Chaucer's Canterbury Tales: The Wife of Bath Essay

Like husbands in real life, Alison's husbands are not knights. They do not submit to her will out of love for her beauty as she expects. Physically, she beats her fifth husband into submission, crucifies her philandering fourth on the cross of jealousy, and outwits her three horny, old husbands through flattery and deceit, attacking their fidelity to extort payment for the marriage debt. Alison's marriages are battles, a state of war that continues until she wins the right to rule, after which she controls the marital assets and the stipulation of the marriage debt. She sexually abuses her old husbands, hints she wants her fourth dead, and curtails her young fifth's reading. Vae victis - woe to the conquered. Aggressively, Alison pitches them into their purgatory, realizing the right to rule in her own hell.

Beginning with the prologue, the Wife of Bath makes an argument for why she believes sexuality is the key weapon to use against men to achieve her goals. Doing such, she twists the typical gender roles of the time; that women are dependent upon their husbands and need a partner for protection and wealth. The Wife also shows in her stories how she was able to falsely accuse men and continuously hold the upper hand with them, which goes against traditional gender roles of the time of women being helpless without a husband.

The Canterbury Tales depict many characters that, although fictionally created by Geoffrey Chaucer, may give the reader the opportunity to analyze and interpret their tales as a way of determining their personalities. The Wife of Bath and her prologue accurately supports this statement, as her intentions become expounded due to her questionable actions. The Wife of Bath exhibits in her prologue that she lacks respect and gratitude towards the men she beguiles into marriage and does so by falsely claiming direction from God. She shows not only deceit towards her many husbands, but also does not possess the ability to care about others before herself.

In Geoffrey Chaucer’s poem The Canterbury Tales a young Chaucer tells of the people he meets on a pilgrimage to the shrine of Saint Thomas Beckett in Canterbury. One of the most vivacious characters on the pilgrimage is The Wife of Bath. Both the Wife of Bath’s prologue and tale share a common theme of a woman’s control in a relationship with a man. The Wife of Bath and the old hag in her tale share a similar perspective on what women want most in life. In the prologue and tale the reader is exposed to the idea that what women most desire in life is to have control over their husbands and lovers. This tale and its prologue are linked through the way that Dame Alice, the Wife of Bath, fashions the old hag in her tale after herself.

"The Wife of Bath", in the collection of Chaucer’s Canterbury Tales, illustrates the stereotypical image of a women in medieval times ("The Portrayal of Gender in The Wife of Bath's Prologue and Tale.") The tale characterizes women as lustful and greedy burdens on men. However, to readers today, "The Wife of Bath" represents a strong minded feminist woman who is confident and open about her sexuality. Narrated by a character called Alisoun, "The Wife of Bath" reveals an insight to a woman’s point of view in medieval times. Alisoun begins her long prologue by declaring that she follows the rule of experience; announcing that she’s a self–proclaimed women. Throughout the her tale Alisoun questions and challenges the idea of power and authority in medieval society. Through Alisoun, Chaucer gives women a voice to express their call for equality and their need for power. By using description and characterization, Chaucer gives readers an insight to a society in which women are starting to express their desire to have power ultimately arguing that in order for men to be happy women need to have sovereignty in medieval times.

The woman is a harlot seen only once and -- at least in the N.K. Sandars translation -- is not even given a name. She becomes and remains what Harris calls an "object of male control" (226). Each time she is spoken to, she is referred to as "woman," as if this is her name, and is commanded to complete a task. For example, when the trapper takes her to find Enkidu, whom she is to seduce, he says to her, "Now, woman, make your breasts bare, have no shame, do not delay but welcome his love" (Lawall 20). This woman, as Harris has written, is not as much a real character as an object, and one of male pleasure at that. While many might see her role as completely demeaning, however, it also marks the beginning of literary women's use of sex as a weapon. What we must remember is that, no matter that it comes about by way of a man's commands, the harlot changes Enkidu from a ravenous wild man into the more human companion of a king. Only she has the power men need to transform him into a character that will benefit, instead of rebel against, the society they have created.

