Chicago Art Institute Analysis

Claude Monet is one of the most familiar and best loved of all Western artists. His images of poppy fields, poplar trees, water lilies and elegant ladies in blossoming gardens are familiar to people who have never seen the original paintings and may never have visited an art gallery. Monet's works have won a place in the affection of the general public that seems almost without parallel. (Rachman, 4) In the decades since his death in 1926, Monet's work has been intensely studied by a variety of art critics. However, none of his works have been as deeply studied as those done in Giverny, in the early twentieth century. During this time Monet's paintings, which focused on specific subject matter from various viewpoints,

The main building of the Art Institute is constructed mostly of masonry, with few windows, and feels very heavy and overpowering. Grand staircases and large columns dwarf visitors as they move through the galleries. This is similar to the way the art in the space makes you feel: small, unimportant, and sometimes even afraid. The Modern wing in constructed of steel and glass, and is very open and bright (except when intended not to be). The large north wall facing Millenium Park is one large expanse of windows, letting in plenty of indirect sunlight, and opening the gallery to the park. The space feels very light, in both senses of the word. As with the old building, the art feels similar to the space in that it is more open and less opressive.

Claude Monet was a prolific French painter who founded Impressionism in the 19th century. He strongly held onto his belief of his painting style throughout his long career and is considered to be one of the most prominent and influential painters in history. He focused on capturing the feeling or experience of a certain moment. He was intrigued by the light and color, so he explored their changes under various weather conditions at various times of day. Monet’s fascination of shifting effect of light and color directed him in the creation of Impressionism. In addition to his passion for depicting the visual impression, Claude strongly disliked the classical style of painting, which encouraged him to present the world as it is. Monet was disenchanted with the traditional academics of art; therefore, he was motivated to pioneer a new and fresh style of painting, which transformed visual arts and unleashed a path to the beginning of abstraction.

Background and Audience Relevance: Van Gogh is one of the most well known artists today. His vivid landscapes and portraits are praised for their use of different colors and bold brush strokes. Many people can easily recognize a Van Gogh painting, but they don’t know much regarding his life or the struggles he faced as an artist.

In France, a 19th century art movement marked the break of tradition from European painting. The Impressionist period brought new techniques to the world of art, such as small touches of pure color called Pointillism. Impressionist art, a style of in which the artist captures the image of an object as if they had just caught a glance at it, pictured landscapes more often and without details but with bold colors. Claude Monet, in particular, uses this style in almost all his pieces. In the Impressionist Period Exhibit of the Dallas Museum of Art, some of Claude Monet’s paintings showcase his handling of this style. In the pieces, “The Seine at Lavacourt”, “Valle Buona, Near Bordighera”, and “Water Lilies”, Claude Monet captures nature in its finest form and puts into a visual format for all to see in his perspective.

The start of our trip we decided to visit the Chicago River and learn about how it is an important asset to the city. We saw numerous boats traveling and people walking by the river. It gave us a chance to look at nature’s beauty in the heart of the city. When walking by the river, it gave me a soothing feeling from the busy city

Affected by broad social and cultural change, the way art was sold and displayed. In this case, the work Portrait of Dr. Gachet gained fame under the interaction of a series of collectors, critics and curators. But what I hadn’t expected before reading Saltzman’s book was the truth that initially van Gogh was famous by his mysterious life and

The most memorable artists are those who can tell a story in a piece of artwork. They are able to combine different brush strokes, textures and variations to the paint to enable viewers to understand the story which they want to be told. Vincent van Gogh was a lonely and poor man, but one of the more memorable artists because of his story telling. Starry Night, Bedroom in Arles and Self-Portrait with Bandaged Ear are just a few of Vincent van Gogh’s famous paintings. Van Gogh was a Dutch painter born in 1853 and he was a part of the Post-Impressionist period of art. Most of van Gogh’s painting can be considered a biographical approach as his paintings are events he experienced through his life which he wants to recreate. Van Gogh used colours and forms to convey what he felt about the things he painted and what he wished others to feel (Gombrich, 1995, p. 548). Vincent van Gogh had an incredible influence on the Post-Impressionist era and how art is perceived now. He utilized new elements in ways in which other artists never used them before. The point of this paper is to demonstrate how Vincent van Gogh utilized his life experiences and showed it through his artwork; they all tell a story about his life and the challenges he faced.

