Charlotte: A Tale of Truth by Susana Rowsan

Women who had no claim to wealth or beauty received the harshest of realities in America’s Victorian era. Author Charlotte Bronte – from America’s Victorian era – examines and follows the life of a girl born into these conditions in her gothic novel Jane Eyre (of which the main character’s name

Every day begins with fear; every night ends with a different strange man. In a touching novel about the horrific life of a thirteen year-old Nepalese girl, Lakshmi, Patricia McCormick uses a fictional story to portray the lives of real girls. McCormick introduces the reader to the harsh truth about the existence of sex slavery. She paints a vivid picture in the reader’s mind of the brothel, where deceitful adults take an unknowing Lakshmi, called the Happiness House. Sold tells the struggles and perseverance of young girls to make the reader consider what life is like for women living in brothels or with pimps and how it affects them after their release or rescue. Having an optimistic outlook can get one far in life, but when considering

In its simplest form, Charlotte Bronte’s Jane Eyre tells the story of a young woman, Jane Eyre, who grows up poor, makes the decision to be independent, does so, and, eventually, marries rich. The novel follows her from her childhood to her reunion with the love of her life and she, throughout it, deals with classism and sexism and exhibits her own form of feminism. By the end, it becomes clear that, with this semi-autobiographical novel, Charlotte Bronte was providing a criticism on society’s discrimination toward those of a lower class, a subtle argument against the male-dominated society’s treatment of women, and an even subtler call to action for women to find their own agency outside of the men in their lives. On another end, however,

Animals help humans in our lives for sharing their features. Every new experience can make a person change; sometimes the changes are positive, and other times it is negative. Either way, here is no avoiding change. Animals are kind, helpful, and playful.

Carol Karlsen 's "The Devil in the Shape of a Woman” was written to provide the reader with an understanding of the role of the “witch” in colonial New England. During the early colonial period, pilgrims lived in a male-dominated society and the classical witch hunts were conducted in an attempt to maintain this societal structure. Since these hunts were placed under a religious guise, it was simple for these individuals to act as if they were maintaining the safety and justice of society. Karlsen explains that in many instances, women who were labelled as witches were often females that had managed to acquire great economic and social status and society. In fear of these women, the neighborhood targeted them and called them witches to weaken their power. Independent of guilt, women who were accused of witchcraft could not possibly recovered. If they claimed their innocence, they would be stoned or burned to death because the counsel would decide that they were not being truthful. If they admitted to their guilt, their place in society would be marred and they would be embarrassed for partaking in these evil acts. Through this violence, men have been able to maintain their place in Puritan society. In her book, Karlsen aims to provide the reader new insight into the witch trials, demonstrating the societal, rather than religious causes for this well-known historic tragedy.

“Celia, A Slave” written by Melton McLaurin paints a full story of an African slave named Celia in the period of 1850s. She was bought by Robert Newsom, her white master, to serve his sexual relationship. She was put into trial after killing her master in an attempt to stop him from sexual advance and then burned his body in the fireplace. This incident appalled residents in Callaway County and Missouri in a historical period when the neighboring Kansas Territory deeply involved into a furious dispute over if Kansas became a slave state or free-slave state. In a series of non-stop events, Celia’s story became emblematic of the centrifugal conditions that ripped the antebellum America apart because her life helps us understand women’s rights in the slavery society and a conflict between proslavery and antislavery activities.

Women’s Escape into Misery Women’s need for male support and their husband’s constant degradation of them was a recurring theme in the book House on Mango Street. Many of Esperanza’s stories were about women’s dreams of marrying, the perfect husband and having the perfect family and home. Sally, Rafaela, and Minerva are women who gave me the impression of [damsel’s in distress].CLICHÉ, it’s ok though. It’s relevant They wished for a man to sweep them of their feet and rescue them from their present misery. These characters are inspiring and strong but they are unable to escape the repression of the surrounding environment. *Cisneros presents a rigid world in which they lived in, and left them no other hope but to get married.

Throughout time, there has been a battle present in which females try to rise above the power of men and the hold they have on women. Whether the battle be for the equal treatment of both sexes or simply establishing a level of respect and understanding from the opposite sex, the meaning stands the same in which there is an ever-present power struggle that is continuously ongoing between the sexes. No matter the intentional meaning of the work, women suppression by men are seen when one looks beyond the simple statements given and examines the female characters in great detail to better understand the struggle she endures daily due to men. One author in particular that allows an interesting viewpoint into the mind of a blossoming woman is Susan Minot. Minot demonstrates in her story “Lust” how the female narrator is influenced and altered by her male sexual partners. Through each sexual encounter, the reader is able to see the changes these encounters have on the young woman emotionally and other affects a man has on her as she grows up in a male dominated world. This can all be determined by observing closely the figurative language used in the story, the fluctuations in emotions seen in the female character, and the thoughts the woman has about men throughout the story.

