Charles Vyse Essay

Martin Robertson and Mary Beard’s manuscript, Adopting an Approach, focuses on the study of Athenian pottery. The manuscript begins, by describing Sir John Beazley and his revolutionary method of studying Greek vases. The Beazley Method focuses on the technical conventions of Greek Vases such as naming the artist, dating the pieces and then grouping them based off of similar characteristics. Beazley “provided for the first time a comprehensive framework of analysis for Athenian painting, and a way of dating and classifying.” (Pg. 16) However, what Beard’s main argument suggests is that it is not the artists that help us understand the importance of the vases because even if a vase is assigned to a specific time period or artist, there is

Various pieces of art found thousands of years ago depict characters based on certain events and legends. I will be analyzing two works of art: The Sound Box of the Great Lyre, a wooden music box (33 x 11 cm) found in present-day Iraq c. 2600-2500 BCE, and Lapith Fighting a Centaur, a high metope relief (1.42 m) on the side of the Parthenon in Ancient Greece c. 447-432 BCE. The former represents a bull with a low relief under its head, depicting animals mimicking the lifestyle of humans. The latter exemplifies a nude man struggling against a mythical creature that is half-man half-horse2. Although these works are from across the world with completely different cultures, they both have similar

Cunning. Crafty. Creative. Cruel. “Charles”, written by Shirley Jackson in 1948, is a rather chilling short story about the vulnerability of a young child’s imagination, about the fantasies of the human mind, about the manipulation of humans, and about the insidious dangers of change. Jackson’s horrific tale stealthy kidnaps the oblivious reader from their seat and takes him or her on a non-stop ride that begins in a simple family home and ends in the darkest corner of the human imagination. By manipulating the innocent thoughts as a young boy into those of a grim reality, by employing innocence to camouflage hypocrisy and duplicity and by hiding behind the faultless nature of a young imagination to hide the insidious nature he possesses,

Rulers of European countries during the 17th century had almost unlimited autonomy over their respective countries. They were the head of government in all respects, and all decisions were eventually made by them. However, along with this autonomy came responsibility in the form of the people. If the decisions of these rulers did not improve the country, the possibility existed that their power would be either curbed or taken away by the people. As ruler of England in the early 17th century, Charles Stuart believed strongly in absolute power and a king’s divine right to rule. He believed that a king was given his power by God and therefore had no reason to answer to the people. The Parliament in England at the time

620000 people died in the Civil War and Vermont’s population was almost half that in 1860. William Yarrington fought in many battles, but most were not documented well. These battles would be like all the rest in the gore and bloody way. The braver that each young man had, been indescribable because their soldiers and friends falling dead in every battle. Through it all he stayed strong and courageous no matter what.

John Breckinridge was a big part of the civil war in the south. He lived from 1821 to 1875. Breckinridge was born in Kentucky, a southern state. He worked as a politician who served as the 14th vice president of the United States. He also worked as a Confederate general during the Civil War from 1861 to 1865.

You and I live in a world were modernism is reaching new heights every day. One day that touchscreen phone is considered new, and then next week it’s old news. These two stories that I am going to compare are about the role of technology, science and how it affects me and you. Based on how it uses new technology and modern science A Sound of Thunder is a better sci-fiction story.

"The reign of Charles II and the revolution against his brother James show that England in the later seventeenth century was ready to be Tory and Anglican but not Roman Catholic and Francophile." Discuss.

In case there is someone out there looking forward to become a celebrity, then he or she must be able to remain focused in life by emulating James Van Der Zee. This is a man who defied all odds and today is renowned for his great performance in photographic art. His work revolved around the culture of the Africans Americans. This artist was popular because of the way he captured the lifestyles of the middle class blacks using his camera especially during the Harlem renaissance. One of the most appealing photographs is that of the proud black couple in raccoon coats at the street of Harlem[1]. This is called “couple with Cadillac” and it was taken in 1932. Van Der Zee remains outstanding in photography despite the

William James was a philosopher and psychologist but was most well known in the field of Psychology for developing the philosophy of pragmatism, or the Functionalist theory: "Theory of mental life and behavior that is concerned with how an organism uses its perceptual abilities to function in its environment." He was also the first Psychologist to be born in America.

A comic sort of figure group and an ideal companion piece to Harry Parr’s exhibit in the same show. The Vyse figure is called The Macaw but the brilliantly coloured bird is only one of a group of three, an impudent, chubby, little brown-haired girl carrying on her right shoulder a bunch of purple grapes at which the macaw is pecking, while with her left hand she fondles a green-eyed cheetah. The group is on a green and flowered mound. Harry Parr's statuette is of a cupid, clutching a fashionably dressed couple under each arm with malicious joy.20

By using mixed materials such as silicon, fabric and plastic Ron Mueck to created the diminutive and brilliantly realistic sculpture of two elderly women. Ron Mueck dresses and threads each hair into the heads of the sculpture, which further the uncanny realistic look of his artwork.

by playing it for them, and would take a more active role in directing the band.

When Jennifer Wormser learned that I was interested in painting dollhouses, she offered to loan me her personal copy of The Miniaturist by Jessie Burton. The fictional tale tells the story of a young woman who receives a miniature Dutch cabinet house from her husband as a wedding present. The story is based on the actual 17th-century Doll’s House of Petronella Oortman (c.1686- c. 1710) on display in the Rijksmuseum in Amsterdam, which I was fortunate to see in person during a visit to the Rijksmuseum a few years ago. It was a combination of seeing Petronella Oortman’s actual doll’s house displayed next to a painting that was made of the doll’s house by Jacob Appel in 1710, that inspired me to paint my first dollhouse interior, based on a childhood

Copley’s piece titled Portrait of a Lady in a Blue Dress created in 1763 by John Singleton Copley, represents an unnamed female portrait painted with oil on canvas. The piece currently resides in the Art Institute of Chicago in Chicago, Illinois. The work of art can be seen from one side only because it hangs on the wall. There is a great deal of indications in the painting to show the viewer who this woman was and how she ranked high within society.