daily struggle to stay alive by describing their living situation as “squatted on the road and ate cold rice and cold beans” (29). The use of the word “cold” has a negative connotation, showing the deprivation of luxuries and necessities of the world. The words “rice” and “beans” usually staple goods demonstrating the bare minimum they have to consume. The man internalizes the situation thinking, “So thin. My heart he said. My heart” (29). The syntax, specifically repetitive short sentences, demonstrates the everyday tension and grave society they are part of. This description also shows the love of the man towards the boy, which can be seen from the action of the man hugging the boy. Although they are struggling, the man overlooks these struggles, solely focused