Hag's Marriage

The Wife of Bath pursued husbands in a way that did not benefit both sides of the marriage. She clearly admits that she does not show shame from having sexual relations with many different men, as she simply desires sex and riches from wealthy men. Medieval civilizations did not consider this behavior appropriate, as it conflicted with ideas of courtly love and God’s word. She states that, “I am dominated by the planet Venus in my senses, and my heart is dominated by the planet Mars” (Chaucer 626). This statement supports that her body and desires only seek pleasure, while her true soul remains conflicted, unable to truly love. At the end of each marriage she appears as the one who reigns victorious and still willing to remarry: “I boast of one thing for myself; in the end I had the better in every way” (430). The Wife does not have respect for her multiple wedded spouses, and would rather remain happy when they leave her than to flood herself with emotion of sadness.

In Geoffrey Chaucer’s poem The Canterbury Tales a young Chaucer tells of the people he meets on a pilgrimage to the shrine of Saint Thomas Beckett in Canterbury. One of the most vivacious characters on the pilgrimage is The Wife of Bath. Both the Wife of Bath’s prologue and tale share a common theme of a woman’s control in a relationship with a man. The Wife of Bath and the old hag in her tale share a similar perspective on what women want most in life. In the prologue and tale the reader is exposed to the idea that what women most desire in life is to have control over their husbands and lovers. This tale and its prologue are linked through the way that Dame Alice, the Wife of Bath, fashions the old hag in her tale after herself.

Often, the most memorable female characters are those who break out of the stereotypical “good wife” mold. When an author uses this technique effectively, the woman often carries the story. In Geoffrey Chaucer's Canterbury Tales, he portrays the Wife of Bath, Alison, as a woman who bucks the tradition of her times with her brashness and desire for control. Chaucer effectively presents a woman's point of view and evokes some sympathy for her.

The Wife of Bath’s Tale in the Canterbury Tales by Geoffrey Chaucer is a very pivotal point in the text. It argues in favor of feminine dominance in marriage in a time where women were always under the skeptical view. The leading example of the medieval skeptical view of women is St. Jerome’s response against Jovinian. It shows how women were more restricted than men and thought to be in the fault for the wrong things that happen to them. Chaucer opposes that stereotype by introducing the Wife of Bath, a very radical character just like the other characters in the Canterbury Tales. The Wife is a very outspoken feminist and justifies her decision to remarry four times. She uses St. Paul’s first letter to the Corinthians and other arguments to undermine the traditional antifeminism arguments, such as St. Jerome’s, against her remarriages.

The Wife of Bathe has married five men and has a completely different opinion of marriage than the Merchant. She enjoys being married and wants to have control over the marriage. This isn’t exactly what she finds in her life, therefore, in her tale, she creates the ending to her approval.

In "The Wife of Bath's Tale", sovereignty is the major subject that is dealt with in the marriage situation. The knight, in search of the correct answer of what women most desire in life, stumbles upon an old hag with the answer. In exchange for the answer, the knight is forced to marry the woman. The woman desires sovereignty over her husband, which is selfish and inconsiderate.

In Geoffrey Chaucer’s The Canterbury Tales, an eclectic mix of people gathers together at Tabard Inn to begin a pilgrimage to Canterbury. In the General Prologue, the readers are introduced to each of these characters. Among the pilgrims are the provocative Wife of Bath and the meek Pardoner. These two characters both demonstrate sexuality, in very different ways. Chaucer uses the Wife and the Pardoner to examine sexuality in the medieval period.

Wealth and property feature heavily in the wife’s portrayal of marriage and along with the issue of her independence is responsible for many of her marital conflicts. The first three husbands "riche and olde" were married each for "hir land and hir tresoor" then discarded as the Wife looks for other prospects. When one of these husbands tries to restrict the Wife’s spending she refuses to let him be both "maister of my body and of my good" so refuses sexual favours in return for her freedom as she will not become a mere possession. She generalizes that women "love no man that taketh or keepth charge" suggesting an element of independence and individualism in 14th century marriage. The wife resents being controlled; she

When reading the wife of Baths prologue and then her tale one can not help but to see the parallels present. The major parallel that exists is the subject of sovereignty. Who has it, which wants it, which deserves it and what will you do to get it? First we see that the Wife claims to have sovereignty over each of her husbands even though some were harder to gain dominance over than others. Then there is the tale where we find the answer to the question, “What do women want?”, sovereignty over their husbands. Finally we see the Wife’s idealized version of marriage in her tale. The hag gains control over the knight by forcing him to marry her, then giving him control to decide

Chaucer’s “Wife of Bath Prologue and Tale” focus on the story telling of a woman who has experienced her fair share of marital issues. She is depicted as a promiscuous woman, married five times and had plenty of male suitors, the Wife was not like any other woman during this era. Although her reputation was how most perceived her, she was not a fan of being scrutinized for what she considered as her duty as a woman; to not remain single. This is seen through the depiction of women in society, how marriage ought to be in the eyes of religion, and how men were to view a woman like her. The language that is used throughout Chaucer’s prologue and tale allude to the evolution of women as well as how they struggled to gain any recognition in

Everyone has a story. Certainly Chaucer believes so as he weaves together tales of twenty nine different people on their common journey to Canterbury. Through their time on the road, these characters explore the diverse lives of those traveling together, narrated by the host of the group. Each character in the ensemble is entitled to a prologue, explaining his or her life and the reasons for the tale, as well as the actual story, meant to have moral implications or simply to entertain. One narrative in particular, that of the Wife of Bath, serves both purposes: to teach and to amuse. She renounces the submissive roles of a woman and reveals the moral to her story while portraying women as sex seeking, powerful creatures, an amusing thought

example of the complicated nature of Chaucer’s belief system. On the one hand, we have many strong female characters that despite still being extremely dependant on the men in their lives, know what they want out of life. From a contrasting point of view, readers see a group of men, including Chaucer as the writer himself, making fun of the very nature of women as a whole. Is this really how Chaucer felt towards women, or is the prologue of The Wife of Bath’s Tale simply a parody of the opinions of his time?

In the Wife of Bath’s Tale by Geoffrey Chaucer, various women, such as the Queen and the old hag, stake their claim to authority over men. Yet, they do so in a very covert manner. The knight has clearly abused his male power. He is a rapist. With the help of women, however, he is rehabilitated and seems to achieve the ultimate happiness. When these women support the feminist viewpoint that women should have mastery over their husbands, they are also echoing the sentiments the Wife of Bath presents in her prologue. Yet, these women abandon mastery the moment they attain it. The old hag relinquishes mastery back to her husband immediately after he grants it to her,

Another criticism of Alison's character as one representing feminist ideals is that she gains her power through acting out stereotypes of women as well as violence. The criticism of women began with Eve eating the apple, which caused the downfall of mankind (meaning solely men). Hereby, women were the downfall of men. Wives were thought to be nagging, vicious, and yet in complete subordination to their husbands. In the case of her first three husbands, Alison commands power by acting out these aged stereotypes. She tells the reader:

Didactic literature is a work of writing that has been around for many centuries. It can come in all types of forms- novels, plays, poems, etc. The main similarity that all didactic literature have in common is their message. They all aim to impact their audience with a message or moral that usually involves religion, philosophy, history, or even politics. In a way, didactic literature always tries to improve a part of society in a moral basis.