Charles Dickens ' Great Expectations Essay

Great Expectations tells the ultimate rags to riches story of the Orphan Pip. Dickens takes his readers through life changing events that ultimately mold the identity of the main character. Dividing these events into sections will provide the basis for interpreting which events had the most profound effect on Pip’s identity towards the end of the novel. These life-changing events provide the catalyst for the development of Pip’s character from childhood, his adolescence, maturing into a social gentleman, and finally becoming a self-aware man of society.

No novel is complete without a good ending. Although the introductory and middle portions are important as well, the conclusion is what the reader tends to remember most. When Charles Dickens wrote Great Expectations, he crafted a work that is truly excellent the whole way through. From the moment Pip is introduced until he and Estella walk out of the garden in the final chapter, this book exhibits an uncanny ability to keep the reader wanting more. There is, however, some debate regarding the final portion of the novel. The ending that Dickens originally wrote for Great Expectations is noticeably different than the one that was subsequently published. It seems

As Pip a poor young orphaned boy grows up, he needed someone to care, love, and listen to him, and Joe Gargery was that person for Pip. In the novel, The Great Expectation, Joe Gargery, Pip’s brother-in-law who whole heartedly takes Pip in and raised him as his own, became a father to Pip. As the novel progresses, Joe eventually became more than a father; he was Pip’s confidant, his conscience, and Dickens uses Joe to bring a moral side to the novel.

The first character to play a big part in shaping Pip’s personality is his sister, Mrs. Joe Gargery. His sister’s vicious attitude and harsh punishments force Pip to have an unfriendly childhood. This bringing up “by hand” has caused him to be a “sensitive” boy. The constant threat of being beaten with the Tickler has also instilled the fear of speaking out against adult’s treatment of him because it would send his sister into a “terrible Rage.” However, her brutality has also made Pip able to feel when something was a “keen injustice” because he himself feels so about her actions and words towards himself.

1. Why does Pip feel the need to lie about Miss Havisham when he is questioned about her by Mrs. Joe and Mr. Pumblechook? Why is he confident Mr.Pumblechook will not correct his story? Pip feels the need to lie about Miss Havisham because he feels that they won’t believe him and doesn’t want to publicly humiliate her. He is certain Mr. Pumblechook will not correct his story because he does not know her.

Home in today’s society can be described in many ways, but is ultimately expressed as more of a feeling of safety and love. Sonsyrea Tate claims "You can leave home all you want, but home will never leave you." In essence, the feeling of home is a part of the character and who he/she will become. In Charles Dickens' Great Expectations, Pip examines the true meaning of home and how the subjective opinion of home can reflect who a person becomes. He illustrates this idea using recurring appearances of home-like symbols, the way Pip’s definition of home changes throughout the novel, and how he shows Pip’s acquired feelings after moving into higher society.

Pip’s journey reinforced towards self- discovery by saying “As I had grown accustomed to my expectations, I had insensibly begun to notice their effect upon myself and those around me. Their influence I disguised from my recognition as much as possible, but I knew very well that it was not all good. I lived in a state of chronic uneasiness respecting my behaviour to Joe.” (P.243 chapter 34) Pip discovered his rudeness and snobbishness towards Joe. Pip was influenced by the wealthy Miss Havisham because she is on the top of the societal hierarchy and Pip trusted her fully. This is an affair nowadays that people are mistreating their love when they are being on top of the social class. “Great Expectations, is a story about how pride separates a young man from the people who love him best, and from his own best instincts. Pip, who rejects the honest and simple man who raises him, and then the even less lofty man who turns out to be his benefactor, calls up every conflict we’ve ever felt between yearning for the larger world and wishing to remain loyal to the smaller one we came from.” A quote stated by a reviewer. He thinks that Pip is separating himself from true love that was offered by Joe. This quote can effectively shows the attitude of people towards their love when it comes to money issue. Another book reviewer commented that “The lesson that Pip learns comes in his

Charles Dickens uses his own opinions to develop the larger-than-life characters in Great Expectations. The novel is written from the point of view of the protagonist, Pip. Pip guides the reader through his life, describing the different stages from childhood to manhood. Many judgments are made regarding the other characters, and Pip's views of them are constantly changing according to his place in the social hierarchy. For instance, Pip feels total admiration that, later, turns to total shame for the man who raised him, Joe Gargery. The primary theme in this novel questions whether being in a higher social and economic class helps a person to achieve true happiness. This idea is shown through Pip's innocence at the forge, visits

Charles Dickens, author of Great Expectations, provides a perfect example of the hope of class mobility. The novel portrays very diverse and varied social classes which spread from a diligent, hardworking peasant (Joe) to a good-natured middle class man (Mr. Wemmick) to a rich, beautiful young girl (Estella). Pip, in particular, elevates in the social pyramid from a common boy to a gentleman with great expectations. With his rise in society, he also alters his attitude, from being a caring child to an apathetic gentleman. During this process, Pip learns how he should act and how to become a real gentleman. Social mobility and wealth, furthermore, carves a disposition and how a character is looked upon.

