Charles Johnson 's Oxherding Tale

McMurtry creates a story about his family, based on their accounts left to him in memoirs and letters throughout the years. McMurtry’s ultimate purpose is to narrate an expressive literary essay that uses humor and drama to attract the attention of the reader. While discussing cowboys and their straightforward wisdom, he concludes that cowboys’ observations turn into aphorisms. One such aphorism he finds particularly appealing is as follows: “A woman’s love is like the morning dew, it’s just as likely to fall on a horseturd as on a rose” (149). McMurtry also includes a great deal of drama and suspense as well. At one point, he recalls his grandfather’s troublesome drinking; one day his grandmother issued an ultimatum, sober up or she would leave him. “The threat was undoubtedly made in earnest, and he took it so immediately to heart that he stopped drinking then and there, with a jug half full of whiskey hanging in the saddle room of the barn” (143).

The setting of both stories reinforces the notion of women's dependence on men. The late 1800's were a turbulent time for women's roles. The turn of the century

The Portrayal of the Plight of Women by the Author, In Their Particular Period of Time

The Roaring Twenties and the Jazz Age describe an era of prosperity and entertainment. With fancy parties, cars, houses, and a multitude of wealth, people go about their day with frivolity. However, not all were willing to accept the social changes that goes with the 1920s. One such novel that addresses the liberal era and some reluctance is Eudora Welty’s novel Delta Wedding. Beginning with Laura McRaven travelling to visit her extended family, the Fairchilds, at their plantation in the Mississippi Delta, she experiences the turmoil surrounding her departed mother’s family: the uproar of the oncoming wedding, the tension between her aunts, and the difficulties one must face in becoming a Fairchild. Despite Laura playing the main role of the novel, Welty uses her minor character Robbie Reid to explore the compact Southern family and the polarity between precedent archetypes and the liberal woman of the 1920s.

In addition to the characterization of Joy-Hulga O’Connor’s depiction of Mrs. Hopewell creates irony that begins with her names. Like joy, Mrs. Hopewell, is full of the same limiting perceptions of those around her. Demonstrated by the belief that country people are “good”, or the “salt of the earth.” In much the same way Joy’s impairment results in Mrs. Hopewell’s perpetual assumption that joy is like a child. She regards her with

As hardworking women living of the prairie, Mrs. Hale and Mrs. Peters can relate to Mrs. Wright’s situation. They know personally that long days of doing laundry, cooking, and cleaning can become very tiresome (Hedges 91). They realize that living on the prairie can force a woman to be confined to her own house for weeks at a time, and because Mrs. Wright never had children, the grueling loneliness that she suffered must have been excruciating. Mrs. Hale and Mrs. Peters both experience the constant patronization and sexual discrimination that most women in the early twentieth century lived with. They empathize with the difficulties of Mrs. Wright’s life and almost immediately a bond is formed with a woman they do not even know.

When Janie was about sixteen, she spent a spring afternoon under a blossoming tree in Nanny?s yard. Here she comes to the realization that something is missing in her life? sexual ecstasy. The blooms, the new leaves and the virgin- like spring came to life all around her. She wondered when and where she might find such an ecstasy herself. According to Hurston, Nanny finds Janie kissing a boy named Johnny Taylor and her ?head and face looked like the standing roots of some old tree that had been torn away by storm? (12) . Nanny can think of no better way to protect Janie than by marrying her to a middle-aged black farmer whose prosperity makes it unnecessary for him to use her as a ?mule? (Bush 1036).

During the Antebellum period, our young slave girl, in Harriet Jacobs’s novel Incidents in the Life of a Slave Girl, seeks release from the horrors of a “cruel, sadistic white plantation owner” (vii) in a cruel, sadistic world that sees her as nothing more than property. The psychological tribulation Harriet Jacobs endures makes her a sympathetic character for the abolitionist movement spearheaded by the north. She is faced and burdened with the issues of self-identity, self-preservation, and freedom, yet she is unrelenting in her determination to secure a life in which she has sole control. The outdoors gave the young protagonist, Chris McCandless, in Jon Krakauer’s Into the Wild, room to explore and find himself before his untimely death. His qualities make him an admirable character (though he was sometimes naïve in his actions), and his death makes him a martyr to the cause

Flannery O’Conner, a Gothic literature writer, has written several short stories throughout her life. Among these stories, two of them being A Good Man is Hard to Find and Good Country People, she has included some of the most fleshed out and grotesque characters I have ever read. O’Conner brings her characters to life throughout her writing in near flawless and subtle detail with ironic humor. For example, O’Conner makes skillful use of ironic names for her characters. The titles and names such as grandmother, the misfit, Joy/Hulga, and the bible salesman are used ironically. These subtle characterizations help guide the reader to the final, and often times ironic, conclusions all her characters deserve.

The movie “Gone with the Wind” is about a rich southern girl named Scarlett O’Hara and her life hardships set during the time-period of the Civil War. In the story, Scarlett is forced to watch helplessly as her family’s wealth and lives fade as the confederacy loses the Civil War. Even though, the movie is mainly centered on the dilemmas of Scarlett’s love life, there are many historical accuracies that immerse the viewer in the southern mindset as well as the timeframe. The portrayal of class structures and the confederate attitudes before the Civil War are both accurate and engaging details that the movie successfully implements. In the film, these examples are displayed mainly through the dialogue and setting.

Three probing questions that you have as a result of your reading: 1. Oates reflects a lot in Foxfire on female rage against men. Does her reflection on this in the novel express her own sentiments toward men? 2. Each narrator in Oates’ novels seems to speak very clearly and distinctly about what is going on around them.

While Mrs. Hale rants about the invasion of Mrs. Wright’s home, Mrs. Peters states, “the law is the law” (10). She easily demonstrates her submissiveness and inability to break free from societal standards. While defending the men throughout the story, she reveals the dilemma she is faced from being the sheriff’s wife and also a woman herself. By saying “a person gets discouraged—and loses heart” (10) Mrs. Peters sets a grim mood not only relating to Mrs. Wright, but towards herself. Stuck in a systematic routine, Mrs. Peters is a delicate creature confined in an arched

Finally, the reader is introduced to the character around whom the story is centered, the accursed murderess, Mrs. Wright. She is depicted to be a person of great life and vitality in her younger years, yet her life as Mrs. Wright is portrayed as one of grim sameness, maintaining a humorless daily grind, devoid of life as one regards it in a normal social sense. Although it is clear to the reader that Mrs. Wright is indeed the culprit, she is portrayed sympathetically because of that very lack of normalcy in her daily routine. Where she was once a girl of fun and laughter, it is clear that over the years she has been forced into a reclusive shell by a marriage to a man who has been singularly oppressive. It is equally clear that she finally was brought to her personal breaking point, dealing with her situation in a manner that was at once final and yet inconclusive, depending on the outcome of the legal investigation. It is notable that regardless of the outcome, Mrs. Wright had finally realized a state of peace within herself, a state which had been denied her for the duration of her relationship with the deceased.

The theme of the story concentrates on women's suffrage. Mrs. Wright apparently has been pushed over the edge with the restrictions set on her life and one day she finally snaps. This implicit theme suggest

Foremost, we will be exploring how the story would differ if the novel was written in the modern day. This book was written in the fifties and is mildly outdated. Since the writing of this book a tremendous amount has evolved in these past seventy years. For one the way women are treated.