Characters Of ' Characters ' Ordinary People ' And ' The Play ' Oedipus At Colonus '

Isolation is something that everybody experiences at some point in his or her life. There are many different types of alienation and there are many different things that can cause someone to be solitary or lonely. Some people choose to be alone simply because they like to reflect on thoughts and their lives, while some people end up alone even if they don’t want to be. Isolation affects individuals in many different ways and can have many different effects and outcomes on a person, such as depression and loneliness. This is shown in Mary Shelley’s “Frankenstein” through the monster, Victor Frankenstein, and Robert Walton.

The term alienation refers to the isolation of one’s self from a belonging society. When a person is alienated they no longer feel as if they belong or have the same views as the group or society they live in. How does one become alienated from something that they once belonged to? This is a question many have discussed throughout history. In Voltaire’s book Candide, Marx’s book The Communist Manifesto, Hoffer’s The True Believer, and Memmi’s The Colonizer and the Colonized, all these authors address man’s alienation in modern society and come up with solutions for man’s alienation within each book.

Isolation is the separation from others and/or society whether it be physically or emotionally. In the novel Frankenstein by Mary Shelley, I believe that a central theme is that the isolation from family and society, especially at a time when one is faced with difficulty, can have a negative effect on a person. The main characters in the story, Victor Frankenstein and the monster, both experience the same suffering of being alone in different ways. The negative consequences are the death of their loved one and eventually the end of their own.

Isolation comes from the word isolate which means to cause someone or something to be alone or to be apart from others. Social isolation is the lack of contact between people or things in a society. Thomas H. Schmid says that “it also emerges within larger discourses of isolation”. He is correct: there are many types of isolation, but social isolation is very common. (“Addiction and Isolation…”) In the book Frankenstein by Mary Shelley, the main character Victor Frankenstein creates a “monster” that comes to life. Victor becomes terror-stricken by the creature due to it’s hideousness, and he flees from his home, leaving the creature alone and isolated. The creature becomes very lonely and angry toward his creator. He then vows to make Victor’s life miserable for creating, abandoning, and isolated him. (Shelley) Isolation not only has grave effects on the monster’s human interaction and social development, but on humans, too.

Isolation is the seperation from others whether it is emotionally or physically. Throughout Frankenstein this became a issue where they tried to destroy each other. Frankenstein creation is the most obvious victim who suffers alienation, but Victor himself suffer isolation, yet the creature suffer from defection of society due to being rejected and not accepted by others. However, isolation led to Victor and the creatures self destruction.

Alienation is when you are an outsider; you may feel isolated from others for being different, therefore not part of a group. I have at times felt alienated when I couldn’t get on a ride due to my height. For

We are all born little happy babies. Then we start to learn words and understand what surrounds us. We are taught to react to certain things negatively, and have a bias towards some things that other family members do not agree with. You get taught things that make life miserable, like doubt, fear and worry. If you were to be living life in doubt, worry, or fear, you would be unhappy. I agree with the choruses statement saying that the human condition is essentially an unhappy one because we get taught things that are supposed to sadden us during our upbringing. In Oedipus the King, Oedipus’s fate shows his sorrowful life when he went through hardships like the curse on Thebes, denial of himself, and the worry about the fulfillment of his prophecy.

What is “Alienation”? According to www.dictionary.com, alienation is defined as, “The state of being alienated, withdrawn, or isolated from the objective world, as through indifference or disaffection.” In the book, Of Mice and Men by John Steinbeck, alienation is the central theme. Of Mice and Men is set in the 1930’s where racism and sexism were at their worst. In the book, all characters essentially withdraw from one another due to race, gender, and fear.

