How Did Charles Le Brun Influence The Palace Of Versailles

Still, the negative aspects of France’s rule under King Louis XIV far outweigh the positive ones. His reign can best be described by the statement “L’état, c’est moi,” (I am the state) that is attributed to him. King Louis XIV spent state money to pay for his own luxuries and monuments that glorified his image. It was also customary for the artists King Louis XIV sponsored to include direct or indirect allusions to him in their productions thus creating a god-like image of him. The Palace of Versailles alone used 5% of France’s income. This liberal

Castles, palaces, and cathedrals are scattered across Europe. Each one possesses unique characteristics and architecture bearing resemblance of their time. Some castles incorporate Greek influence, roman or gothic influence in design. Other castles and palaces are surrounded by sculptures outside in the courtyard or include sculptures worshiped as an altarpiece. While any one of these things would serve to make an ordinary castle more elaborate there is one palace that possesses all of these: The Palace of Versailles in France. The Palace of Versailles has managed to incorporate classic architecture, exquisite sculptures, and amalgamated the old design with the newer design trends of the day.

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Louis XIV turned France around from an unorganized feuding country to one of the most organized, powerful, innovative monarchies in Europe. In addition, he managed to advance civil equality among the people by turning all the people into his loyal subjects (Norton, p.175). How did he do all this? The armed forces that had formerly been a private enterprise who had been fighting against each other or had hired themselves out for payment, was taken over and consolidated into one entity fighting, by the king for the king. He made war an activity of the state which produced peace and order in France while strengthening the fighting power of France against other states (Norton, p.175). In addition, he put soldiers in uniform, taught them how to march in step and housed them in barracks which assisted them in becoming more susceptible to discipline and control (Norton, p.175). There was now a hierarchy in place and was able to get a greater degree of government control that put him on the top as the commander in chief of the army due to his power and the creation of the first large civilian administration (Norton, p.176). This was the first time that ministers of war consisted of civilians and this grew the armies power exponentially. Louis XIV also overhauled the grandeur of France when he took an old village Versailles and turned it into the palace of Versailles that became known as one of the most splendid marvels in Europe so much so, that it became the envy of lessor kings.

Louis XIV followed many Machiavellian teachings but conspicuously disregarded others, due to some of his fiscal policies (or lack of them) and personal tendencies. Louis XIV is the longest reigning monarch in European history, and during his impressive reign, France enjoyed a Golden Age of arts and commerce. He expanded its territories and shifted the balance of power to France becoming one of the most powerful European countries in the 17th century.

He built Versailles, a beautiful palace outside of Paris for his nobles. Lined with gardens and filled with fountains + opulent architecture + decorations Versailles was a veritable playground for the nobles. There were balls, fancy clothes + huge numbers of servants, and most of the nobles¡¯ incomes were spent on these luxuries. Thus, the status of the nobles was high and they were wealthy + lived an indulgent lifestyle, but they had no political power in the French government.

Another great piece of evidence supporting the statement that Louis XIV is the best example of an absolute monarch is his palace at Versailles. This palace was bigger than any other palace, more expensive, and better in just about everyway, except for being good for its country, France. The palace at Versailles was originally built as a small hunting lodge by Louis XIV’s father, Louis XIII in 1624. In 1669, Louis XIV decided to expand the palace, and moved into the palace in 1682 while parts of the building were still under construction. The palace was of monumental size, with a around 2,000 rooms, 15,000 acres of gardens and lawns and woods, and costing what would cost an estimated $2 billion in 1994, a extremely large sum of money for France. To run the fountains, it would cost so much money and use so much water that Louis’ workers would turn the fountains on when they saw him coming, and turn them off when he passed. The palace usually held about 7,000

Ruler Louis XIV did a great deal of things taking after the attributes of a flat

An analytical summary of Louis Marin 's "Classical, Baroque: Versailles, or the Architecture of the Prince"

Another thing that Louis changed was the appearance and way of life of France. These great towns of France went under a sort of "metamorphosis". The landscape was altered and monuments were built everywhere. Louis decided that he wanted to isolate the center of government from the city of Paris, so he constructed the palace of Versailles. It was an object of universal admiration and enhanced French prestige. It became Louis’ permanent address in 1682 and was also the home to thousands of the more important nobles, royal officials, and

The reign of Louis XIV was the longest of the modern era, and during his time, France reached remarkable achievements in art and architecture, such as the Palace of Versailles. Louis XIV was responsible for creating the lavish complex that was filled with Baroque interiors and surrounded by French and English gardens. In its later years, it was further renovated for other kings then given to the Republic for public use. Through its elaborate ornamentation and massive scale, the Palace of Versailles represents the glory of the Sun King and expresses the power of the French monarchy.

Louis XIV had a passion for glory and used it to fight four wars because he was motivated by personal and dynastic considerations.

The 17th and 18th centuries were a tumultuous time for France and its colonies, as the slave trade grew and power shifted from nobles to the king, and the system of government slowly changed. The goal of absolutism was stability, order, and to achieve a unified state, building the power and strength of France, and ultimately of its Sun King. However, this shift in power caused tension which came to a peak in 1789 at the start of the French Revolution with the storming of the Bastille, as well as delegitimized the authority of the monarchy. Louis XIV curbed the power of the nobles in order to create a standing army and absorb more power for an absolutist regime, and instead created intendants, or nobles of the robe chosen from the upper middle class, to help manage the country. The cruelty of the slave trade in the New World caused a growing unrest among the French people. This in combination with the absolutist rule beginning with Louis XIV in France angered many, resulted in revolts breaking out, and eventually led to the French Revolution.

Title- The road from Versailles: Louis XVI, Marie Antoinette, and the fall of the French Monarchy

Chapters two to eight follow each other chronologically, and examine how the image of Louis XIV changed during his reign. Chapter two pays particular attention to the different media used by the king and his 'image-makers '. This chapter is a good introduction to the different styles and genres used to create royal images, for example by comparing classicism and baroque and explaining recurrent allegories, metaphors and commonplaces used in the representations of Louis XIV. Chapters two to four give us the necessary background to understand the study of the relation between art and power in the time of Louis XIV. Whilst in chapter three, Peter Burke concentrates on how royal representations respond to contemporary events, he then is primarily concerned in chapter four with the construction of the structures of glorification of the king. The reader is introduced to two key figures in