Chicago Art Institute

Many in the modern world seem to take great pride in the rapid pace which life holds for most of us. It is as if we might squeeze a few more precious moments of life's experience for ourselves if we move a bit faster. In reality, we rob ourselves of the enjoyment of the slow consideration of the phenomena we experience everyday. Art is something static which we might use to slow us in our perception of our world. It is not required that art be something static in motion but in thought. It is not something to be considered with only fleeting attention. A single painting could mean millions of different things to different people. It is the value of possibility and of perception that is so important. The Weatherspoon Art Museum at UNCG is a

The building at 111 South Michigan Avenue, home of the Art Institute of Chicago, was opened in 1893 as the World’s Congress Auxiliary Building for the World’s Columbian Exposition. The building was passed on to the Art Institute after the end of the exposition. Designed in the Beax-Arts style by Boston firm Shepley, Rutan, and Coolidge, building has become an icon for chicagoans an tourists alike. The Modern Wing, the Art Institute’s latest and largest addition to date, opened on May 16, 2009, and was designed by Pritzker Prize-winning architect Renzo Piano. The 264,000 square foot addition now houses the museum’s collections of modern European painting and sculpture, contemporary art, architecture and design, and photography. The new

During my visit at the Art Institute of Chicago this quarter, a popular and interesting piece of artwork that spoke to me in ways that no other artwork did was the, “Tarquin and Lucretia” by Tintoretto or the artist known as Jacopo Robusti. Tintoretto is also known as the one of the most well-known Italian Renaissance artists and became interested in painting at a very young age. This specific piece of artwork was originally created by Tintoretto during 1578 through 1580 and is an oil painting on a canvas. It has approximate size measurements of 68’ 7/8” by 59’ 5/8” and is classified as an Italian work of art. This painting takes place in ancient Roman times where the figure that is somewhat laying down represents Lucretia, who is the wife of an honest man named Lucius Tarquinius Collatinus (“Stories and Histories - The Rape of Lucretia”, 2016). The other figure that is directly behind Lucretia is Sextus Tarquinius or Tarquin, who is her rapist and the son of a dictatorial Roman king named Lucius Tarquinius Superbus. Subsequently after her rape, Lucretia tells her husband and father about the incident. In order to save herself from the guilt and misrepresentation of her reputation, she stabs herself to death (“Stories and Histories - The Rape of Lucretia”, 2016). In the article titled, “Illicit Arousal: The Erotic Subtext of Tintoretto 's Tarquin and Lucretia” within The Journal of the History of Art by Sabrina DeTurk, it is stated that Lucretia is seen to be “a moral

Many universities have their representative public artwork on their campuses for which they are recognized. Moreover, art feeds people's creativity.

This Summer, I had the opportunity to spend my entire break attending conferences and interning at a lab at UCSD so I thought to myself I would never have the time to visit any art museum or do my summer assignments for that matter. That was until I realized I was living at a campus who had an art piece practically on every corner of their six colleges. I then began my journey, on scooter, to discover the hidden and the not so hidden gems The Stuart Collection at UCSD had to offer. It was then that I fell in love with 2 specific art pieces throughout the campus, those being Do Ho Suh’s Fallen Star, which depicts an immigrant’s transition into American culture, and Kiki Smith’s Standing, which depicts a seemingly tortured woman.

He started his article, “How African-American Artists Fought to Diversify Museums”, with an overview of the history of the issue. The article stated the importance of the initial attempts to mollify black artists and how the attempts sparked more outrage by displaying the blatant disproportion of diversity. It concluded that all of these events built up and provoked a movement to include more art as seen to this day. It focuses on how museums are still guilty of conforming to social and political views, as seen by the types of art displayed and who created them. The article then turns into an interview with author, Susan Cahan, to discuss political influences in museums throughout history and what effect it has on the art world today concerning black artists. Unlike the New York Times article, this story went into excessive detail of how the movement to include more African American artists started and the progress that has been achieved throughout the years. It granted the reader a more thorough understanding about the movement and why it has been (and still is) a serious issue today. The comparisons it brings up from the very first attempt to include black artists in an exhibit—“Harlem on My Mind”—to the exhibits today document the remarkable progress made as well as the excessive amount of protesting that accompanied it. Both articles were great sources of information for people looking into the history of black artists exhibition, but the critical difference between the two was the tone: the first article viewing the situation to be long-overdue but hopeful, while the second article spoke of the situation from the perspective of an author who felt the museums should be ashamed of their lack of effort throughout the

