Charles Foster Kane Quotes

Thompson learns that Kane’s childhood began in poverty in Colorado. His mother sends Kane away, at age of 8, to live with Walter Parks Thatcher, a successful banker, so that he can have a better life and may be better educated. This involuntarily abrupt separation keeps him growing into the petulant, insatiable, and aggressive adolescent he is today. Growing up, Kane never develops any emotionally attachment to Parks Thatcher and he disregards Thatcher’s any attempts at discipline and

Citizen Kane by Orson Welles is a story that was made for excellence. However, since it was about William Randolph Hearst, it did not do too well. Many movies didn't want to play the film because they were scared of Hearst and his power. Although, many could not see the movie it still became one of the greatest films ever made through its uncommon angles, montages, and lighting.

The structure in the film Citizen Kane is non-linear in that it does not follow any planned order. The story is well formulated and presented using flashbacks that pertain different times in the life of Kane (Welles). These flashbacks are unplanned search that they offer the viewer an incomplete glimpse of Kane’s life and essentially adding more suspense. It takes the form of the memory when a person tries to remember an event that took place a long time ago. The use of the non-linear structure helps to portray how complicated the life of Kane was. It is vital to note the film uses several narrators. The mystery of Kane’s life is also being put together like a puzzle (Welles). The audience is with the journalist in the quench to find what the mystery word meant to Kane. The layout of the story is also planned with

Charles' selfish pride is depicted in a group of cuts with his new wife Emily.

Mr. Kane exclaims, “I can fight this all alone…I’m Charles Foster Kane! I’m no cheap crooked politician trying to save himself from the consequences.” (Citizen Kane) Though Mr. Kane was by no means a perfect character, up until this point he could be viewed as the “good”, slightly above average, citizen. But as this scene plays out, he begins to show his darker side to the audience.

     Citizen Kane is set at a time in American History where the world is changing and money is at the center of that world. For example, during this period of time wealth has become more important in America has more new money arrives. Kane is a part of this new money sweep across America and like everyone else is stretching his power and wealth. He stretches it so much that he loses sight of his objection, which is replaced by his obsession to be in control and make all the decisions, a power which he finds through wealth. But it is because of this obsession that his idealistic world is corrupted. Furthermore, the film revolves most around a newspaper. A newspaper reaches everyone and during this time one of the only few mass media. It is through the newspaper that Kane stretches his wealth and influence. He is corrupted by the power that the newspaper gives him. In addition, Kane is constantly surrounded by beautiful things and people, until the end of the movie when

Basically, Citizen Kane tells the story of a fictional newspaper magnate, Charles Foster Kane. Director Welles could have presented Kane’s life story chronologically, letting their plot present incidents in story order as most fictional biographies do, But he chose another option he decided to trace Kane’s life through flashbacks, recalled by people who knew him. To motivate the characters’ flashback, Welles hit upon the idea of having a media reporter seek the meaning of Kane’s dying word, “Rosebud.” This generates a second line of action the reporter Thompson’s investigation of Kane’s life. The result is a film that creates an unusual relation of plot to story.

Citizen Kane was a black and white film that appeared to be lonely and sad with very suspenseful music with Charles Kane lying down holding a snow globe. The snow in the globe could have perhaps reminded him the day he left his parents in the snow during the winter season. This drew me into suspense to question why he dies and says the word “Rosebud.” The reporter, Jerry Thompson has been assigned to interview friends that were a part of Kane’s life to find out the meaning of “Rosebud”. With many flashbacks, Thompson learns more about Kane’s life during his interviews.

