Characterization of The Duke of Ferrara in My Last Duchess by Robert Browning

Through out the monologue, the Duke reveals his arrogant and pride stem from his aristocrat ancestry name. He criticized the Duchess appreciations in life to be unfair. For example, this quote explain the Duke’s arrogant as he belief she did not respects his “gifts” enough, ”She thanked men, – good! but thanked / Somehow – I know not how – as if she ranked / My gift of a nine-hundred-years-old name / With anybody’s gift.” (Browning 893) The line “nine-hundred-years-old name” can also be interpret that the Duke consider his status to be superior than hers, therefore it is the Duchess’s obligation to valued what he has given, more than others. Furthermore, the Duke’s pride would not allow him to stoop lower than his position in order to protest

Robert Browning wrote the two poems, "My Last Duchess" and "Porphyria's Lover." Both poems convey an thoughtful, examination profound commentary about the concept of love.

Robert Browning provides a critical view of gender and power relations in his dramatic monologues “Porphyria’s Lover” and “My Last Duchess.” The dramatic monologue, as S.S. Curry has written, "reveals the struggle in the depths of the soul” (11). Browning delves into the minds of characters to show their conceptions of women and ideas of power. He explores the mental processes of the characters, and invites readers to question societal ideas of power and gender. The mental pathologies of the speakers is emphasized, which forces readers to examine the sanity of their own notions of gender dynamics.

The poem “My Last Duchess” is a historical event that involves the Duke of Ferrara and Alfonso who lived in the 16th century. Robert Browning "My Last Duchess" presents a narrative about a recently widowed Duke who talks with an emissary had come to an arranged marriage with another lady from a powerful and wealthy family. In the perspective of Duke, power and wealth were integral in marriage and was determined to be married to a wealthy lady from a famous family. As the Duke orients the emissary through the palace, he stops and shows a portrait of the late Duchess who was a lovely and young girl. The Duke then begins by stating information about the picture and then to the Duchess. Duke claims that the Duchess flirted with everyone and did not appreciate the history of the family: “gift of a nine hundred years old name.”(33) However, when an individual continues to read the poem, it is evident that the Duke played an important role in killing the lady. Duke states that “he gave commands; / Then all smiles stopped together”(45-46) he used these words to define the death of his beloved Duchess. The aim of the essay is to analyze literary devices that emphasize the content of the poem, which includes rhetorical questions, exclamation mark, and em dash.

indicates that the Duke is in a state of mind where he sees himself as

Her honor is disgraced for her “actions” and Claudio will no longer accept her as his wife because of the dishonor she has caused him.

the personality of his duchess, he is shown to be a heartless, arrogant man. His complete

Throughout history, gender roles have been an important barrier in society. Women are forced to satisfy expectations established by men and society. “My Last Duchess,” by Robert Browning, focuses on the powerful Duke establishing certain expectations of the Duchess, and attempting to control her. Hamlet, by William Shakespeare, concentrates on Laertes establishing certain expectations of Ophelia, and seeking to control her. A Room of One’s Own, by Virginia Woolf, centers on societal expectations of Judith, and her father trying to control her. In all three texts, men have the ability to control women and have the freedom to do as they please. Women must conform to the expectations of faithfulness, attentiveness, and chastity.

The Duke is going on and on and we only have one point of view. He is controlling what the audience perceive the characters as. Browning uses enjambment to make the rhyming couplets flow better in order to make the speech of the Duke more realistic. The easiness of the speech and the fact that it is flowing, shows that the Duke seems to have rehearsed everything that he is now saying to the agent. So he has had to think about what to say and wants to be able to manipulate the agent into taking his side and, indeed, wants to have control over the agent’s opinion of both him and his last Duchess. The duke's loss of control is also depicted through the rhythm of the poem. The enjambment in the poem reveals that the Duke is almost at ease with his wife's murder, because it is so flowing and he doesn’t get upset and almost doesn’t have to stop. Except for once; this is shown by the use of caesura, however as he only stutters once it seems as if he is just doing it for show. Near the end of the poem, the duke loses control. You can imagine the horrified agent rising to go and the duke's uneasiness as he loses control, and his desire to regain control of the situation as he says, ‘Nay we'll go down together, sir’ There is a caesura between ‘Nay’ and ‘we’ll’ which shows the Duke does not want to lose control but then has to pause as he thinks of a reasonable explanation for him saying ‘Nay’ to the agent leaving without him.

In "My Last Duchess", by Robert Browning, the character of Duke is portrayed as having controlling, jealous, and arrogant traits. These traits are not all mentioned verbally, but mainly through his actions. In the beginning of the poem the painting of the Dukes wife is introduced to us: "That's my last Duchess painted on the wall,/ looking as of she were still alive" (1-2). These lines leave us with the suspicion that the Duchess is no longer alive, but at this point were are not totally sure. In this essay I will discuss the Dukes controlling, jealous and arrogant traits he possesses through out the poem.

Indeed, it quickly becomes clear that the Duke disliked many things about his dead wife. The Duke dislikes how the Duchess liked everything that she saw, believing that she was “too easily impressed; she liked whate’er she looked on”. It disappoints him because he wanted to impress her with his marriage to her and also with his money and lifestyle. What annoyed the Duke most was that:

This scene is important as it comes midway into the play, marking a turning point, that drives the action towards the tragic end. The scene opens with all three characters relaxed and in a playful mood, but there is an underlying tension that builds throughout the scene with an uneasy sense of insecurity, which is felt by the Duchess as she is aware that her brother has returned to court. The tension continues to increase, with the use of dramatic irony, where the audience is aware of information that the actors on stage do not have. The atmosphere soon shifts from a light hearted one to one of fear. The Duchess, Antonio

about the duke in the poem by what he says and how he says it. Through

Lucio called the Duke 'a very superficial, ignorant, unweighing fellow' and also told the Friar that 'his [the Duke] use was, to put a ducat in her clack-dish... he would be drunk too'. This creates dramatic irony as the Duke is actually the Friar in disguise. 'A ducat in her clack-dish' is a euphemism for being with prostitutes. The Duke's response to this is shown in his monologue in Act 3.2.

The Duke takes control of the situation entirely as he is the only speaker throughout the poem and his way of speaking leaves no scope for interruption, by the listener. The way he addresses his listener, “That’s my last duchess”, calls attention to the peculiarity of his designation which he indicates in a very proud manner. The apparent pauses throughout the poem, shown by dashes, indicate hesitation as the Duke considers what to say. This clearly suggests his manipulative attitude. As soon as he points towards the standing portrait of his last wife, he asks his listener to sit down –“Will’t please you sit and look at her?” His way of asking is not very polite and is more of a command which shows the psychology of a man with power.