Chaucer's The Canterbury Tales
In The Canterbury Tales, Geoffrey Chaucer comments on moral corruption within the Roman Catholic Church. He criticizes many high-ranking members of the Church and describes a lack of morality in medieval society; yet in the “Retraction,” Chaucer recants much of his work and pledges to be true to Christianity. Seemingly opposite views exist within the “Retraction” and The Canterbury Tales. However, this contradiction does not weaken Chaucer’s social commentary. Rather, the “Retraction” emphasizes Chaucer’s criticism of the Church and society in The Canterbury Tales by reinforcing the risk inherent in doing so.
In The Canterbury Tales Chaucer portrays the Roman Catholic Church as an institution in
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Chaucer clearly indicates that many leaders of the Church act only for their own good, rather than for spiritual reasons.
In his description of other pilgrims, Chaucer points out how the lack of morality within the Church is echoed by the rest of society. Several pilgrims have non-religious reasons for going on the pilgrimage. The Wife of Bath, for instance, is looking for her sixth husband, hoping that “Som Cristen man shal wed me [her] anoon” (WBT 54). Many of the characters have little or no regard for others, but instead are focused only on their own desires. The Franklin is so gluttonous that “It snewed [snows] in his hous of mete and drinke, / Of alle daintees that men coude thinke” (GP 347-8). Chaucer even suggests that the Sergeant at Law, a prominent figure in society, “seemed bisier than he was” (GP 324). The corruption of the Church has, according to Chaucer, affected the way individuals act. If the Church is immoral it is not surprising that much of society mirrors the Church’s immoral actions. The Parson cleverly describes the effect of a lack of morality in the leaders of society by comparing the corruption of individuals to the rusting of metals: “if gold ruste, what shal iren do? / For if a preest be foul, on whom we truste, / No wonder is a lewed man to ruste” (GP 502-4). Chaucer attacks not only the behaviour of the Church officials but also the immorality of the laypeople in Medieval society.
Contrary to the critical tone used in The Canterbury
There is no question that contradictory values make up a major component of The Canterbury Tales. Fate vs. Fortuna, knowledge vs. experience and love vs. hate all embody Chaucer's famous work. These contrasting themes are an integral part of the complexity and sophistication of the book, as they provide for an ironic dichotomy to the creative plot development and undermine the superficial assumptions that might be made. The combination of completely contradictory motifs leads to the unusual stories and outcomes that come to play out in the tales. And these outcomes draw focus on the larger universal issues that in many cases transcend the boundaries of vernacular periods to all of
Geoffrey Chaucer’s Canterbury Tales became one of the first ever works that began to approach the standards of modern literature. It was probably one of the first books to offer the readers entertainment, and not just another set of boring morals. However, the morals, cleverly disguised, are present in almost every story. Besides, the book offers the descriptions of the most common aspects of the human nature. The books points out both the good and the bad qualities of the people, however, the most obvious descriptions are those of the sinful flaws of humans, such as greed and lust.
The Canterbury Tales were written and pieced together in the late 1380's, early 1390's. The author of the book is Geoffrey Chaucer. When considering the structure of the tales, one can deduce that they were put together using Framework Narrative, a very unique style of writing. The opening prologue speaks of 29 pilgrims, including Chaucer, who are all on a pilgrimage to Canterbury. All of them are seeking a certain shrine for spiritual cleansing, and relief. The journey was to be long, but in the end it would all be worth it. Chaucer's social views and prejudices are revealed through his description of the pilgrims in The Canterbury Tales.
Many pilgrims in Geoffrey Chaucer’s Canterbury Tales held a religious position. Some of these people’s personal ideas have caused debates and criticism over Chaucer’s opinion of the Catholic Church. Critics have discussed the ideas that were presented both subtly and openly. Two of the pilgrims and their tales will be discussed: the Prioress and the Pardoner. Both of these tales offer points of criticism in the Catholic Church.
It is clear that Geoffrey Chaucer was acutely aware of the strict classist system in which he lived; indeed the very subject matter of his Canterbury Tales (CT) is a commentary on this system: its shortcomings and its benefits regarding English society. In fact, Chaucer is particularly adept at portraying each of his pilgrims as an example of various strata within 14th century English society. And upon first reading the CT, one might mistake Chaucer's acute social awareness and insightful characterizations as accurate portrayals of British society in the late 1300s and early 1400s. Further, one might mistake his analysis, criticism, and his sardonic condemnation of many elements of British culture for genuine attempts to alter the
The Canterbury Tales, written and narrated by Geoffrey Chaucer, explores manipulation and dishonesty in the Catholic Church. The Nun in “The General Prologue” exemplifies improper qualities to which a Prioress should have. Along with the Nun, The Friar in “The General Prologue” uses false information to gain customer. In “The Pardoner’s Tale,” the Pardoner uses greedy tactics to wield other pilgrims into buying his relics.In Geoffrey Chaucer’s Canterbury Tales, Chaucer uses the Nun and the Friar in “The General Prologue” and the Pardoner in “The Pardoner’s Tale” to show the hypocrisy in the Church.
By analyzing “The Canterbury Tales”, one can conclude that Chaucer did see the merits of the church, but by no means regarded it in a wholly positive light. Whereas some of the clergy are viewed as devout and God-fearing, others are viewed as con- men and charlatans. One can even venture to say that Chaucer was using this story as somewhat of a criticism of the church, showing the flaws of its leaders and the greed that permeated it at the time.
