Chaucer's Retraction in The Canterbury Tales Essay

Chaucer has created many characters in the Canterbury tales that he likes and many he dislikes. He is a very critical and detailed writer about these characters. With these characters, Chaucer has created real life issues with religious figures. Chaucer’s has showed how good religious figures can be and how corrupt they can be as well.

By analyzing “The Canterbury Tales”, one can conclude that Chaucer did see the merits of the church, but by no means regarded it in a wholly positive light. Whereas some of the clergy are viewed as devout and God-fearing, others are viewed as con- men and charlatans. One can even venture to say that Chaucer was using this story as somewhat of a criticism of the church, showing the flaws of its leaders and the greed that permeated it at the time.

In terms of literary quality, Chaucer went great lengths to give all elements a bit of attention. The work is primarily about a knight who is pardoned from a rape on the condition that he acquires the answer to one of life’s

To better understand the Medieval churchmen’s plight with witchcraft the subject of heresy must first be examined. According to St. Isidore of Seville (ca. 570 – 636), heresy, derived from the Greek word haeresis meaning choice, was given the name in view of the fact that each heretic, by their own will, decided to teach and/or believe in heterodoxic manners (Peters, 1980, pp. 47, 49). St. Isidore continues, stating, “These heresies have risen against the Catholic faith and have been condemned by the apostles, the holy Fathers, or the councils” (Peters, 1980, p. 50) Thus, heresy can aptly be defined as anything deviating specifically from the Catholic faith, not Christianity overall.

treasonable to be a Catholic priest. This shows the contradictions to the religious system due to the

Chaucer lived in a time dictated by religion and religious ideas in which he uses The Canterbury Tales to show some of his views. Religion played a significant role in fourteenth-century England and also in Chaucer’s writing. His ideas of the Church are first seen in “The Prologue,” and he uses seven religious persons to show the influence of the religion in his writing. Although many of his characters appear to portray part of the corruption in the Church, he does give a small example in which one can conclude that he is speaking in praise.

Second Peter 2:1 says, “There will be false teachers among you, who will secretly bring in destructive heresies, even denying the Master who bought them, bringing upon themselves swift destruction.” From this verse, we see that heresy is anything that denies the teaching of Jesus.

There is no question that contradictory values make up a major component of The Canterbury Tales. Fate vs. Fortuna, knowledge vs. experience and love vs. hate all embody Chaucer's famous work. These contrasting themes are an integral part of the complexity and sophistication of the book, as they provide for an ironic dichotomy to the creative plot development and undermine the superficial assumptions that might be made. The combination of completely contradictory motifs leads to the unusual stories and outcomes that come to play out in the tales. And these outcomes draw focus on the larger universal issues that in many cases transcend the boundaries of vernacular periods to all of

Geoffrey Chaucer wrote The Canterbury Tales, using his characters as the mouthpiece for his iconoclastic views. Chaucer had serious issues with the hypocrisy of the church as well as, many other sacred institutions. The only reason that Chaucer was not exiled or even imprisoned for his views is the way in which he exposed them. Through the allegorical meanings of this text and Chaucer’s claim that he is simply retelling the events of his pilgrimage to Canterbury as it occurred, Chaucer is saved from extreme persecution. From the beginning of time there has always been issues with challenging the higher order; allowing people to make their own decisions and separate themselves from the way of the church often lead to death. In 1350 the

Being accused of heresy and his ideas said to be dangerous deviations from the church he had to defend himself from opposition. (C/S 436) He once proclaimed “the bible teaches us how to get to heaven, not know how heaven goes” in his defense. (C/S, 438)

1. I think that Chaucer added a retraction to his work because he didn't want to offend or make anyone angry by his work. Everyone is different and will have different reactions so he wanted to let his readers know that his intention was not to cause any anger. I think that maybe his retraction was a sort of a confessional between him and God because of his religious beliefs. I also do not think that his retractions detracts from his message to his readers.

Chaucer does not only the tale to show off his writing abilities -- it is not simply a display of his incredible versatility as an author.  Chaucer uses this tale to contrast his anti-church sentiments within the Canterbury Tales; it shows his great respect for spiritual beliefs and benefits him in making his argument against the Church.  In essence, Chaucer is clearly defending his anti-secular position by showing his reverence and devotion to spirituality; his problems lie with the Church, not the faith. While very well known for his sardonic criticism of the Church, he is less often acknowledged for his appreciation and respect for the religion itself.

In The Canterbury Tales, Geoffrey Chaucer comments on moral corruption within the Roman Catholic Church. He criticizes many high-ranking members of the Church and describes a lack of morality in medieval society; yet in the “Retraction,” Chaucer recants much of his work and pledges to be true to Christianity. Seemingly opposite views exist within the “Retraction” and The Canterbury Tales. However, this contradiction does not weaken Chaucer’s social commentary. Rather, the “Retraction” emphasizes Chaucer’s criticism of the Church and society in The Canterbury Tales by reinforcing the risk inherent in doing so.

The Medieval period of The Canterbury Tales is held on April 11, 1387. The writing style of tales are literary skilled. “There is clear evidence in them that Chaucer was familiar with a considerable number of the great book of his time, and it is fairly well established that his writings show a steady increase in his literary skill” (Chaucer xxxvii). Chaucer is a writer of surprise. His stories not only come from plots of other writers but also from his lifetime. “There is of course no explaining where or how Chaucer acquired his ability as a great storyteller. However, the fact that he was a man of affairs as well as a man of books, a civil servant who dealt frequently with people from all walks of life, seem to have had great

Chaucer is generally considered the father of English poetry, and The Canterbury Tales has been required reading for countless students over the generations. The influence of his work on generations of English-language writers is undisputed. Some critics have worried that such wide and shallow exposure of the reading public to Chaucer's work has diluted full appreciation for his complex contribution to literature. Critic Derek Traversi says, “The appreciation of Geoffrey Chaucer has suffered a good deal in the past from his reputation as the ‘Father of English poetry.’ It has been easy to think of him as a ‘naif,’ the possessor of a charming simplicity of outlook which tends to convey itself, for a modern reader, through language considered ‘picturesque’ or simply childish, alternately ‘quaint’ or redolent of innocence for readers who think of themselves as more sophisticated and more psychologically complex.” However, this view is not correct, Traversi argues: “His early poems show him engaged in exploring the possibilities of the English language as an instrument for sophisticated literary creation.” As poet William Blake put it, over four hundred years after the book's first publication: “Of Chaucer's characters, as described in his Canterbury Tales, some of the names are altered by Time, but the Characters themselves for ever remain unaltered and consequently they are the Physiognomies or lineaments of