Characteristics Of The Villa Rotonda

Throughout history, the makings of an architect have changed by stark proportions and so did the requirements of the finished creation. Marcus Vitruvius Pollio (80 B.C.E), famously known as Vitruvius, wrote in The Ten Books on Architecture of how the architect must possess wide knowledge and expertise in many fields of study, and that his buildings must encompass firmitas [durability], utilitas [usefulness], venustas [beauty] (Vitruvius, 33) and harmonious symmetry that of which is found in nature and in man. Leon Battista Alberti (1407-1476), however, stresses in his book Art of Building in Ten Books that the

The Editors of Encyclopædia Britannica. "Baroque Architecture." Encyclopædia Britannica. Encyclopædia Britannica, Inc., 23 Nov. 2015. Web. 25 Apr.

Vittirio Gregotti is describing the courtyard as an architectural act par excellence saying :”The enclosure not only establishes a specific relationship with a specific place but is the principle by

The Gravestone of a Woman with her attendant is a sculpture created by an unknown artist and is now on display at the Getty Villa in Malibu, California. The sculpture is of a woman seated in a cushioned armchair, reaching out to lightly touch the top of a box or chest held by her attendant. We can tell from the sculpture that the women is of a higher class because of how her hair is done, the significant amount of jewelry, and the decorated throne that she lounges in. This sculpture is an extremely detailed Grecian gravestone made from a thick slab of colorless marble around 100 B.C.

Colin Rowe and Fred Koetter co-authored the book 'Collage City ' which was published by the MIT press in 1978. The authors were both professors at the Cornell University at the time. Rowe is acknowledged as a major intellectual influence on world architecture and urbanism in the second half of the twentieth century and beyond. He is known for his non-linear comparisons of examples. In "The Mathematics of the Ideal Villa" (1947) in which he theorized that there were compositional "rules" in Palladio’s villas that could be demonstrated to correspond to similar "rules" in Le Corbusier’s villas at Poissy and Garches, it enabled Rowe to elaborate an astonishingly fresh and provocative trans-historical critique of both Palladio and Le Corbusier, in which the architecture of both was assessed not in chronological time, but side by side in the present moment. This completely unorthodox, simultaneous, non-linear, non-chronological view of history made it possible for him to develop theoretical speculations. This way, for the first time he re-situated modern architecture within history and acknowledged history as an active influence.

Many architectural and urban forms and elements that we witness today are largely influenced by how buildings were design and laid in Rome. Not only in terms of its external design that brought upon important messages but the design of interiors and the significance of spatial arrangement of spaces exist within them has created the sense of physical experience in the buildings as well. Rome’s urban development and the rise of architectural movement began during the time of Augustus

Antoni Gaudi was a Catalan architect from Spain who lived from 1852-1826 and was the master of Catalan Modernism. Most of Gaudi’s work was marked by his 3 passions of life; religion, nature and architecture. His works show various unique styles that he attained through researching natural forms and employing them in his buildings while studying every detail of his creations, assimilating into his design every innovative design solution. He was influenced by Neo-Gothic art and became a main part of the Modernisme movement, even though his works transcended the design of mainstream Modernisme. He used organic styles inspired by forms he found in nature and rarely drew plans, instead much preferring to use models and 3D moulding. His works

The “Five Points of Modern Architecture” was a manifesto for architecture written in 1926 by Charles-Edouard Jeanerette – better known as Le Corbusier - emphasizing what he believed were five principles that any building meant to be modern should have. One building which exemplifies each of these points is Corbusier’s own Villa Savoye, built 1929-31 in Poissy, France. Corbusier’s first point of modern architecture is known as inclusion of ‘pilotis’. Pilotis refers to Corbusier’s innovative idea of a vertical support system used to hold the horizontal planes of a structure. In Villa Savoye, this can be clearly seen in both interior and exterior by the rounded pillars holding up the floors and roof, essentially elevating the home and

In this essay, I will not only be discussing at the connections between Renaissance architecture and cosmology as well as music, but also the what Renaissance architecture is and how it played a key part in architectural design today. The Renaissance period took place during the early 15th century to early 17th century, the age of Leonardo, Michelangelo, and Raphael. Architects of the time took inspiration from classical Roman architecture. This means it is an analysis of architecture in the ancient world, especially ancient Greece and Rome. What the Renaissance learnt from the Romans has how they used the space, looked at the form and had somewhat accurate measurements. And so, they copied elements and modified it, for example, many columns having a slightly intruded appearance on walls to give decoration to the building. They loved looking at the design and proportions and the mainly thrived in Italy during the early semester. It wasn’t until the latter years where Renaissance architecture started to spread throughout Europe, where many architects were fading from the gothic style previously used. However, large numbers of buildings incorporated a mixture of Renaissance and Gothic styles. A famous building built during the Renaissance period is St Peter’s Basilica, made in Rome, which was designed by many