Sexuality has an inherent connection to human nature. Yet, even in regards to something so natural, societies throughout times have imposed expectations and gender roles upon it. Ultimately, these come to oppress women, and confine them within the limits that the world has set for them. However, society is constantly evolving, and within the past 200 years, the role of women has changed. These changes in society can be seen within the intricacies of literature in each era. Specifically, through analyzing The Scarlet Letter by Nathaniel Hawthorne and The Bell Jar by Sylvia Plath, one can observe the dynamics of society in regards to the role of women through the lens of the theme of sexuality. In both novels, the confinement and oppression of women can be visibly seen as a result of these gender roles. Yet, from the time The Scarlet Letter was published to the time The Bell Jar was written, the place of women in society ultimately changed as well. Hence when evaluating the gender roles that are derived from sexuality, the difference between the portrayals of women’s oppression in each novel becomes apparent, and shows how the subjugation of women has evolved. The guiding question of this investigation is to what extent does the theme of sexuality reflect the expectations for women in society at the time each novel was written. The essay will explore how the literary elements that form each novel demonstrate each author’s independent vision which questions the

The complete transformation continues after she is abandoned, and as “once an object of desire”, Charlotte’s “emaciated appearance” enables her from being valuable in any way, as the main purpose for her capture, pleasure, is unable to be satisfied (76). The connection between Charlotte’s corporeal appearance to the society's culture and ideology, solidify the depletion of her worth throughout her stay in America. She is seen as an “object” of “desire” and with no appeal left, she is of no use to the men in the novel. Rowson’s final depiction of Charlotte’s loss of self reflects in her pregnancy and how the unborn child becomes an “innocent witness” and physical image of her worth and “heir to […] shame” (62). The body is bought for nothing and so is worth nothing to be respected and acknowledged. Charlotte is detached from humanity at the hands of others and is merely an object to be used when one

In Marguerite de Navarre's work The Heptameron, ten travelers share stories with each other while taking refuge in a monastery. Inspired by the work of Boccaccio, Marguerite’s work closely parallels the structure of The Decameron, but with three significant departures: within the group of travelers there is equal representation between men and women, the travelers promise each other to tell only true stories, and the travelers comment on the ethical ramifications of each story that is shared. Through these three stylistic departures from the traditional frame tale, Marguerite is able to challenge her audience with a distinctly proto-feminist dialogue. Because of her proto-feminist ideas, Marguerite and her self-inspired character Parlamente act as what Lewis Hyde would call a trickster, for as Hyde notes, “every group has its edge, its sense of in and out, and trickster is always there.” Within the context of gender roles and sexuality in Medieval European society, Marguerite is pushing against the edge of what is considered acceptable by casting an eye on the hypocrisy of her contemporary society’s view of adultery, making her a boundary crosser through her authorship. Specifically, by analyzing the consequences of adultery for men as opposed to the consequences for women, Marguerite’s trickster nature is revealed through her proto-feminist narrative as she points out the hypocrisy of traditional gender norms in regards to adultery.

Charlotte Bronte’s novel Jane Eyre embraces many feminist views in opposition to the Victorian feminine ideal. Charlotte Bronte herself was among the first feminist writers of her time, and wrote this book in order to send the message of feminism to a Victorian-Age Society in which women were looked upon as inferior and repressed by the society in which they lived. This novel embodies the ideology of equality between a man and woman in marriage, as well as in society at large. As a feminist writer, Charlotte Bronte created this novel to support and spread the idea of an independent woman who works for herself, thinks for herself, and acts of her own accord.

In the story of The Bloody Chamber, Angela Carter attacks the conventional gender roles of women. The conventional Gothic plot revolves around pursuit. A young heroine’s virtuous virginity, purity and innocence is sexually threatened. Thus, what Carter does in “The Bloody Chamber” is redefine female desire and sexuality which are rendered passive and repressed through traditional Gothic texts. Where the mother exemplifies the heroic woman, the “girl” is the traditional damsel in distress. Maria Makinen’s assessment of Carters feminine characters is both truthful and incorrect. Carter uses traditional female stereotypes as well as her unique women to make a contrast between these perceptions of women.

Parallel to many of the great feministic novels throughout literary history, Jane Eyre is a story about the quest for authentic love. However, Jane Eyre is unique and separate from other romantic pieces, in that it is also about a woman searching for a sense of self-worth through achieving a degree of independence. Orphaned and dismissed at an early age, Jane was born into a modest lifestyle that was characterized by a form of oppressive servitude of which she had no autonomy. She was busy spending much of her adolescent years locked in chains, both imaginary and real, as well as catering to the needs of her peers. Jane was never being able to enjoy the pleasures and joys that an ordinary and independent child values. Jane struggles

With each letter in Les Liaisons dangereuses, Choderlos de Laclos advances a great many games of chess being played simultaneously. In each, the pieces—women of the eighteenth-century Parisian aristocracy—are tossed about mercilessly but with great precision on the part of the author. One is a pawn: a convent girl pulled out of a world of simplicity and offered as an entree to a public impossible to sate; another is a queen: a calculating monument to debauchery with fissures from a struggle with true love. By examining their similarities and differences, Laclos explores women’s constitutions in a world that promises ruin for even the most formidable among them. Presenting the reader glimpses of femininity from a young innocent’s daunting debut to a faithful woman’s conflicted quest for heavenly virtue to another’s ruthless pursuit of vengeance and earthly pleasures, he insinuates the harrowing journey undertaken by every girl as she is forced to make a name for herself as a woman amongst the tumult of a community that machinates at every turn her downfall at the hands of the opposite sex. In his careful presentation of the novel’s female characters, Laclos condemns this unrelenting subjugation of women by making clear that every woman’s fate in such a society is a definitive and resounding checkmate.