Around 1300AD, the Italian Renaissance was introduced, spreading through continental Europe as a “rebirth” of intellect, culture, and especially in the church. Despite the societal advancement, this religious renewal didn’t reach England until over a century later, which was partly because of corruption. During this period when England was behind the times, world connoisseurs such as Geoffrey Chaucer gradually brought the development into the country. Such is evident in Chaucer’s The Canterbury Tales, where Renaissance-like characters on a holy pilgrimage take part in a story telling competition. Many of the pilgrims are part of the clergy and mimic the essence of the modern times by
Through the union of thirty-four pilgrims on their journey to Canterbury for absolution, Chaucer pens the tales and interactions of the pilgrims of various ranks and ecclesiastic affiliation. He negotiates a social hierarchy—different from that of the current governing structure—through his acute understanding of the behaviors, beliefs, and pretenses that cemented such order. Chaucer’s microcosm of caricaturized hierarchies criticizes the current social order defining the late-1300s, exposes the decadence of the disintegrating social structure, and hints at his idyllic version of a more correct institution. To understand Chaucer’s lampoonery, it is imperative to understand the current rankings and privilege from whence he came. Born to a
In a society in which hierarchical structures determined the types of interactions between individuals of different classes, there would be limited opportunity for oppositional values and attitudes to directly engage. One of the distinct features of Geoffrey Chaucer’s work The Canterbury Tales is that the author creates a situation in which vastly different types of individuals can engage with one another. This illuminates their most polarizing differences and allows for their contradictory attitudes to engage. Under this pretense, Chaucer allows for the spirit of the carnivalesque to be contrasted with the religious and social structures to which it responds. This can be seen in the characters of the Wife of Bath and the Miller, and their respective stories, both displaying different incarnations of the carnivalesque, and their contraposition to the ideologies associated with Christianity. Amongst the hierarchical structures of their society, the carnivalesque attitudes of the Wife of Bath and the Miller allow for them to seize a freedom which might be denied to them by those in higher positions. This is
Geoffrey Chaucer’s The Canterbury Tales was written during a time of societal change, away from the stability of feudalism and towards an individualistic, mercantile economy. Feudalism consisted of a static, rural economy where every member had a duty to serve those above them. They valued the greater good and were not focused on gaining economically for their own personal benefit. An era of change, however, began as events such as the Crusades opened up trading opportunities which would eventually cause a shift in England, as the economy went from being land-based to money-based. A mercantile class was on the rise as well as capitalism. People were no longer driven to work by a sense of personal duty for the common good, but rather for their own social and economic gain. Corruption of the Church during this time as well increased, as church members were affected negatively by this changing economy. Many were driven by greed as well and took on immoral approaches towards their church positions. Vows and church teachings were disregarded as indulgences and materialism became the main focus of many in the clergy. Through his satirical portrayal of his characters in Canterbury Tales, Chaucer explores issues such as the changing economy and corruption of the church in order to expose and criticize the wrongdoings and values of his shifting society caused by the end of feudalism during this time.
During the middle ages, Geoffrey Chaucer, the writer of The Canterbury Tales, used literature to criticize and draw attention to social dilemmas. The period in which he lived was a violent and turbulent time. Public hangings, beheadings, burnings at the stake, etc. were common. “As Chaucer strolled across London Bridge, making up intricate ballads in his head, counting beats on his fingers, he could see, if he looked up, the staked heads of wrong doers hurried away by earnest christians to their presumed eternal torment” (140). Chaucer used The Canterbury Tales as an avenue to criticize and draw attention to the greed and corrupt behavior of his times. History and current day events have shown that some politicians, people with prominent
The Canterbury Tales provides a unique take on medieval culture that is unmatched by any other literary work. Geoffrey Chaucer creates a world filled with astounding characters which range from the vilest creatures to the most respectful individuals in the land. His unique stories keep the reader intrigued to find out exactly what will happen next. These exhilarating tales convey messages and examples were often made out of the characters that Chaucer deemed evil or disgraceful to mankind. In The Canterbury Tales, it is apparent that Geoffrey Chaucer is appalled by many people in the merchant and religious class, admires the Knight, Oxford Cleric, Wife of Bath, and Parson, and has a negative outlook on mankind as a whole.
In the General Prologue to the Canterbury Tales, Chaucer describes the men and women of the Church in extreme forms; most of these holy pilgrims, such as the Monk, the Friar, and Pardoner, are caricatures of objectionable parts of Catholic society. At a time when the power-hungry Catholic Church used the misery of peasants in order to obtain wealth, it is no wonder that one of the greatest writers of the Middle Ages used his works to comment on the religious politics of the day.
The Canterbury Tales, the most famous and revolutionary work of Geoffrey Chaucer, is a collection of twenty-four tales presented in the form of a story-telling contest by pilgrims who are traveling from London to Canterbury. In my viewpoint, The Canterbury Tales can be understood as a representation of the English society at Chaucer's time as it documents several of the social tensions of life in the late Middle Age. The choice of setting the tales as part of a pilgrimage allowed the author to cover a wide range of social roles with varying hierarchical positions and occupations. Therefore, the tales depict a number of the evolving themes by that time in many segments of the society, such as the ones presented in The Wife of Bath tale: the