Artists tend to craft their skill to the norms around them. Whether it is a similar theme, style, or social issue artists attempt to address, art interconnects. Three artists Jacob van Ruisdael, Claude Monet, and Paul Signac draft analogous images but with different techniques and styles. Although the three artists show the relationship of human interaction in nature by incorporating buildings, the composition and spatial arrangement of objects differ. The styles in the three paintings reveal drastic differences as Ruisdael’s realistic depiction in Bleaching Grounds Near Haarlem doesn’t compare to the dotted and blurry landscapes of both Monet’s Valle Buona and Signac’s pointillism in Comblat-le Chateau. Both artists as they both hint sense

Bedroom in Arles, an oil painting executed by Vincent van Gogh, is currently exhibited in the Art Institute of Chicago (version 1889). A medium-size painting full of transitions of colors and angles, The Bedroom showcases van Gogh’s residence in Arles, Bouches-du-Rhône, France, where he started extensive cooperation with Paul Gauguin. Although not a realistic reflection of the place he lived, The Bedroom masterfully integrates effects of colors, composition, perspective, and size to convey both a sense of calmness and a taste of excitement--intimacy and vitality.

The Milwaukee Art Museum is a large modernistic building that is designed both for both beauty and function. The museum as a whole is a piece of art. It features clean lines, impressive symmetry, a clean color pallet, and many other aesthetically pleasing elements. These elements work together to create a building that Milwaukee is proud of. It is positioned in a prime position on Wisconsin Avenue, and is also rite on the lakefront. This placement makes the building viewable to museum visitors, lakefront visitors, and commuters alike, making the structure an even more important part of Milwaukee. The importance is highlighted through its impressive aesthetic. The beautiful architecture features an elegant pedestrian bridge, a grand entrance,

Upon arriving 30 minutes prior to the museum opening, the impatience overcame me. Auguste Rodin’s sculptures at the exterior did not suffice. At noon, I finally gained admittance into the museum, and I carefully observed at every artwork displayed. After, I went back to the artwork I liked the most and scrutinized, analyzed, and interpreted. Overall, the museum had a collection of excellent Impressionist art. Among the greatest Impressionist artist, I chose Berthe Morisot’s In a Villa at the Seaside. The glittering oil paints on canvas demonstrated and revealed its temperature that I could sense the warmth in the painting. The more I gazed, the more I was captivated by the artwork. In addition, the surrounding artworks heightened the impression. The walls were covered with seascape paintings that I could almost smell the sea air. Therefore, it allowed me to engage deeply in the setting along with the figures in the canvas spending their leisure time at the seashore. As soon as I recognized their apparel, I could associate this artwork with the woman in Jean Honore Fragonard’s canvas oil painting, The Swing, from the textbook. Both of the artworks enhanced my understanding of how the classes would differ. In specific, I could sense the barrier between the class statuses: the upper middle class and the upper class. Although they share the same theme of “class”, different artists have approached the theme in different styles.

A painting is often our own depiction of what we see. To me, painting allows me to express my beliefs and emotions, tell a story and challenge my society and myself. A world consisting of my own ideas and thoughts. Throughout years of painting, I realized that their are specific techniques for a successful artwork. The main Three I will be discussing are the Use of Space, Materials and the function of the painting. In support of my argument I will be referring to two Artists I discovered in my visit to the Tate Modern Museum. I will discuss Marlene Dumas, and compare a few of the points to Wilhelm Sasnal’s work, mentioning their own similar or different approaches to painting.

The solo exhibition of a renowned French artist Henri Matisse (1869–1954) - “Matisse in the Studio”, is organized by the Museum of Fine Arts, Boston and the Royal Academy of Arts, London in partnership with the Musée Matisse, Nice. The exhibition presents a selection of major works by Matisse from different periods of his career—including approximately 34 paintings, 26 drawings, 11 bronzes, seven cut-outs and three prints, and an illustrated book that bring them to life. The show is organized thematically, in five sections, including “The Object Is an Actor,” “The Nude,” “The Face,” “Studio as Theatre,” and “Essential Forms.”

When most people think of Vincent van Gogh, they think of an artist with mental health issues who cut off his own ear. Some stop at that, but others then progress to think of his Starry Night painting. Van Gogh is well known for not becoming famous until after his death. In fact, he sold but one painting during his life, and that was mostly thanks to his brother, Theo. Today, his paintings are some of the most sought after and expensive works ever to be auctioned. However, though most modern art appreciators celebrate his paintings, his life, and are well informed about him, the rest of the world sits by and merely acknowledges him as a talented artist gone awry. It is not wrong to look at a painting and try to figure out what the artist was thinking when they made it, but it is a shame to not also try to understand what led them to that point. Why did they produce it in the first place? This is especially the case with Vincent van Gogh, whose whole life- from birth to death- must be examined.