Characters in Hamlet and Questions Vs Assignment Essay

In addition to the pain Hamlet and John had endured because of their mothers, they both had to overcome the people who intended to use them. For Hamlet this meant suppressing information from the bothersome Rosencrantz and Guildenstern. Upon the king’s request these two friends of Hamlet are sent off in an attempt to relieve Hamlet’s sorrow. However Hamlet soon discovers that they have alternative motives. They are strictly set out to discover the cause for Hamlet’s depression and madness, and don’t even attempt to enlighten his spirits.

“To be, or not to be, that is the question,” (3.1.64). This famous line in William Shakespeare's Hamlet perfectly encapsulates Hamlet’s internal struggle throughout the play. Hamlet tells the story of the young prince of Denmark and his desire for revenge on the uncle, Claudius, who murdered his father. As is the case in many works of literature, Hamlet changes greatly throughout the play. However, because of his attempts to act insane, it can be difficult to precisely map the changes in Hamlet’s character. By carefully investigating his seven soliloquies, where he is alone and has no need to “put on an antic disposition,” one can understand and interpret how Hamlet’s character develops throughout the play.

Initially the reader can understand Hamlet’s anger with Gertrude when she marries his uncle. “O, most wicked speed, to post / with such dexterity to incestuous sheets,” says Hamlet in disgust towards his mother’s marriage (1.2.161-12). Gertrude did marry the king’s brother quickly after his death, so any resentment Hamlet feels towards his mother is justified. The reader sympathizes even more with the character when Hamlet says of the union, “It is not, nor it cannot come to good. / But break, my heart, for I must hold my tongue” (1.2.163-164). It appears that Hamlet is attempting to be respectful towards his mother, so it’s easy to appreciate his character in the beginning.

King Claudius expresses, “Welcome, dear Rosencrantz and Guildenstern. Moreover that we much did long to see you, the need we have to use you did provoke our hasty sending.” (2.2.1-4) He addresses them in what is seemingly a sincere manner, proclaiming the supposed yearning he has had. However, these so-called sincere actions towards Hamlet’s childhood friends are just to convince them to take on the role of spying on Hamlet’s actions and reporting them back to Gertrude and Claudius. He continues to mask his true motives by saying, “To draw him on to pleasures and to gather...you may glean..to us unknown, afflicts him thus that, opened, lies within our remedy.” (2.2.15-19) King Claudius’ choice of words convey an inkling to the audience that he cares for Hamlet because of how he expresses his need to find out Hamlet’s condition, and fix it. This also presents Gertrude with the idea that Claudius has Hamlet’s best interests at heart. This, in King Claudius’ favor, solidifies his honorable, yet selfless stature with his contriving

Hamlet’s childhood friends, Rosencrantz and Guildenstern both try to deceive Hamlet. However, their unskilled uses of dishonesty and disloyalty have resulted in their ironic death. They are introduced in the beginning of Act 2, Scene 2 as Hamlet’s childhood friends who are sent for by King Claudius for their services. When they first meet Hamlet and are asked the reason for their arrival, they answer: “To visit you, my lord, no other occasion” (2.2.78). However, Hamlet has already seen through their attempted act of trying to fool him and then replies: “You were sent/for, and there is a kind of confession in your looks, which/ you modesties have not craft enough

This, in turn, exploits Hamlet’s similar flaw of ego and furthers the conflict, but what’s more, it illustrates Claudius’ sheer audacity and lack of repentance. He continues to try to cover up the sin and appease Hamlet into complacency rather than confess and ask for forgiveness. In a mark of pure arrogance, Claudius tells Hamlet to “throw to earth / This unprevailing woe and think of us / As of a father”, conceitedly requesting that Hamlet merely forget the murder and replace his father with the murderer himself (I, ii, 110-112). Similarly, instead of directly confronting Hamlet about his mental condition, the king more or less hires Rosencrantz and Guildenstern to spy on the prince, again cementing his smug mindset. The king does not believe he can be caught or, rather, that Hamlet is competent enough to figure out his plan and foil him. Claudius, too, thinks only of himself after Hamlet’s inadvertent killing of Polonius, pondering “how shall this bloody deed be answered? / It will be laid to us” instead of considering the ramifications of the murder with respect to Hamlet (4.1.17-18). The other two paper-thin traps the king hatches only reinforce his failure to see beyond the apparent; his attempt to deport Hamlet to England and have him killed reeks of treachery and, luckily, Hamlet realizes the king’s subterfuge, crushing the plot and flipping it back on him. Claudius remains steadfast in his efforts to remove Hamlet, going so far as to set up a

It is interesting to note that Hamlet only puts his 'madness'; performance on for the characters he is suspicious of such as Claudius, Polonius, Gertrude, and Ophelia. When Hamlet is around Horatio, Marcellus, Rosencrantz and Guildenstern, the Players and the Grave-Diggers, he acts rationally. He changes his disposition with ease and speed. During Act 2, Scene 2, Hamlet is speaking with Polonius. When Polonius asks if Hamlet recognizes him, Hamlet replies that 'You are a fishmonger.'; He goes on to insult Polonius further and calls daughter Ophelia a 'good kissing carrion';. When Rosencrantz and Guildenstern appear, Hamlet begins to behave cordially again. He warmly greets his friends and engages them in light philosophical humor.

In the end, Rosencrantz and Guildenstern are naively loyal to Hamlet, and this becomes their downfall. They know that Hamlet has killed Polonius, and yet, they take no precautions as they accompany Hamlet to England. Their trust in both Claudius and Hamlet gets them killed. Hamlet’s reveals his mistrust of his schoolmates in a conversation with his mother, and refers to Rosencrantz and Guildenstern as, "...my two-school fellows, whom I will trust as adders fanged..." 

