Charles And Valerie Diker Collection Essay

The sound of gun fire echoed across the central plains like deafening crashes of thunder. The rich green grass was slowly turning red with blood, as Native Americans and the United states army were waging war at the battle of the Little Big Horn. Many people know that the Native Americans were victorious over the United states army, which was under the command of General George Custer, but few people know that Custer’s long journey to the Little Big Horn started in the heart of North Dakota, at Fort Abraham Lincoln. Today this beautiful Fort has been reconstructed to have both historical significance as well as a variety of recreational activities, and has been renamed Fort Abraham Lincoln state park. I will be talking about the reconstructed

Through the Maya civilization we also see the concept of Shamanism which was illustrator in their deities. The mythological vessel (Fig 7, 8) is a deity portrait

The artwork fuses on the interest to the abstraction of the Tarascan symbology by painting a pre Columbian totem that emerged from the background of flat planes. The painting which is oil on canvas and forty by thirty carefully blends the colors that show a perfect depiction of the Jean trying to link to his distant past by borrowing designs and ideas from the ancient cultures that existed in Mexico.

Native American art is a profoundly expressive culture that has been a way of life for so many Native Americans. Native American art history has advanced over thousands of years and is composed of several idiosyncratic styles from the differentiating cultures of diverse Indian tribes. From Navajo to Hopi, each tribe has a particular history, which consists of many types of Native American arts including beadwork, jewelry, weaving, pottery, carvings, kachinas, masks, totem poles, and more. To truly understand Native American art, we will explore Native American art history, its subjects, and if Native American art has a spiritual connection to it.

This jar have yei’ii design and is at 8 ¾ tall and 8” wide at the handle. This is one of the Faye Tso’s pottery that have won the Second Prize in 1993 during the Museum of Northern Arizona Navajo Artiests Exhibition. This pieces and with other large pieces of pottery like the vase with yei’iis and human figure and the water jar with horned toads. These clay sculpture were made by Myra Tso, Faye’s daughter and it was to honor her grandfather, who sang and prayed for her. The design of horned toads on the pottery are very special because the toads was use in a ritual for praying. All ritual and ceremonies are essential parts of the Navajo way as well as sand painting art that was inspired by those that created ceremony. The dust from gold, diamonds,

The Canadian North, a rugged landscape often glamorized as a land of adventure and promise, hides a dark history. From the early day’s of the gold rush, when the land was first colonised, to the attempted cultural assimilation of the indigenous peoples through residential schools, the people native to the area are still in a struggle of identity and culture, and the resulting effects such as high suicide rates, poverty and drug abuse,. It is through this lens that I will examine the work of Ted Harrison, a prolific English artist who spent the majority of his life living in the Yukon and painting the contemporary society that he saw around him. There is no doubt that his work was highly intertwined with the indigenous culture, and as such his identity brings up questions regarding the appropriation of native american culture. To that end, this essay will look at the context of his biography, the subject matter of his work, and compare it to contemporary Native American artists in order to clarify the nature of his art.

Throughout history, many different cultures illustrate their history and their beliefs through various artistic objects that they create. These artifacts allow historians to better gage their lifestyle, their beliefs, and how their society operated. One example of this is the “Drum Beater” sculpting created by Karoo Ashevak that is especially famous for its illustrations of the shamans and the spirits. In this research paper, Karoo Ashevak’s “drum beater” will be dissected and analysed; from the Inuit culture itself, to the physical features of the sculpting, as well as the significance and symbolism of the sculpting as it relates to the Inuit culture.

Native American art has changed as the world around the tribes has evolved. The pieces of art are as distinctive as the tribes that they originate from. The art always has some relationship to the earth. Many times stories can be told by looking at a single piece. As an artist Duane Linklater changed the information presented. He took Native American pieces and made 3D models in white plastic for his exhibit Salt 11: Duane Linklater at the Utah Museum of Fine Arts. The 3D sculptures seemed to lack detail. The colors and materials of Native American Art had been stripped. The stories they could have told were impossible to see. Linklater did this to express the theme of information being lost over time.

When I attend the Oklahoma Art Museum this morning, I was completely blown away by the different styles, technique, and artistic abilities that artist have. Art can come in many forms and can involve many different things. From paintings, sculptures, and abstract pieces of the modern world. Along with my visit, I got to experience a new collection of blown glass that was absolute remarkable. As I walked though the museum, it was as I walked though time and got to see how each period’s art changed throughout time. From the different shades of color to the different types of technique that filled the halls of the Oklahoma City Art Museum, each piece was genuine in its own way. I was starstruck as I witnessed Lowell Nesbitt’s Parrot Tulip, Richard Diebenkorn’s Albuquerque, and Dale Chihuly’s blown glass.

In a short section of chapter 18 “Non-Western Perspectives” of Understanding Art, Lois Fichner-Rathus explains the architectural detail in the pyramid temple of Quetzalcoatl, Teotihuacan. By adding that the high-relief heads surrounding the structure are images of the God Quetzalcoatl—who was believed to be a feathered serpent (425). Additionally, points out the bas-reliefs details of abstract serpent scales and feathers that follow the paths of the panels (425). And lastly, briefly mentions that the Aztec population believed in the God Quetzalcoatl.

In chapter 1 of the book, the paleolithic era, neolithic era, as well as the importance of art, ceramics, megaliths, myth, and sacred sites in the development of cultures during those eras were discussed. One of the main ideas that show importance in the chapter is when the cave paintings of Chauvet were discussed. The level of realism, naturalism, and representations of animal appearances help show the complexity of the paintings in the cave. Another cave that was discussed was Lascaux and the piece of art that was shown is the wall painting that had the bird headed man, rhinoceros and a bison. In this image the animals were represented with a more natural look and the human which was added later on shows a more abstract representation of human beings. With the paintings in Chauvet and Lascaux, the sophistication of the art and realism seen in the art clearly shows a more culturally linked reason as opposed to linear progression of the sophistication in art.

The image above was created by the Olmec tribe between 1200 and 400 BEC in Southern Mexico. These artifacts are usually made with clay and painted in monotone colors and used for the center of ceremonies. The amount of work put into making these objects shows how much that the Olmec people are very attached to their creations and spend lots of time working on them.

Moreover, Karl A Taube (1902), also conducted an exploration on the Temple of Quetzalcoatl in Teotihuacan. In this study, Taube is concerned with the iconographic meaning of the Old Temple. Iconography is a representation of art images, and it also represents religion and ceremonies (Taube1902). As well as the s cultural format. In his article, he argues that the Old Temple be associated with war and the individuals buried in this site are warriors. Individual discovered in this site, mention about by Saburo Sugiyama (1989), were all around the same age and all males, Taube 1992 identify this date as males in the soldier age.

After entering the Mesoamerica section of the Dallas Museum of Art, I was immediately fascinated by the Two Joined Figure that were placed in the pre-Columbian department. The fact that the figures were conjoined made them recognizable among other figures. The Two Joined figure is not magnificent in size compared to the huge monuments, the overall size was 15 3/8 x 12 3/8 x 4 1/8 in, yet bigger than the finger size figures that were placed next to it. This paper would be over the formal analysis of the Two Joined figures. In addition I would like to argue that the attachment of the figures could have a specific interoperation which I will discuss later.

Two art shows opened up at the North Dakota Museum of Art this past sunday. On the East side hangs “In Your Own Words: Native Impressions” which is comprised of twenty-six prints done by three artists; Daniel Heyman, Lucy Ganje, and Kim Fink. The show on the opposing West side is called “Stalking the Snow Leopard” and is done by Justin Sorensen, who hired me as a performers.