These two single frames sum up Kane’s story of his pursuit of power; his rise to, and his fall from power. Contrasting the two frames depicts the two extremes that Kane experienced, reflecting the constant value of ambition. Kane’s ambition lead to his great power, but ultimately also lead to his descent, commenting on the dangers behind the pursuit of influence. Frame one paints Kane’s life as colourful and successful, a hall packed

Throughout history filmmakers have made specific narrative and cinematic choices to create compelling storylines. There are many different strategies that can be explored when developing a narrative. The 1941 film, Citizen Kane directed by Orson Welles is a phenomenal example of the exploration of innovative uses in photography, sound and editing. Orson Welles uses staging, shadows, low-key lighting, deep focus and overlapping dialogue to emphasize various aspects of the film. The main character Charles Foster Kane is sent away by his parents when he is just little boy after they come into a large amount of money. Due to this, he grows up to be an insensitive and vain man. Kane becomes very successful but uses his wealth and position of power to govern the people in his life. Welles uses these cinematic techniques to accentuate the idea that Charles Kane 's desire to control the people around him eventually drives away those who care about him, leaving him powerless and alone.

By many, Citizen Kane is one of the greatest films ever made. Orson Wells, at age 25, directed, produced, and starred in this film. Citizen Kane is a memorable film for countless reasons. The film brought about controversy because it fictionalized the life of William Randolph Hearst, a powerful newspaper publisher. The film draws remarkable parallels with his life and his relationship with his mistress. There is also speculation that the film is loosely based on Wells’ life as well. This movie tells the fascinating story of the life and death of Charles Foster Kane, a narcissistic newspaper runner, politician, and a wealthy millionaire. What makes this movie spectacular is not only the acting of the actors, but the

There were a couple of scenes that showed this truth, the obsession that Mr. Kane had with buying statues and just having them in the house. The whole idea of trying to find out what Rosebud meant to him or what it was. The newspaper writer Thompson interviewed everyone that was important in Mr. Kane’s life but still didn’t get the understanding behind Rosebud and when it was revealed at the end it didn’t make any senses as to what it was. The whole idea of Mr. Kane having a life that he was portrayed as being in control of everything by getting his way and acting as if he was happy and the only time he was truly happy was when he was home with his mother playing outside on his sledge. The scene when Mr. Kane took over the paper and moved into the office at the Inquirer to make sure the paper ran twenty-four hours a day is not very realistic. Also the scene when he is giving his speech about becoming governor, looking at that I thought he had already won and that was his victory speech.

Orson Welles’ film Citizen Kane (1941) centres around the theme of interpreting a person’s life once they have died. Working on only Charles Kane’s last word ‘Rosebud’, news reporter Jerry Thompson is tasked with discovering its meaning and by doing so tries to unravel the real meaning of Kane’s life behind his public accomplishments and material wealth. With the help of the unreliability of the narrators, caused by prejudice and old age, Thompson is taken on a journey of Freudian (Carringer, p.185) discovery in which his goal, at least to him and the film’s characters, is never completed. By analysing the visual and narrative function of ‘Rosebud’, this essays aim is to argue that although dismissed by Orson Welles as "a gimmick really, and rather dollar-book Freud" (Bates, p.4), ‘Rosebud’ plays a significant role in carrying the narrative of the film.

Citizen Kane tells the provocative, epic story of a Charles Kane, A newfound wealth kid who acquired a fortune, was detracted from his unassuming environment and his dad and mom, was raised by a financier, and turned into a spectacularly well off, self-important, and enthusiastic newspaperman. He made his notoriety for being the liberal, hopeful champion of the underprivileged, and set his self absorbed personality on a political profession, until the point when those political dreams were broken after the disclosure of a silly 'love-settle' undertaking with an artist. Kane's life was defiled and at last self-destructed by a desire to satisfy the American long for progress, acclaim, riches, and influence. After two fizzled relational unions and a change into a dismal, odd, and oppressive creature, his last days were burned through alone, gloomy, and despondent before his demise in his very own hermitic shelter making - an unpromising manor loaded with endless belonging to make up for his life's vacancy.

The film also features a logical approach that results in the revelation of various themes in the film. There are different themes that are bound to be explored in the movie preview, including the theme of leadership. Kane is shown as a strong respectable leader, although he lives on the outside of the community his wishes are for the people of his country to get proper freedom and live in harmony. Kane feels that the government is oppressing the people and it is up to him and his