Both Hamlet and Claudius betray many to reach their goals of ridding themselves each other other. Even from the very start of the play, when Hamlet is first introduced, he is visibly unhappy with the situation at hand with his new father, but he can’t really do anything about it. This is the way things stand until the end of the first act, when the spark that ignites the plot and theme of treachery takes place. Old Hamlet appears to Hamlet on the outer walls of the castle and tells him of the treachery that his uncle has committed. Of course Hamlet is shocked but he still isn’t ready to take action on his uncle. Not until he knows for certain that it was his uncle, Claudius who killed his father. Act 2 is almost entirely betrayals, Claudius and Gertrude hire Rosencrantz and Guildenstern to spy on Hamlet, while Polonius commits a similar act. He orders one of his servants, Reynaldo to go to France and spy on Laertes.

            In Act 2, the King and Queen continue to try and determine why Hamlet is acting the way he is.   They request his friends Rosencrantz and Guildenstern to find out what is wrong. Polonius learns from Ophelia that Hamlet could be "mad for thy love?" (2.1.84), but Ophelia is not sure of it.  Polonius delivers his opinion to Claudius and Gertrude in which he states that Hamlet:

Rosencrantz and Guildenstern were ordered by Claudius to find out where Hamlet put Polonius’ body. However, they have learned nothing because Hamlet was not willing to give them an answer. Instead, Hamlet mocked them by calling them

Unlike Hamlet though, Claudius thinks about his actions because he wants to make sure he makes a decision that will be the best for him. He knows if he just kills Hamlet the people of the kingdom will turn on him because of the love they all share for Hamlet. He sends in Rozencrantz and Guildenstern to find out what is wrong with Hamlet so that Claudius can decide what to do from there. His decision to send Rozencrantz and Guildenstern to spy on and talk to Hamlet is illustrated when he says, “So by your companies/To draw him on pleasures, and to gather/So much as from occasion you may glean/[Whether aught to us unknown afflicts him thus]/That opened lies within our remedy” (II.II.14-18). Claudius and Hamlet are both extremely sly and cunning and posses similarities with their ability to act, but this could merely be because of the education they both have which has brought them common sense and the ability to think before acting. One major difference of their ability to act is when Hamlet acts on impulse and kills Claudius’ advisor Polonius. Hamlet unlike Claudius has so much anger built up inside of him because of his father’s death and it kept building and building until he finally let it out when talking to his mother about Claudius. He heard a noise from behind a curtain which was Polonius’, and without thinking Hamlet stabs him releasing some of his pent up aggression. Hamlet shows the anger he has within when he says, “A bloody deed-almost as

Rather than manipulating emotions like Claudius, Hamlet used intellect as a means of confusion and deceit. Throughout the play, it’s shown that no one really understands Hamlet like himself. His intellect is of a grandeur scale when comparing it to the likes of Rosencrantz and Guildenstern. This meant that it was meant for nobody to figure Hamlet out as he was “acting madness”, as there was no one who could possibly do such a thing. While Polonius had caught on, saying; "Though this be madness, yet there is method in't." (2.2.203), he had assumed the wrong reasons. However, like Claudius, he viewed others as tools, namely, the tools of the other player: Claudius. His passionate quest for revenge had caused him to shut everyone out but Horatio, who was really the only person Hamlet trusted throughout the play. He viewed them as pawns of Claudius who were all out to stop Hamlet from avenging his father. Perhaps the most iconic and notable example of this is when he confronts Rosencrantz and Guildenstern. “’Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you fret me, yet you cannot play upon me.” (3.2.354-356) Here Hamlet confirms for the pair that he does not trust them. He believes that his childhood friends are working with Claudius or are trying to exploit him for their own gain.

Hamlet is obscure and surprising, and, therefore, confounding because he subverts others’ expectations and never reacts with a predictable response to his own emotions or the expectations of other characters. In addition, it is worth noting that it is not only Hamlet’s curious speech that alienates others. Hamlet’s obsessive pessimism also begins to affect all of his relationships and becomes a large part of who he is as a character. In an otherwise superficial conversation with Rosencrantz and Guildenstern, Hamlet insists that the world has become a prison with “Denmark being one o’ th’ worst” (2.2.265), and he presses the men to explain why they would want to visit him in the place that torments him. Hamlet’s relationship with his mother is also troubling. While he is justified in questioning her decision to marry Claudius before her husband’s corpse has even cooled, Hamlet is sarcastic and demeaning towards her, provoking her to ask “What have I done, that thou darest wag thy tongue/In noise so rude against me?” (3.4.47-48) These brief and often sarcastic interactions with other characters help define Hamlet as a pessimistic character and cause the reader to anticipate that his perceptions of events will be, almost always, clouded with this characteristic darkness of

Rosencrantz and Guildenstern lives changed after Hamlet entered their life. As friends, they really wanted to figure out Hamlet’s madness problems. For this reason, they started playing the only question game to solve Hamlet’s mystery. This gave them a reason to serve the king and help Hamlet. The readers will think the only reason the protagonists agreed to spy on Hamlet because they were friends. And not because of money or rewards since they are not greedy people. “(Hamlet goes. Triumph dawns on them, they smile)” (Stoppard 32). In short, both got a little scared whenever Hamlet showed up because they were discussing and summarizing his personal life. At the same time, didn’t want Hamlet to know what they were up to but wanted