In the time period of the 14th century, many woman faced inequality. Women were not viewed to uphold the same quota as men. Most females were viewed as passive to males and were not able to make many demands in their relationships or make any contributions to their own survival or life. In the “Wife of Bath Tale”, written by Geoffrey Chaucer, Chaucer gives an insight into the struggles of a woman. Chaucer gives a voice for women who cannot speak for themselves. He creates a tale for the Wife of Bath that includes and questions the societal views of women. Written in the words of a woman, Chaucer undermines what it means to be a female in the fourteenth century who desires independence and

Male seducers are represented as boys sowing their oats -- part of normal living. Seduced females are viewed as weak and treacherous --  a treachery that woman in her "frailty" is unable to avoid. This is a very bizarre message.

Wealth and property feature heavily in the wife’s portrayal of marriage and along with the issue of her independence is responsible for many of her marital conflicts. The first three husbands "riche and olde" were married each for "hir land and hir tresoor" then discarded as the Wife looks for other prospects. When one of these husbands tries to restrict the Wife’s spending she refuses to let him be both "maister of my body and of my good" so refuses sexual favours in return for her freedom as she will not become a mere possession. She generalizes that women "love no man that taketh or keepth charge" suggesting an element of independence and individualism in 14th century marriage. The wife resents being controlled; she

Women in the medieval times were cast into very distinct roles. There was a strict code of conduct that was followed. They were to be submissive to their husbands and follow their lead. A woman's place was also in the home and the responsibilities of cooking, cleaning, sewing, etc. fell into their domain. Women who deviated from these cultural-set norms made for interesting characters. Chaucer's use of women and their overstepping their boundaries and typical roles in society make them most memorable.

Chaucer’s “Wife of Bath Prologue and Tale” focus on the story telling of a woman who has experienced her fair share of marital issues. She is depicted as a promiscuous woman, married five times and had plenty of male suitors, the Wife was not like any other woman during this era. Although her reputation was how most perceived her, she was not a fan of being scrutinized for what she considered as her duty as a woman; to not remain single. This is seen through the depiction of women in society, how marriage ought to be in the eyes of religion, and how men were to view a woman like her. The language that is used throughout Chaucer’s prologue and tale allude to the evolution of women as well as how they struggled to gain any recognition in

Many literary critics throughout the years have labeled the Wife of Bath, the "gap-toothed (23)" character of The Canterbury Tales by Geoffrey Chaucer, a feminist. She is a strong-willed and dominant woman who gets what she wants when she wants it. However, this is not the definition of a feminist. A feminist is someone who believes that women and men are equal, while also is able to recognize and appreciate the unique characteristics of both sexes. A feminist celebrates what it means to be a woman, and a feminist is definitely not what Chaucer meant his character to be interpreted as. If anything, the Wife of Bath could safely be called a sexist. She constantly emphasizes the negative

Chaucer's "The Wife of Bath's Prologue and Tale" is a medieval legend that paints a portrait of strong women finding love and themselves in the direst of situations. It is presented to the modern day reader as an early tale of feminism showcasing the ways a female character gains power within a repressive, patriarchal society. Underneath the simplistic plot of female empowerment lies an underbelly of anti-feminism. Sometimes this is presented blatantly to the reader, such as the case of Janekin's reading aloud from "The Book of Wikked Wives" (The Wife of Bath's Prologue and Tale 691). However, there are many other instances of anti-feminism that may not scream so loudly to the reader. This

Didactic literature is a work of writing that has been around for many centuries. It can come in all types of forms- novels, plays, poems, etc. The main similarity that all didactic literature have in common is their message. They all aim to impact their audience with a message or moral that usually involves religion, philosophy, history, or even politics. In a way, didactic literature always tries to improve a part of society in a moral basis.

The medieval period is the period in history beginning with the Renaissance, literally meaning the “middle period” in history. Clothing, tradition, religion and lifestyle were viewed much differently than they are in today’s modern society. The best example of all the different types of people and their lifestyles is Chaucer’s Canterbury Tales, in which he opens with a description of twenty-nine people going on a pilgrimage. The way people behave today allows readers to recognize each character's distinct personality. In the “General Prologue”, Chaucer describes the Wife of Bath in a way that is much different than how he describes the other twenty-eight characters. His use of imagery, word choice, tone and rhythm to describe the Wife lure