The role of hubris, a theme commonly present throughout the works of Sophocles and particularly evident in Oedipus the King and Oedipus at Colonus, not only exalts the Greek nationalism present at the date of composition but dictates the course of the story, evolving as its tragic hero works through his fated anguish. Hubris, defined as exaggerated pride or self-confidence, is the earmark character trait of Oedipus and perhaps Creon. However, it is the abandonment of his sanctimonious nature that distinguishes Oedipus as a true hero. The theme of the evolution and role in the downfall of men by this overly zealous pride may be traced throughout Oedipus the King and Oedipus at Colonus, as it is only by his radical reversal of mind-set that one may deem Oedipus a hero.

Reading through three related stories, we discover different motifs denoting author’s thought in different time.Without any doubt, the tragic essence goes through the Three Theban Plays. As Sophocles meditates the philosophy of the tragedy all along his life, the tragic essence expands from individuals in a society. The conflict in each play becomes increasingly complicated. In Antigone, we can clearly distinguish the conflict between Antigone and Creon, family and politics. However, in Oedipus at Colonus, the play merges all the conflicts happened to former plays and enhances the theme of the story. The later part of this trilogy, especially the ending of Oedipus the King and Oedipus at Colonus, reveals a darker and deeper phenomenon of Thebes and projects it to Oedipus. The prophet plays important role of forming the story line and tragic image of Oedipus, but the root causing the series of tragedy of the characters is not gods’ command. It is degeneration of people, which is pathetic to humanity. Finally, after suffering from family complex and exile, Oedipus is not only a victim of the society, but also the reflection of the twisted humanity of Thebes.

Alienation, a term used to describe the feeling of no connection with others or the separation from former attachment. When it comes to sociologist aspect, especially on Marxism, this term describes the stage of losing one’s identity. To Karl Marx’s belief, Alienation means the loss of control over the process and product of work (Bell, 1959). Thus, under the capitalism, workers are alienated by the production system.

There are many facets of personality of a minor character that authors may utilize to supply contrast to the main character of their work. Some of these contrasts are extremely noticeable and some are not. One such facet is with the use of a neutral character; to not only showcase the main character’s flaws, but so not to detract from the moral of the story. Creon, from the play “Oedipus the King” by Sophocles is used for both of these reasons. Sophocles wished to show that one cannot escape fate, yet did not want to cloud this issue with a possible coupe against his main character Oedipus. He also showed how, at times one character can act completely irrational, while one remains calm in the face of serious accusations.

THE TERM "alienation" in normal usage refers to a feeling of separateness, of being alone and apart from others. For Marx, alienation was not a feeling or a mental condition, but an economic and social condition of class society--in particular, capitalist society.

Alienation refers to the prospect of isolation in existentialism. It is a part of existentialism because for one to have an existential mindset, they must differ from the rest of the common thoughts and formulate them on their own. This results in an unavoidable isolation from everybody else. Before Andy asked Red for a rock-hammer, Red knew, “Andy had no cell-mate, and … that was just the way he wanted it” (King 27).

Oedipus the King by Sophocles is more than just a basic tragedy. It contains a complete combination of all the features of a tragedy. I find Sophocles' King Oedipus interesting. Not because of the whole incest thing, the killing of the father, and the sleeping with the mother. I am still too naive to appreciate the significance of that. I find Sophocles' King Oedipus fascinating because as I read it with attention, I realized how amazingly hard it was to write. Even though it’s a Greek tragedy and the reading is a little hard to understand. But, once someone gets inside the story line, its captivates one’s attention. I admit I enjoy less the content of the play than Sophocles' writing skill. When to retell a well-known story, one has to make the story enough convincing without relying on the end of the story. one must dislocate the point of the story from its end to rest. By doing that the story will not lose its appeal. One has to be a creator. So, you have to twist the whole story in such an irresistible way that it is compelling despite the fact that the outcome of the story is known. How do Sophocles solve this problem? By making King Oedipus the central character and unintentionally the architect of his own downfall. The strengths that once lead him to solve the riddle later served as his own destruction. To make a story more appropriate to the stage, which is dealing with flashbacks, forward-moving energy of the story must accommodate with the backward references that