The entire story is told through the eyes of an adult Pip, even though Pip is a small child during parts of it. In his early years, Pip was strongly influenced by his guardians, Joe Gargery and his wife, Mrs. Joe. Joe instills a sense of honesty, industry, and friendliness in Pip, while Mrs. Joe does a great deal to contribute to his desires and ambitions through her constant emphasis on pomp and property. Pip is generally good-natured and thoughtful, and very imaginative. His false values, which are bolstered by his love of Estella, decrease the amount of respect that he has for Joe. His alienation from Joe and Joe's values builds through the second part of the novel, as Pip becomes selfish, greedy, and foolish. During the period when his expectations are intact, his only morally positive act was to secretly help Herbert Pocket into a good position. Upon discovering that Magwitch is his benefactor, a new phase begins in Pip's moral evolution. At first, Pip no longer feels the same human compassion for Magwitch that he did the first time he saw him out on the marshes. Gradually, Pip changes his perception of Magwitch, unlearning what he has learned. Pip becomes concerned with the man, and not the expectations that he could provide. When Jaggers presents the thought that there may be a way for Pip to get his hands on Magwitch's property, the idea sounds hollow and utterly empty to Pip. Pip learns about Estella's parentage through

In the novel, Great Expectations, by Charles Dickens, the character Pip searches for an understanding of justice through the different stages of his life, from when he was an orphan to a London playboy. In this novel, Pip’s growth can be evident, when he learns an important life lesson that being wealthy doesn't gain happiness. Dickens introduces the character Pip as a young child who is an orphan that resides with his older sister and her husband. Pip begins “As I never saw my father or my mother, and never saw any likeness of either of them… my first fancies regarding what they look like, were unreasonably derived from their tombstones”. (chp 1, pg 3)

When hearing the word father, one might think of the man who is the father of his children by blood; however in Charles Dickens novel, Great Expectations, Dickens demonstrates how not all fathers are blood related, but can yet still be role models, through the character Pip. Throughout the novel, Pip’s father figures are not blood related to him; however they frequently lead by example by teaching Pip important lessons and giving him a place to call home. Dickens creates different father figures to contribute to Pip’s development into a compassionate, dignified, and mature young man. Pip’s adopted father and teacher, Joe Gargery, teaches Pip how to become a noble young man throughout his childhood and prepares him for exploring the world

As Aristotle suggests, an ending must simply be the logical conclusion of all that has preceded it. An illogical ending will yield an unsatisfying narrative, and even a surprise ending must have some internal consistency to it. Therefore, internal consistency is a criterion of a good literary ending. Another criterion of a good literary ending is that it be one that is consistent with the theme and tone of the novel. The ending must also leave the reader with the impact intended by the author. In other words, an ending is what the author is really trying to say. The global, political, and social commentary in literature is embedded in the way the narrative ends. In the case of Great Expectations, Charles Dickens ultimately selected the ending in which Pip and Estella are reunited, leaving open the precise way their newfound emotional intimacy will develop. This is the most logical, as well as most satisfying, ending for the story because it meets all of the aforementioned criteria: including textual and thematic consistency. Pip and Estella need to deepen their emotional bond so that Dickens can send a message about the importance of honesty and integrity in human relationships.

be seen when Joe covers for Pip when he is late home or when he says

The literary criticism “Patterns of Communication in Great Expectations” is an effective literary criticism, it proves there is evidently more communication between characters in the novel than most critics let onto. Ruth M. Vande Kieft, who is the author of this piece, suggests that the majority of the characters in Dickens novels have a substantial amount of communication among themselves. But, the dialogue in the novel depicted is not what we typically observe in the majority Victorian novels. Vande Kieft uses evidence in her writing from Dorothy Van Ghent, who suggests there is little interaction and the majority of the main characters attempts fail when they do try and communicate amongst each other. This article is effective in showing examples of certain patterns between the many characters in the novel. The article was also effective because it showed a different way of looking at communication in the way writers aim for when writing stories. This literary criticism was an interesting because it made me think about other novels that I have read and how Vande Kieft would have depicted them. In Great Expectations, we saw a different pattern in how characters communicate. Most family communication patterns are usually easy to follow. Although this novel was easy to read, I understand where critics state the contrary. I valued this work because of the examples stated throughout, and I will analyze some of the examples stated in my paper.