In her speech “How art gives shape to cultural change” (2009) Thelma Gordon, a curator of art for Studio Museum in Harlem and the Whitney Museum, provides insight into how curators, art, artist and museums are catalyst for culture and change. Her speech guides viewer through her exhibitions and events in history that resulted in the rewriting of history and personal growth. She studied art and artist at a time when museums included fewer people of color and is an advocate for cross-culture dialogues, creativity, innovation, and defining culture through exhibitions. She believes in using art and the museums to change the way people think about themselves and culture and realizes the effect art has on people internationally and in a community.

The Art Institute of Chicago is a great place to see the Asian art. The Art Institute receives a four out of five stars. The positives are that there are a huge variety of visual arts to appreciate. The first negatives of the Art Institute of Chicago is that the Islamic Asian art is under develop. There are two pieces that represents Indian Islamic art. The second is the expense to visit is high. Parking and admission for someone who lives out of state will cost fifty dollars. There are two exhibitions and three collections worth mentioning in this institute. The two exhibits are the Gates of the Lord: The Tradition of Krishna Paintings and Kesa: Japanese Buddhist Monks’ Vestments. The collections that are worth checking out are the Southeastern and Oceania, South Asian, Korean, the Chinese, and Japanese.

I am writing to you to express my interest in the job opportunity “Terrace Research Associate in Egyptian Art” in the Department of Art of the Ancient World, one of open staff positions in Museum of Fine Arts (MFA) Boston next Summer.

Being my first time visiting an art gallery, my husband insisted on visiting the Art Institute of Chicago during our stay in the city. I must say it was a hidden gem in the city of Chicago. The Art Institute of Chicago gives the public and tourists the opportunity to personally view artwork from across the world. It gave me the opportunity to visit a place that I’d never pictured myself spending my time at an art gallery, and this experience exposed me to incredible works of arts.

The artwork is one of the main ways to express the culture of a region or a country. Therefore, art has played a very important role throughout history. When talking about art, the first thing that comes to most people’s minds is probably that art is a painting or it is a sculpture. However, art has many forms of expression, and it closely connects to human’s daily life. Besides paintings and sculptures, art is everywhere around us. I am always interested in how people have linked art with daily life throughout history. For this reason, the two pieces of artwork I chose from my visit to the Museum of Fine Arts are both objects that can be used in everyday life: one is the mixing bowl and the other is an incense burner. Though they are from different cultures, have different making processes, and have a different purpose in usage, they both are good examples to show how artists tried to apply art using different techniques to human’s daily life.

There are many things that go into the thought behind creating such a masterful art piece that would be shown in famous museums. The thing about art is that the viewer can understand the artist through his final piece. These pieces can be shown around the world to all different people. Chicago, also known as “The Windy City”, has many famous museums such as the Art Institute of Chicago. The museum is one of the most famous art museums in the world attracting more then 1.5 million visitors annually. The Art Institute contains collections of Impressionist, Post-impressionists, and American paintings.

There are many things that go into the thought behind creating such a masterful art piece that would be shown in famous museums. The thing about art is that the viewer can understand the artist through his final piece. These pieces can be shown around the world to all different people. Chicago, also known as “The Windy City”, has many famous museums such as the Art Institute of Chicago. The museum is one of the most famous art museums in the world attracting more then 1.5 million visitors annually. The Art Institute contains collections of Impressionist, Post-impressionists, and American paintings.

Chicago is a visually beautiful city full of fantastic art installations to die for. From the Dan Ryan Project to the Daley Center, you will find art everywhere and the best ways of seeing them up-close-and-personal is by taking an art tour with Noble Art Tours or Free Tours By Foot. They will take you around the most iconic pieces in the city. Also, you can find those pieces on your own by downloading several Chicago art maps online that you can print out.

The Art Institute of Chicago’s contemporary art gallery after 1960 does a remarkable job of creating a visual world for their audience throughout the entire gallery. Remarkable in a way, that the audience can easily recognize and point out things; things that people can relate to in their everyday life or things people found of interest. The contemporary gallery after 1960 presents a visual experience for their audience that was imagery. Two works of art that stood out the most was Andy Warhol’s Mao produced in 1973 and David Hockney’s American Collectors produced in 1968.