Beginning in Florence, Italy, as with much of the other aspects of the Renaissance, the variety of structures and layout would be spread through much of Europe and is still seen even today. Architecture in the revival age mimicked Gothic architecture that was once very popular and was eventually succeeded by Baroque architecture later on in the period. Emphasis was placed on the properties of symmetry, proportion, geometry, and many others that had been largely observed in Greek and Roman buildings that demonstrated such equality, such as the Parthenon. Many buildings came to completely resemble such famous sites, complete with the innovations of earlier periods (especially that of the Romans) like domes, arches with voussoirs, or columns of Doric, Ionic, and Corinthian structure, Several periods formed to characterize architecture in this time such as the Quattrocento that focused on solid rules and regulations for buildings and design. Another period was that of Mannerism which, alternatively, gave way to more experimentation and the architect’s own discretion for a project. All saw large-scale figures of Classical architecture throughout Europe. Some of the most notable architects were Filippo Brunelleschi, a forefront leader in Italy known for his invention of linear perspective with such designs as the Dome of Santa Maria

One of the great architects in time was Andrea Palladio, who was made famous for his magnificent Villas built in Italy in the fifteen hundreds. To do so he drew from the Greek and Roman’s architecture, studying many of their finest works, to create his masterful villas. This process would develop into a style of architecture, which became known as Palladianism. This style has inspired buildings which have dominated the landscape for the last four hundred years. These buildings include: English castles, American public buildings, Swiss railroad stations, Spanish libraries, Tuscan villas and Canadian hotels. Many of these buildings are considered to be the great buildings of the world.

The work of Antoni Gaudi falls under the movement of Modernism and therefore is wrapped in the traits of exuberant forms, ornamentation, great attention to detail, vast use of plant motifs, and the preference to curvilinear and asymmetrical line. Along with his attention to great detail Gaudi integrated the use of ceramic tile, stained glass, wrought iron works and master crafted carpentry which ultimately enhanced the unique innovative design concepts in which he became noted for. Gaudi introduced new techniques to the architectural world such as trencadis, which is a type of mosaic made of waste ceramic pieces and which is one of the design details incorporated throughout his work, one example being the spires of the Sagrada Família. Gaudi's work always involved a distinctive use of materials in particular the use of texture and color arrangement which was almost always included along with his imaginative style using ornamental ironwork. His wrought-iron designs were arrived at independently and frequently in advance of the comparable experiments of mainstream Art Nouveau (Arnason and Mansfield 101). Gaudi

Different architects have different styles because they are trying to get at different things. Architecture is not just about making something beautiful anymore, it is about trying to get across a set of ideas about how we inhabit space. Two of the most famous architects of the twentieth century, one from each side, the early part and the later part up until today each designed a museum with money donated by the Guggenheim foundation. One of these is in New York City, it was designed by Frank Lloyd Wright. The other is in bilbao, Spain, and it was designed by Frank Geary. My purpose of this paper is to interrogate each of these buildings, glorious for different reasons, to show how each architect was expressing their own style.

The five principles of architecture that Le Corbusier proposed in 1923 can be noted in, not only Le Corbusier’s work, but also in other modern architecture, because each principle contributes to the overall aesthetic of the building, as well as providing a functional use. However, all five principles don’t have to be incorporated into one design, which is what this essay will explore. It will attempt to show that one principle can prevail over the other four, but all five are needed to create a full representation of Le Corbusier’s envision of architecture. This is shown through Le Corbusier’s villas, specifically the Villa Shodhan and this essay will analyse how the principles contrast against one another. Furthermore, a small scale design project will be created alongside the essay in an attempt to produce a unique villa through the embodiment of Le Corbusier’s five principles of architecture. Through further analysis of the Villa Shodhan I will also argue that not all principles are independent and that some principles can function efficiently without the rest. Nonetheless, Le Corbusier’s most renowned villa, Villa Savoye, utilizes all five principles; therefore, it is the most accurate image of Le Corbusier’s five principles of architecture. However, after this villa had been completed it became clear that the flat roof, which served a domestic purpose as a roof garden had failed

The crowning jewel of Mannerist Architecture is Saint Peter’s Basilica in Rome. This great structure is the out come of a series of classical revival styles that were established and developed during this course in history. This was a time where famous architects like Brunelleschi and Michelangelo were pushing boundaries and testing new waters. Architecture of the time was seeking to express the culture and religion through evermore ornamented and magnificent