Chartres Cathedral Analysis

To be imaginative is to be a child. As a person ages, he is expected to mature into adulthood and to live in the real world. He is expected to abandon his childhood dreams and cultivate practicality and factuality. However, imaginations are not limited to unicorns and dragons; it is a skill a person must nurture to realize his dreams and desires. To be imaginative is to be a visionary. Without a vision, a person lacks the sight for compassion, curiosity, and self-consciousness. In this sense, imagination is not only to think outside the box, but also to search deeper inside. In the short story, “Cathedral” by Raymond Carver, Carver develops the idea that a lack of imagination limits a person to the physical and visible world which leads to the blindness to the abstract world and rejection of the uncertain future. It is when a person opens his eyes to the unseen that he can create emotional connection with others and discover the profound truth inside himself.

The Ely Cathedral was built in 1109 but much happened before that time, and has happened since then, on the location where it is standing. The building is 900 years old and took 300 years to be completely constructed. This Cathedral has seen sections damaged, crumbled, restored and replaced, but through all these hurdles and obstacles, the Ely Cathedral is beautiful and eloquent, just how it always has been.

Otto von Simson, The Gothic cathedral: origins of Gothic architecture and the medieval concept of order (New York: Pantheon Books, 1956), 21-39.

In the story “Cathedral”, author, Raymond Carver, show the readers that a person does not need their eyes to see as sight has a deeper meaning for different people. Within the story, the narrator, husband, describe his experience with his wife’s longtime friend Robert, a blind man who came to visit after losing his own wife to cancer. The story takes place in the husband’s home somewhere in the East Coast near Connecticut. As the husband has a drink and waits for his wife’s arrival with Robert, the husband shows an uneasiness about Robert being blind. Upon their arrival, the husband notices how joyful and happy his wife is with Robert and does not understand why. Inside the home, the husband and Robert had a few drinks accompanied with light conversation until dinner where the husband is impressed at how the Robert can describe the foods there are eating. After the dinner, the husband leaves to the couch to watch T.V. The wife and Robert join the husband him shortly after. After the wife falls asleep on the couch, the husband stops on a channel where they speak of Cathedrals and the blind man want him to describe it. Unable to use descriptive word to help Robert see, Robert asks the husband to draw the Cathedral on a paper thick enough so Robert can feel the lines. Robert joins hands with the husband as he draws on the paper and begins to visualize what a cathedral looks like while the husband has an insight on how to see through the eyes of a blind person, so to speak. The

Assumption Cathedral is famous for its murals. The walls are painted in extremely fine detail, and on the top of the walls there are images of God. On the middle of the

A lot of the time, the bias of the world interferes with the perception of others and the way they are viewed, leaving out the realistic factor of how that person’s personality actually is. We make assumptions based on what we were taught growing up, and the experiences we’ve had in life. In the short story, “Cathedral” by Raymond Carver the narrators bias led him to believe that the blind man who was visiting his wife will be nothing but an awkward person who is incapable of doing things on his own. Throughout the story the narrator, learns through multiple experiences that the blind man is not that different from him, and that he can do almost everything an un-handicapped person could do in their daily life.

After reading through Cathedral many times, and highlighting multiple passages, I decided the excerpt above is where I found the most meaning, and a great conclusion for the narrator. The fist line, “It was like nothing else in my life up to now.” is the first time we see the narrator show anything beyond ignorance to the blind; there's a feeling of true understanding. He has been presented as a very close-minded person up until now and it seems like he may have just shown his first form of consideration for something beyond his own realm of beliefs. “But I had my eyes closed. I thought I’d keep them that way for a little longer. I thought it was something I ought to do.” I believe this part shows a major theme of this story, that you don't

“Cathedral” is a short story written by Raymond Carver, published in 1981. The story is told in the first-person by a man referred to as “Bub.” Bub lives with his wife, who remains unnamed. The premise to the plot of the story is that Robert, a blind man who is friends with Bub’s wife, is coming to visit Bub’s home after his own wife dies. The reader follows Bub’s perspective throughout the experience and is privy to his thoughts and commentary. According to Carver, “Cathedral” differs from his other stories. Carver describes this difference in Fires, “[It] was totally different in conception and execution from any stories that [had] come before. There was an opening up when I wrote the story. I knew I’d gone as far the other way as I could or wanted to go, cutting everything down to the marrow, not just to the bone. Any farther in that direction and I’d be at a dead end” (204). A critic writes, “Carver's figures seal themselves off from their worlds, walling out the threatening forces in their lives even as they wall themselves in, retreating destructively into the claustrophobic inner enclosures of self. In Cathedral, and in Cathedral only, we witness the rare moments of their comings out, a process of opening up in closed-down lives” (Nesset 166). This moment of coming out occurs at the end of the story, and is representative of the culmination of Bub’s development process, which is personal enlightenment. In “Cathedral,” Carver includes five key ideas which convey the message that by focusing on and dealing with problems, reserving judgement, breaking stereotypes, and being open-minded, a person may find themselves confronted with the opportunity of being enlightened, which in Bub’s case, was the experience of a perspective change.

The medieval cathedral was physically integrated into the town. Houses crowded up to its very walls and "lean-to's" were built right against them. In the city, the tower cathedral, was the medieval forerunner of the skyscraper, but unlike its modern counterpart, it subsumed a number of functions. At one moment or another, therefore the medieval church could serve civic, communal, and commercial purposes (Branner, Robert, ed., Chartres Cathedral, W.W. Norton, New York, 1969, p. 69). However it was first and foremost a religious building. Although in modern times it served primary as a place of worship.

In Raymond Carver’s story, “Cathedral,” we meet the nameless protagonist who is about to meet an old friend of his wife’s. The friend’s name is Robert and he is blind. In the beginning of the story, the narrator is uncomfortable with the idea of having someone with a disability, like Robert’s, in his home. He makes judgments about Robert and assumes that he is going to be like the blind people he has seen in the movies. We also learn the background information about how hife wife and Robert met and became friends. This story is a metaphor for not making blind judgements off of people before you get to know them.

The short story “Cathedral” by Raymond Carver depicts the social isolation experienced by an unnamed male narrator caused by his lack of empathy and understanding. The narrator’s short sighted opinions concerning his wife, her friend Robert, and Robert’s late wife, Beulah are what give insight into his character and the attitudes he possesses. “Cathedral” is told through the narrator’s informal and limited first-person perspective to emphasize the emotional divide between himself and those around him, while also echoing the author’s minute personal connection to the narrator.

This mountainous structure is seen from about every point of Paris and beyond. From the front, you can see two towers jutting out of an ordinary street. The Cathedral also features large stained glass windows, that are one of the most beautiful features of the structures. From the side, you can see the long body of the Cathedral and the spire sticking out of the top. It is somewhat overwhelming being within feet of the structure, because of the immense height and width of the church. Looking at the back, one can clearly see the dome-like structures attaching to the organ room. From the outside, you can clearly see the sculptures depicting the scenes from the Catholic religion. The cathedral is gigantic, but it is easy to process all the sections because of the distinct styles of architecture. From an

All over the world, people still come to admire the beauty of European cathedrals. Many of the cathedrals are fragile due to age, neglect, pollution, and insufficient funds available to restore these historical and magnificent buildings. Nevertheless, visitors to these architectural masterpieces are fascinated by the design and structure of these churches. The cathedral builders using their own ingenuity, expertise, and limited resources were able to defy the laws of gravity and time. (Icher 30)

Notre-Dame of Paris is one of the most prominent cathedrals in the land of Paris and portrays many diversified Gothic characteristics. This research essay will explore the cathedral in detail while emphasizing on the influence of Gothic architecture on the cathedral. Notre-Dame of Paris bears all the structural features of a Gothic cathedral including the famous rose window. By far, the Gothic style has influenced the entire design of Notre-Dame of Pairs. If there were other influences, it would be too minor to be taken noticed of. The construction began in year 1163. Being a significant building to the locals, she bore important responsibilities. Eugene Viollet-le-Duc played an important role in the cathedral’s restoration.

Reims Cathedral was built within the Marne department of the Champagne-Ardenne region between the years 1212-1300. However, Reims genesis dates back to 496 AD as a previous cathedral once occupied the land on which the new cathedral was built upon. A fire destroyed the original cathedral structure on May 6th, 1210. 2 years after the fire, it was decided to initiate work on the construction of the new, cathedral that exists to this present day. This second cathedral is in the French gothic style and was designed to be much more capacious in contrast to its fire- destroyed predecessor. ”The nave and aisles of the western arm are broadened out in the eastern arm.” This logic permitted larger crowds to attend coronation ceremonies. The cathedrals predominant function is a place of worship under the denomination of Roman Catholics. An assembly of architects participated in the design over a period of 7 centuries due to adaptations and refinements materialised to its design. Such names consist of Jean d 'Orbais (1175-1231); responsible for the first initial design work of the cathedral, Henri Deneux (1874-1969); who laboured over the architectural restoration of Reims after bombing raids in WW1, Bernard de Soissons (birth date and death date unknown) noted as a participant with Jean in the initial design work of the cathedral. One fundamental aspect explored by studying Reims Cathedral is the quality of natural light and how it is affected by its both artistic and